A good pair of opal and rose diamond earrings that were made circa 1900-1910. The opals are wonderful stones that display high flashes of blue, green and red. The photographs do not really show their true colour and they match each other much better. We can send a video of them showing further detail if wanted. Each opal is surrounded by eight rose diamonds that give an added sparkle. These earrings can be worn on a daily basis }

This heavy gage 15ct gold collar is interesting as it is very similar to Indian jewellery designs that have remained unchanged for years. To put this in context one has to look at the history of the mid to late Victorian period which is when this collar was made. After the nominal Mughal emperor Bahadur Shah Zafar was deposed at the conclusion of the Indian Rebellion of 1857  the English government decided to transfer control of British India and its princely states from the mercantile East India Company to the Crown, thus marking the beginning of the British Raj.   In 1874 the British prime minister, Benjamin Disraeli, decided to offer Queen Victoria the title "empress of India". Victoria accepted and the first Delhi Durbar (an imperial coronation) was held in her honour in 1877.  This led to a rise in interest for Indian goods and the designs influenced furniture, textiles and jewellery.  This collar is a superb example and was made in England circa 1880-1890. It is as wearable today as it was then }

A really wearable and pretty 15ct gold bracelet that was made circa 1900-1910. It has been set with six diamonds and seven well matched sapphires within open curb links. This bracelet can be worn on its own or stacked with other bracelets }

A very pretty 15ct gold bracelet that was made circa 1910.  It is designed with curb links and alternating long links that each contain an opal.  There are six well matched opals in total.  it is a very wearable bracelet on an every day basis and can be worn together with other bracelets }

A useful and attractive 15ct gold chain that was made circa 1880-1900. The links are reeded to look like two separate parts. The clasp is a very secure barrel design. The tongue clips into it. This chain can be worn on a daily basis. }

Sampson Mordan who was born in 1790 and died in 1843, was a silversmith and a co-inventor of the first patented mechanical pencil. During his youth, he was an apprentice of the inventor and locksmith Joseph Bramah, who patented the first elastic ink reservoir for a fountain pen. In 1822, Mordan and his co-inventor John Isaac Hawkins filed the first patent in Great Britain for a metal pencil with an internal mechanism for propelling the graphite "lead" shaft forward during use, as an improvement on the less complex lead holders that merely clutched the pencil lead to hold it into a single position. These pencils are now highly collectible Mordan bought out Hawkins and entered into a business partnership with Gabriel Riddle, an established stationer. From 1823 to 1837, they manufactured and sold silver mechanical pencils with the marking "SMGR". After the partnership with Riddle dissolved, Mordan continued to sell his silver pencils as "S. Mordan & Co." This gold pencil which also has a pen nib is marked S.Mordan & Co. Inset in to the top is a bloodstone with an engraved monogram. }

A pretty pair of earrings that were made circa 1880. They are really the costume jewellery of the time because they have been set with white paste instead of diamonds and opaline glass instead of opals.  The earrings are metal and the wires are 9ct gold }

An exceptionally pretty bracelet that was made in the early 1900s. It is a mix of platinum links and 15ct gold in a gate design. It is a heavy gage and can be worn daily. It also has a safety chain for extra security }

A beautiful necklace that was made circa 1820. It has been strung with ten strands of natural seed pearls that terminate with a rectangular 15ct gold clasp set with eight natural split pearls.  Seed pearls are formed with the accidental help of a loose piece of tissue in the oyster.  They were found in river beds in Scotland in the early 19th century and used in mourning rings , brooches, necklaces and bracelets. They are uneven in formation and are charming to look at.  This necklace can be worn loose or coiled }

This 18ct gold brooch is so charming.  It was made circa 1900-1910 and is typical of the Edwardian period in its execution and prettiness.  The bow has been enamelled in baby blue enamel with white dots and a line of natural split pearls in the centre. Suspended from it is a small heart set with a further split pearl.  What a wonderful gift to a wife or new mother }

A lovely 15ct gold necklace with twenty five moonstone drops. It was made circa 1900-1915 when moonstones were very fashionable as they went with the pale colours of the clothes worn then. Moonstone is a stone of protection for traveling at night, voyaging at sea, childbirth, and pregnancy, so it could be an appropriate present for any of the above. }

A well designed lover's knot 9ct gold bangle that was made circa 1910. It is set with three oval matched vibrant opals. The use of opals in antique jewellery signified protection, loyalty and faithfulness. So this symbol together with the lover's knot motif sent a powerful message to the receiver. The centre opal matches the other too but the photograph does not show this well. }

