A really impressive 15ct gold necklace which was retailed by the firm of Murrle Bennett, based in Regent Street, London. They used various designers often collaborating with Theodor Fahrner. Sometimes you find both monograms of the two firms on a piece of jewellery. This necklace carries the Murrle Bennettt mark and is all 15ct gold apart from a later bolt ring which is 9ct gold. It has been set with three turquoise matrix which was a fashionable combination in the Art nouveau era. It was made circa 1910. }

A beautiful 18ct gold and moss agate necklace that was made circa 1820. it is composed of seventeen specially chosen graded moss agates with a further larger moss agate that forms the hidden clasp. The faceted agates have drilled holes and are linked by fine 18ct gold chains. In the Georgian period there was a fascination for natural agates that were sourced in England then polished and faceted and set in to brooches, necklaces and earrings. This necklace is a superb surviving example of the craft. }

A useful and pretty pair of claw set diamond stud earrings set in 18ct white gold. They can be worn daily as they are not very large diamonds! }

Sampson Mordan who was born in 1790 and died in 1843, was a silversmith and a co-inventor of the first patented mechanical pencil. During his youth, he was an apprentice of the inventor and locksmith Joseph Bramah, who patented the first elastic ink reservoir for a fountain pen. In 1822, Mordan and his co-inventor John Isaac Hawkins filed the first patent in Great Britain for a metal pencil with an internal mechanism for propelling the graphite "lead" shaft forward during use, as an improvement on the less complex lead holders that merely clutched the pencil lead to hold it into a single position. These pencils are now highly collectible Mordan bought out Hawkins and entered into a business partnership with Gabriel Riddle, an established stationer. From 1823 to 1837, they manufactured and sold silver mechanical pencils with the marking "SMGR". After the partnership with Riddle dissolved, Mordan continued to sell his silver pencils as "S. Mordan & Co." This gold pencil which also has a pen nib is marked S.Mordan & Co. Inset in to the top is a bloodstone with an engraved monogram. }

A useful medium length chain that can be worn on its own or with a pendant. The links are octagonal with bevelled sides which is quite unusual. It was made circa 1910-1920. }

A pretty 9ct gold chain that was made circa 1880. It is composed of close linked faceted links with gold wires where they join the next link. As a result this is a sturdy chain and can be worn daily! }

A luminous pair of late Edwardian chrysoprase and diamond drop earrings made from platinum. Elongated briolette shaped chrysoprase cabochons are accented by small diamonds and paired with matching round cabochons. These articulated earrings gently sway when worn and are a good unusual colour. }

A pair of really pretty 15ct gold earrings that were made circa 1910. They have each been set with a pearl with two little platinum fronted leaves above set with graded diamonds. They are so wearable on a daily basis. }

A useful Victorian chain which is a good medium length and can be worn on its own or layered with other chains and pendants. It has a dog clip attachment so that you can hang pieces from it like watch keys, seals and charms. }

A superb example of a late Georgian 18ct gold guard chain that was made circa 1820. It is composed of straight pierced links interspersed with double joined scalloped design sections. It has a barrel clasp which is set with four turquoise beads within flowers. It has most unusual links and is a rare example of a good early chain. }

A good quality silver and pale blue translucent enamel butterfly brooch by Ivar T Holth that was made in the 1950s. Holth established his wholesale company in Oslo in 1943. The company quickly became one of the leading Norwegian jewellers. These butterfly brooches are always popular and easy to wear on their own or with others! }

A fine quality 18ct gold watch with a bow brooch above. It was made circa 1900, and is most probably French made for export as it carries "18K" marks. The deep blue enamel is translucent so that you can see the rays of engine turned engraving beneath. The lyre motif is set with rose diamonds. There are tiny "fleur de lis" applied in gold around the lyre. The bow brooch is also set with rose diamonds and has applied stars within the blue and white enamel. }

A fine example of Marcasite (iron pyrites) work inlaid in Sterling Silver with detailed strap. The hallmark dates the watch to 1960, made in Birmingham with maker's mark 'Y & E'. The round face is easy to read and is marked 'Provita'. }

A stunning narrow knife edge design bangle that was made circa 1900-1910. It has been claw set with a beautiful Burma sapphire. On either side is an old mine cut diamond with further graded old mine cut diamonds that follow the line of the bangle. The sides have a splayed design in the gold. }

A lovely pair of original Georgian earrings set with foiled rose diamonds. The larger diamond in each earring is a rectangular table cut stone. They are mainly silver with a gold wash on the back which was standard practice circa 1780. The wires are hinged to open backwards, so you have to put them in your ear from behind. This again was usual in the 18th century. }

A pretty pair of 18ct gold diamond and emerald cluster earrings. The emeralds are well matched and are surrounded by ten very white diamonds. They have screw on fittings that can be changed if wanted. }

A useful string of cultured pearls that can be worn on a daily basis. The clasp is 9ct gold and has been set with three further cultured pearls. It has been well strung with knots in between the pearls. }

A wonderful and very stylish Art Deco French bracelet. It is heavy gage 18ct gold and set with five evenly matched cabochon sapphires. As with most French jewellery it is very well made and looks very smart when worn. }

A pretty 18ct gold bracelet that was made circa 1910 in Paris, France. French curb bracelets are quite distinctive as they often have more detail in the gold work than English curb bracelets. This bracelet has ridged detail and has been set with four cabochon emeralds interspersed with three natural baroque pearls. It has a secure clasp and safety chain. }

A really stylish Art Deco brooch that was made in the 9120s. It is such a fluid design with a central circle set with graded marcasite (iron pyrites) and a ribbon flowing over and under it set with further marcasite. This brooch would look stunning worn on a lapel. }

A good strong 15ct gold chain that was made circa 1900-1910. It has a secure barrel clasp and can be worn on its own or with a pendant. }

A useful and original 9ct gold chain that was made circa 1890. The links are lightly faceted so that they catch the light. This was often done on antique chains and is a very attractive feature. it has a secure barrel clasp and a safety chain. It also has a tag on the chain for 9c (9ct gold). }

A useful 9ct gold fine trace link chain with the original barrel clasp that was made circa 1910. }

A fabulous double strand culture pearl necklace. The highlight is the amazing 18ct white gold emerald and diamond cluster clasp with a one carat diamond in the centre. It can be worn as a centrepiece on the neck. The pearls are a lovely milky white colour and are very well matched. It is a stunning look when worn. }

Easy to wear and very stylish this 9ct gold fancy Albert chain would have originally been worn across the chest by a gentleman. It was made circa 1900-1910. It has two dog clips and a T bar. The links are unusual with alternate curb twist and paper clip design. Nowadays these Alberts are worn around the neck with the T bar at the front. You can also add other small pieces to complete the look. }

A very stylish 18ct gold feather brooch that was made in the 1950s. It has a line of graded diamonds up the centre with another diamond at each end. This brooch looks wonderful when worn on a lapel. }

A really wonderful platinum necklace set with good well matched graded white diamonds, the largest of which is a carat. The total weight is approximately 5.20 carats. It was made in the Edwardian period, circa 1900-1914 and is typical of the style from that era with flower and leaf motifs. Platinum is a very strong metal so it can be used sparingly unlike earlier silver pieces which look heavier than this necklace. The result is a lace like quality. There is added millgrain detail to the edges of the platinum. Millgrain was achieved with the use of a knurling tool and looks like little grains, hence the term, on the platinum. This necklace would be wonderful worn on the wedding day and subsequent occasions as it is so special. https://static.antiquejewellerycompany.com/2018/10/344M.mp3 }

A rare and finely made 18ct gold eagle brooch by the well known maker Gaston-Eugene-Omar-Laffitte and made circa 1880-1900. Lafitte is also well known for his plique-à-jour enamel techniques. Winged female figures were a specialty. He Exhibited regularly at the Paris Salons. He also produced small silver repoussé and engraved accessories such as matchboxes, mirrors and lorgnettes. This brooch has a removable brooch fitting as it can also be worn as a pendant. The eagle is clutching an old mine cut diamond in his claws. It is in a platinum setting as the French started to use platinum about twenty years earlier than the English jewellers. }

A good Moderenist silver brooch designed by Henning Koppel for Georg Jensen. Koppel was born in 1918 and died in 1981. He was an artist and sculptor but is most known for his work for the Danish firm, Georg Jensen in the years after World War II. This brooch is typical of his stylish design and dates from 1956. We also have a pair of earrings to match this brooch in the "Earrings" section. }