A very pretty 18ct gold curb link bracelet that was imported into France circa 1900-1914. It is marked with an owl or hibou which is the import mark for gold. It has been set with five rubies and six diamonds within curb links. It is very wearable either worn on its own or with other bracelets}

A neat small pair of 18ct gold earrings that were made in the 1980s. They are set with five rubies with a very sparkly diamond in the centre. Pretty and sweet looking when worn on the ear. }

A good heavy gage silver bracelet that has been set with graded marcasite. It was made in the 1920s in Birmingham. It is composed of eight sections linked by two rows of marcasite on curved links within millgrained settings. It is stylish and is as wearable today as it was in the early 20th century. }

A useful Victorian chain which is a good medium length and can be worn on its own or layered with other chains and pendants. It has a dog clip attachment so that you can hang pieces from it like watch keys, seals and charms. }

A superb example of a late Georgian 18ct gold guard chain that was made circa 1820. It is composed of straight pierced links interspersed with double joined scalloped design sections. It has a barrel clasp which is set with four turquoise beads within flowers. It has most unusual links and is a rare example of a good early chain. }

A fine quality 18ct gold watch with a bow brooch above. It was made circa 1900, and is most probably French made for export as it carries "18K" marks. The deep blue enamel is translucent so that you can see the rays of engine turned engraving beneath. The lyre motif is set with rose diamonds. There are tiny "fleur de lis" applied in gold around the lyre. The bow brooch is also set with rose diamonds and has applied stars within the blue and white enamel. }

A fine example of Marcasite (iron pyrites) work inlaid in Sterling Silver with detailed strap. The hallmark dates the watch to 1960, made in Birmingham with maker's mark 'Y & E'. The round face is easy to read and is marked 'Provita'. }

A very pretty bracelet that was made circa 1910. It is set with well matched amethysts and small natural pearls in a floral design. }

A very striking platinum brooch of an arrow. It was made in the 1920s and is set with rectangular onyx and rose diamonds. It pulls apart and is then placed through the material so all you see are the two ends. This type of brooch is called a "Jabot" pin. }

A good looking and very well made 18ct gold bracelet that was made in Austria circa 1900-1920. It has been set with a square cut emerald and two diamonds in a continuous articulated knot design. Austrian jewellery from this period is invariably of lovely quality and easy to wear.}

A very pretty pair of diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More drop earrings that twinkle brightly when worn. The diamonds have a total weight of one caratThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More and are old European cutGemstones cut in this style have a smaller table than the round brilliant and the overall depth is greater. This style of cutting was popular in the 19th Century and is the direct predecessor to the modern round Brilliant Cut. Similar to the Old Mine Cut. More stones. They are suspended from 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More rose goldA gold of any carat alloyed with copper or copper and silver, to give a pinkish or rosey colour or hue. More wires with bobble detail. They were made circa 1910}

A heavy gage 15ct gold bracelet that was made circa 1910. At that time this style of bracelet known as a gate bracelet for obvious reasons was very popular. This example has been set with five turquoise and five natural split pearls. It is as wearable today as it was in the early 20th century}

A really stylish Art Deco brooch that was made in the 9120s. It is such a fluid design with a central circle set with graded marcasite (iron pyrites) and a ribbon flowing over and under it set with further marcasite. This brooch would look stunning worn on a lapel. }

A useful and original 9ct gold chain that was made circa 1890. The links are lightly faceted so that they catch the light. This was often done on antique chains and is a very attractive feature. it has a secure barrel clasp and a safety chain. It also has a tag on the chain for 9c (9ct gold). }

A fabulous double strand culture pearl necklace. The highlight is the amazing 18ct white gold emerald and diamond cluster clasp with a one carat diamond in the centre. It can be worn as a centrepiece on the neck. The pearls are a lovely milky white colour and are very well matched. It is a stunning look when worn. }

A really wonderful platinum necklace set with good well matched graded white diamonds, the largest of which is a carat. The total weight is approximately 5.20 carats. It was made in the Edwardian period, circa 1900-1914 and is typical of the style from that era with flower and leaf motifs. Platinum is a very strong metal so it can be used sparingly unlike earlier silver pieces which look heavier than this necklace. The result is a lace like quality. There is added millgrain detail to the edges of the platinum. Millgrain was achieved with the use of a knurling tool and looks like little grains, hence the term, on the platinum. This necklace would be wonderful worn on the wedding day and subsequent occasions as it is so special. https://static.antiquejewellerycompany.com/2018/10/344M.mp3 }