A rare silver and enamel Russian egg pendant. These eggs are very sought after as they were made in the early 1900s before the Russian revolution. It is a very pretty egg with fine detail of flowers and swags all around. }

A good example of a Georgian 18ct gold agate bracelet. It may have been part of a parure which would have comprised of a necklace, earrings and brooch to match. Over the years pieces often get split up. This bracelet stands on it's own and looks smart. The brown agate is mounted in to gold settings with a secure clasp. }

An amazingly realistic 18ct gold necklace of a snake. It has been enamelled in turquoise blue enamel and has ruby eyes and natural split pearls down it's head with tiny rose diamonds on either side. I love the way that the tail continues under and over the snake's head. From the snake's mouth is suspended a turquoise blue enamel pendant that has a glazed locket and is finely engraved to the reverse. Snake jewellery has long been a symbol of "Eternal love" and this piece is a stunning example. It was made circa 1860. }

A simple 9ct gold cross with an engraved line on it's borders. }

This necklace is top condition and quality. The amethysts are well matched, and the pearls are an even colour. It is an unusual design with the rectangular amethysts offset by the swirly leaf motifs. The chain is set with tiny natural split pearls showing attention to detail. It was made in the Edwardian period, circa 1915. I have not seen this design before. }

A useful pair of 18ct gold earrings that have been set with a cultured pearl within a rope surround. They have screw on backs but they can be changed to post and scroll if wanted. }

A stunning 15ct gold necklace that was made in the early 20th century, circa 1910. The 15ct gold chain has been set with alternate turquoise and natural split pearls. Suspended from it is a 15ct gold heart shaped pendant set with lines of turquoise and natural split pearls. It has a secure clasp set with a turquoise and a natural split pearl. Turquoise was often used in the Edwardian period as it meant "Forget me not" after the flower of the same name. }

A lovely pair of articulated 18ct gold earrings that were made in Sweden circa 1910. They consist of diamond daisy clusters with three diamonds above each cluster. The diamonds are a lovely bright white colour and have been set in platinum settings. They have the original screw back fittings but these can be changed to wires or post and scroll if wanted.}

A good heavy gage 14ct gold chain that is medium length and can be worn on its own or with other chains or with a pendant attached. It was possibly made in Germany circa 1910-1920. The links are an interesting design as they are octagonal with bevelled sides. }

A striking pair of 18ct yellow gold drop earrings with dangling diamond clusters that catch the light beautifully. Each cluster features a claw-set old European cut diamond that is surrounded by ten smaller diamonds. This hangs from a trio of vertically set small diamonds with delicate millgrain detailing. The earrings are fitted with lever back fastenings. They were made circa 1900-1910 and are as wearable now as they were then. }

A wonderful pair of 18ct white gold earrings that were made circa 1925-1935. Fan shapes were popular in the Art Deco period as they were geometric futuristic forms that defined the era. This pair of earrings have been set with diamonds and calibre cut rubies with pear shaped ruby drops. They look "FAN" tastic when worn and have secure post and clip over fittings. }

A charming brooch that was made circa 1900. It is designed to send a message to a loved one. The heart is enclosed within a lover's knot. It has been set with old cut diamonds with a total weight of just under two carats. It would make a wonderful gift. }

A very pretty diamond necklace that was made circa 1900-1910. It is beautifully presented in the original case which is sea green leather with gold tooling. It was retailed by the well known firm William Bruford & Sons Ltd who were based in 132 Terminus Rd Eastbourne and also in Exeter and have traded since 1886. The design is typical of the period with diamond set swags and volutes and five natural pearl drops. There are many fine details including the diamond set caps on the pearls. It is typical of the Edwardian period in it's light feel and looks so lovely when worn. }

An unusual 15ct gold bracelet with six carved rock crystal reverse intaglios of different game birds. Quail, Duck, Pheasant, Partridge, Grouse and Snipe. A reverse crystal intaglio is a rock crystal cabochon with an intaglio carved into the flat back. The intaglio was also painted realistically with oils so, that when viewed through the top, the image appears three dimensional. Finally, the back was sealed with mother of pearl in order to preserve the painted areas. The technique originated in Belgium c. 1860 and is attributed to an artist named Emile Marius Pradier. This technique was also practiced in England by Thomas Cook and his descendants who made crystals for Lambeth & Co. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolour of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. The motifs most commonly found are sporting themes – horses, dogs, foxes and birds. This relatively secret process passed through family members, so keeping it exclusive and expectations of quality were very high. They remained in fashion until poorly made glass and plastic imitations flooded the market c. 1920s. This bracelet is an excellent example of the art of rock crystal carving and was made circa 1900-1910. }

A very fine pair of 18ct gold earrings that were made circa 1900. They are in their original condition and are composed of pear shaped and round aquamarines surrounded by claw set transition cut bright white well matched diamonds. They are the perfect size to wear and look amazing when worn in the evening. }

A pretty 9ct gold bracelet set with three blister pearls in an oval design with straight links in between. It was made in 1908 in Chester and has a padlock with a safety chain, so it is very secure. }

A neat and very wearable pair of 18ct gold earrings. Each one has been set with a twenty point bright white brilliant cut diamond. They can be worn on a daily basis. }

An amusing 14ct gold charm that can also be worn as a pendant. It is of a traditional Swiss chalet with a man outside smoking a pipe beside a bench and a tree. Underneath is engraved "Switzerland". It opens to reveal a couple in bed under a red and white enamelled blanket! }

A good pair of diamond set drop cluster earrings that were made circa 1910. They are platinum which is a tough precious metal. In between is an 18ct gold link. The diamonds are set in rub over settings. In the early 1900s there was a fashion for daisy designs so we come across quite a few daisy cluster rings and these earrings are a similar design. They look beautiful when worn. }

A smart 15ct gold bracelet that is composed of articulated ovoid links interspersed with eight peridots. Peridot is named after the French word “peritot”, meaning gold, because the mineral can vary towards this colour. Peridot is the birthstone for the month of August. It is also the stone given to celebrate the 16th year of marriage. This bracelet was made circa 1910 and is as wearable now as it was then. }

A good pair of opal and diamond cluster earrings that were made in the 1950s. Each earring has been set with a good opal that displays green, blue and red flashes. Around each one are ten diamonds. They are 18ct white gold on the front and yellow gold on the reverse. Perfect for day or night wear. }

A lovely 9ct gold bracelet that was made circa 1900-1914. The links are plain and it is marked on every link 9c for 9ct gold which is a sign of good quality. The padlock hinges open and there is a safety chain for extra security. }

A pretty pair of drop earrings set with faceted pear shaped amethysts with a round faceted amethyst above each one. They are 15ct gold and were made in the early 1900s. They would look lovely worn with a matching amethyst necklace. }

A fantastic and impressive platinum bracelet with six articulated sections set with seven graded diamonds in a line with curved bands of diamonds on either side. The total diamond weight is five carats with the centre three diamonds around a half carat each. It was made in the 1920s and is typical of that period with it's geometric design. A wonderful bracelet to wear on special occasions. https://static.antiquejewellerycompany.com/2018/10/496M.mp3 }

A pretty pair of 18ct white gold earrings with comfortable hinge back fittings. The large diamonds are half a carat each, and have a small diamond above each one. The white gold work has a pierced leaf pattern that gives the earrings a lighter look. The length is ideal for both day and night wear. }

A neat silver bracelet with a continuous line of interlocking double oval pieces which have a hidden clasp with a security catch. It was made in the 1920s and has been hand set with graded marcasite to look like rose diamonds. It was the costume jewellery of the Art Deco period. }

A beautiful 15ct gold bangle that was made circa 1900-1910. It is set with two thirty five point old mine cut diamonds with smaller old mine cut and rose cut diamonds on either side. The design is unusual and in the Art Nouveau "fin de siècle" style. }

An attractive long chain composed of faceted glass beads. It was made circa 1880 when Queen Victoria was in heavy mourning for Prince Albert and set a fashion for black jewellery. This material is sometimes called French jet which is somewhat confusing as it is not jet. However it is shinier than jet and tougher and was a very popular alternative. }

A useful 15ct gold curb link bracelet set with three turquoise and two natural split pearls. It was made circa 1910. }

A set of six buttons with scenes of a stag in woodland, Hunting dogs, a sportsman with gun, a rabbit, a pheasant and a fox. They were made in France circa 1880-1900. We also have another set of six if wanted. }

A pretty pair of Edwardian drop earrings that were made circa 1900-1910. They are similar to Georgian garnet earrings as there was a revival in the early 1900s for this style. Mistakes are often made on the dating of garnet jewellery but as a general guide in the later foiled garnet jewellery the garnets are redder in colour and not purplish red like the Georgian almandine garnet jewellery. However these earrings take their place in history as they rightly should! }

An unusual pin which features a lurcher chasing a hare. Both have ruby eyes and are beautifully engraved. A surete (sûreté) is a stick pin with a fixed ornament on one end and a detachable ornament on the other. It came in use around 1910. This pin comes in it's original case. }

A stylised silver brooch of roses in a basket. It is set with graded white paste. The pierced work is attractive and contrasts well when worn with different colours underneath. It was made circa 1900-1910. }

An Art Nouveau bracelet that was made circa 1910. It has been set with five Turquoise Matrix which was used extensively in Art Nouveau pieces. The gold design is similar to pieces by Murrle Bennett who were a well known firm in the early 1900s. The clasp is marked JB and Co. and is stamped 15 for 15ct gold. }

A really good, heavy Georgian pinchbeck chain with zig zag engraved links and a turquoise glass set barrel clasp. Pinchbeck is a form of brass, an alloy of copper and zinc, mixed in proportions so that it closely resembles gold in appearance. It was invented in the 18th century by Christopher Pinchbeck, a London clockmaker. Since gold was only sold in 18 carat quality at that time, the development of pinchbeck allowed ordinary people to buy gold 'effect' jewellery on a budget. The inventor allegedly made pinchbeck jewellery clearly labelled as such. Pinchbeck jewellery was used in places like stagecoaches where there was a risk of theft. Later dishonest jewellers passed pinchbeck off as gold. Nowadays these original chains are very sought after. It was made circa 1800 and is in lovely condition. }

A Prince of Wales twist chain which was made in the Regency period, circa 1820. Pinchbeck is an alloy of zinc, copper and tin and does not tarnish over time unlike brass. Pinchbeck is a form of brass, an alloy of copper and zinc, mixed in proportions so that it closely resembles gold in appearance. It was invented in the 18th century by Christopher Pinchbeck, a London clockmaker. Since gold was only sold in 18-carat quality at that time, the development of pinchbeck allowed ordinary people to buy gold 'effect' jewellery on a budget. The inventor allegedly made pinchbeck jewellery clearly labelled as such. Pinchbeck jewellery was used in places like stagecoaches where there was a risk of theft. Later dishonest jewellers passed pinchbeck off as gold. It is a neat and smart look when worn. }

A beautiful 18ct gold bangle with a history! Engraved around the back is "Presented to Miss Margaret Stewart Sandeman from Wellwishers Tenants and Employees of the Family on the occasion of her marriage, Stanley, 22nd Oct, 1890" It is always a lovely surprise to find original pieces of jewellery with literally all their history recorded on the item as with this bangle. What an amazing gift from the tenants on the Scottish estate in 1890. It has a line of old mine cut diamonds set in diamond shaped settings across the top with natural split pearls within gold settings on either side. In between are open circular gold ribbed wires with further gold details along the central band. It is in fabulous condition and looks wonderful when worn as I am sure it did all those years ago when Margaret was presented with it. }

A well modelled solid 9ct gold bulldog that was made in the late 1950s. His whole body has been chased and engraved. His eyes have been set with small rubies. You can wear it as a pendant or a large charm. }

A beautiful 15ct gold salamander that is in the original red Morocco leather case. It was made circa 1910 and is typical of the fascination at that time for aquatic and terrestrial creatures. It has been set with natural split pearls and demantoid garnets (green garnets) These garnets were sourced in the Urals, Russia. and are the most beautiful vibrant green demantoid garnets known. The eyes are cabochon rubies. It is an exquisite jewel in its own right. }

A good heavy gage silver bracelet that has been set with graded marcasite. It was made in the 1920s in Birmingham. It is composed of eight sections linked by two rows of marcasite on curved links within millgrained settings. It is stylish and is as wearable today as it was in the early 20th century. }

A useful 9ct gold chain that can be worn on its own or with a pendant. }

These small brooches or stock pins as they are called would have been worn out hunting to secure a stock. This brooch was made circa 1910. It is 9ct gold and has been set with a cabochon turquoise. It was retailed by Murrle Bennett & Company who were based in Regents Street,London. }

A beautiful 15ct gold chain that was made circa 1900-1910. It is composed of open rectangular links interspersed with a knot design. It has the original barrel clasp and tag marked 15ct. It looks so chic just worn on its own. }

A charming silver piggy with character! He has been set with graded rose diamonds and has tiny ruby eyes. He can be worn as a pendant or a charm or can even be converted to wear as an earring! }

A lovely opal bead necklace that was made circa 1910. The opals are graduated and are a good even colour. They are predominantly green with blue and red flashes. The rectangular clasp has been set with three diamonds. This necklace would look amazing worn on a black dress. }

A beautiful 15ct gold bracelet that was made circa 1910. It has alternative lozenge and twist links. This style is very popular and hard to find especially in such good condition. }

A charming and very pretty bracelet that was made in the early 1900s. It has a central cluster of diamonds with a bright white diamond in the centre and rose diamonds around it. There are two decorated bars on either side. It is articulated so it sits comfortably on the wrist. }

A stylish Art Deco bracelet made in 18ct white gold. It has been sert with three good white diamonds within open circular settings. In between are graded diamonds with millgrain detail. The strap is articulated so when worn it curves comfortably around the wrist. It was made in the 1920s and is as wearable today as it was then. }

A really pretty 15ct gold necklace that was made circa 1910. At that time gemstones were selected for their soft tones and colours to match the clothes that were being worn such as ivory coloured silks, satins and lace. This necklace has been set with alternate rock crystal and pink tourmalines within spectacle settings. It is a lovely light look when worn. }

A neat pair of 15ct gold earrings that were made circa 1890. They have each been set with a rose diamond within star shaped settings. The design is typical of the late Victorian period with applied crescent shapes and bobbles. These earrings can be worn on a daily basis. }

A fascinating and very unusual 18ct gold brooch that features Punch in the central panel with a young circus girl and a harlequin in the left hand panel and a clown in the right hand panel. It was made circa 1890. The figures have been enamelled on a matte gold background. It could have been a special commission. }

A smart pair of turquoise earrings that were made circa 1880. They are 15ct gold and have been pave set with graded turquoise in a domed design. You can see the Forget me not flower clusters within the design. They would have been a gift of love and admiration. }

An unusual pair of platinum earrings that were made circa 1910-1920. They are articulated so they move well when worn. They are a tassel design with a crown shaped top. The top diamonds are a quarter of a carat each and have three small diamonds below that attach to the tassels. There is millgrain detail throughout. They are beautifully finished at the back. The settings have been filed in a hair bell shape. An old jeweller friend of mine once told me to always look at the back of a piece of jewellery. If it is well finished then it is a top quality job! They look wonderful when worn and are typical of the early 20th century fine design. There is a pendant to match in the necklaces and pendants section. }

An attractive 9ct gold and platinum bracelet that was made circa 1910. It has finely made links in white (platinum) and red gold. This bracelet can be engraved on the plaque if wished and can be worn on its own or stacked with other bracelets. }

An attractive 9ct gold bracelet that has been set with eleven graded cabochon moonstones. It was made circa 1910 when pale stones such as citrines and aquamarines were popular as they went with the fashions of the period. A cabochon cut moonstone looks like a moon in the night sky. Colour and light shifts with the blue white iridescence and there is a fluid and watery movement to the stone. This bracelet can be worn day and night. }

A lovely 9ct gold chain necklace with gold beads and two strawberry red and white enamelled tubular links terminating with a heart pendant in red enamel set with a pearl. It was made circa 1900-1910 and is as wearable now as it was then. It would be an ideal Valentine present. }

A very good 15ct gold long guard that can be worn twice or three times around the neck. It has been very well made with lover's knots at 1.7cm intervals. It was made circa 1910. }

A lovely little egg charm that can be worn on a bracelet or with other pieces on a chain. It was made circa 1910 and is two pieces of carved carnelian with a faceted rock crystal in between. }

An attractive snake necklace made in 1964 in Birmingham. In the early 20th century Egyptologist Howard Carter made ancient Egypt fashionable and snake inspired jewellery became really popular. This snake has ruby eyes, an engraved head and a stretchy articulated body. The snake motif in antique jewellery is a recurring design and represents “Eternal love and wisdom”. It has a secure clasp at the back and looks very pretty when worn. }

A very stylish articulated Art Deco bracelet that was most likely made in Germany in the 1920s. It has been set with a large cabochon sapphire with four triangular sapphires around it. Then there is a pierced work design set with graded diamonds. The bracelet is sprung so it sits snugly on the wrist. }

A beautiful pair of diamond earrings that were most likely made in France circa 1900. They have each been set with a transition cut half carat diamond in the centre with eight diamonds around them. They are well matched and very white stones. These earrings are so wearable and pretty. }

This necklace was made circa 1880-1900 and is signed on the back Packer. The jewellers Charles Packer & Co were based at 76 and 78, Regent Street, London from 1880 until 1917. It is composed of faceted Vauxhall glass in a flower and three leaf pattern. }

A charming 15ct gold bangle that was made circa 1880. It is typical of the late Victorian era in it's design which features lily of the valley flowers and leaves. The flowers are set with diamonds and the leaves are set with graded rubies. }

An unusual Russian egg that was made circa 1900-1910 in Moscow. These eggs are very sought after as they were made in the early 1900s before the Russian revolution. It is a very pretty egg with fine detail of flowers in the spun glass. The Russian Easter egg tradition dates back to pre-Christian times when people saw eggs as fertility symbols and as symbols of protection. Eggs represented renewal or new life. When Russian Orthodoxy was adopted, eggs took on Christian symbolism. These eggs are lovely to collect and wear on a chain spaced at intervals. }

A stunning pair of 15ct gold acorn earrings that were made circa 1860-1880. They have been so beautifully modelled and are light to wear as they are hollow. They have applied gold wire for the top of the acorns and the leaves have been finely chased. Acorns are a true English symbol of growth and prosperity. }

A striking 15ct gold brooch with a platinum top that was made circa 1920. It has been set with three well matched Royal blue sapphires that are most likely of Burma origin with rubies in between. In between the rubies and sapphires are small diamonds. This brooch has good millgrain detail on the platinum. This is when the edges of the metal have been worked with a knurling tool to produce tiny beads, hence the French name “millgrain”, meaning a thousand beads. It is a very smart and stylish brooch to wear. }

This is a really beautiful 18ct gold French chain that was made in the early 1900s. It has long enamelled batons in translucent eau de nil blue colour enamel with engraved detail beneath and white enamel bands on either end. In between are natural pearls. It is a good medium length so would be ideal to wear over a tee shirt or a jersey. }

An extraordinary and really beautifully modelled 15ct gold brooch of a violin or a viola. It is difficult to tell which. It was made circa 1890-1910 and is truly wonderful to look at as the attention to detail is so fine. It would be a fantastic gift for a violinist. }

A delicate looking 9ct bracelet that has been set with four amethysts that have been cut to heart shapes. It was made circa 1900-1910. Amethyst is the birthstone for Pisces and the month of February, and the gemstone for the 6th anniversary of marriage. Saint Valentine was thought to wear a ring set with an antique amethyst carved with an image of Cupid so what a wonderful present to give to someone that you care for. }

A striking 18ct gold bracelet that was made in the 1940s. It has been set with a citrine, an amethyst, an aquamarine, a pink tourmaline, rock crystal, green tourmaline and a peridot. Each stone has been step cut and is quite large. The whole effect is colourful and quite dramatic. In between the stones are articulated 18ct gold links. It looks fantastic when worn. }

An unusual silver brooch made by Theodor Fahrner in the 1920s. Fahrner was trained as a steel engraver, and was one of the pioneers of designer jewellery. He had freelance artists (designers) with ideas prepared by him working for him. He managed to turn the largely insignificant ring factory of his father in to one of the most creative jewellery companies in Europe. The workshops were based in Pforzheim in the Black Forrest in Germany. This brooch not only is set with graded marcasite (iron pyrites) and painted with black enamel, but has a carved shell cameo of two ladies looking in wonder at an erupting volcano. }