A rare and finely made 18ct gold eagle brooch by the well known maker Gaston-Eugene-Omar-Laffitte and made circa 1880-1900. Lafitte is also well known for his plique-à-jour enamel techniques. Winged female figures were a specialty. He Exhibited regularly at the Paris Salons. He also produced small silver repoussé and engraved accessories such as matchboxes, mirrors and lorgnettes. This brooch has a removable brooch fitting as it can also be worn as a pendant. The eagle is clutching an old mine cut diamond in his claws. It is in a platinum setting as the French started to use platinum about twenty years earlier than the English jewellers. }

A good Moderenist silver brooch designed by Henning Koppel for Georg Jensen. Koppel was born in 1918 and died in 1981. He was an artist and sculptor but is most known for his work for the Danish firm, Georg Jensen in the years after World War II. This brooch is typical of his stylish design and dates from 1956. We also have a pair of earrings to match this brooch in the "Earrings" section. }

A rare silver and enamel Russian egg pendant. These eggs are very sought after as they were made in the early 1900s before the Russian revolution. It is a very pretty egg with fine detail of flowers and swags all around. }

A simple 9ct gold cross with an engraved line on it's borders. }

A stunning heavy gage gold and platinum Albert chain that was made circa 1900-1920. It has alternating sections of two colour 15ct yellow gold and platinum close knit curb links. It is termed as an "Albert" after Prince Albert, Queen Victoria’s husband, who popularised the wearing of chains across the waistcoat with seals and a watch attached to the dog clip terminal. Nowadays they are worn as neck chains which look really good. }

A good pair of hoop earrings by Cartier, Paris that were made in the late 1980s onwards. They are 18ct gold with Silverium which  is a 1987 process trademarked by Cartier.  Silverium is a type of blackened silver that is alloyed with 18ct gold.  It was originally designed for the company's mascot, the black panther to achieve the shiny black coat. It then led to several jewellery styles and this pair of earrings is part of the collection }

An attractive 15ct gold bangle that was made circa 1880.  It has an interesting Celtic woven motif running at an angle across the bangle with rope edging and in between are bobble clusters.  This complicated and time consuming work would have been done by hand so each bangle that was made would have been slightly different.  It can be worn on its own or stacked with other bangles }

A pretty and very useful pair of 18ct gold earrings. Each one has been set with a transition cut diamond weighing thirty five points within claw set mounts. They were made circa 1900-1910. }

A pretty 9ct gold bracelet set with three blister pearls in an oval design with straight links in between. It was made in 1908 in Chester and has a padlock with a safety chain, so it is very secure. }

An un usual "Giardinetti" brooch that was made circa 1940. Flowers were a fashionable theme in jewellery during the second half of the 18th century. and ‘giardinetti’ items (from the Italian, meaning ‘little garden’) became popular. They had tiny blossoms set with an assortment of precious stones, asymmetrically arranged in a basket, vase or pot and were given as tokens of love. This idea continued and is still popular today. The vase is composed of a black opalOpals occur in a range of body colours from white, black or grey, bright orangey red and a pale watery colour. The most precious opals show strong colour contrast and generally have a dark body colour with a vivid array of colour play. More with diamonds arranged around it. The flowers are different coloured gemstones, diamonds, rubies, sapphires, yellow sapphires, amethystOne of the most popular gemstones, which has long been considered valuable. Amethysts range in colour from light to dark purple; the deeper purple stones are considered to be the finest. More, pearls, aquamarines, olivine, smokey quartzQuartz is a silicon oxide with the various colours being derived from metallic oxides. Varieties include amethyst, citrine and smoky. More, rutilated quartz and citrines. This brooch has a secure roll over catch and an added safely chain. What a wonderful gift to someone that you love}

A very stylish and original pair of 18ct white gold earrings that were made circa 1920-1930. They are typical of the period in their geometric design, and are articulated so they move nicely when on the ear. They are set with good white diamonds and have comfortable and safe hinge back fittings. }

A pretty pair of silver hair pins that would have been used to fix a chignon. The tops have been engraved with a diamond and dot design. They were made circa 1860. It is lovely to have a pair still intact}

A good example of a cut steel brooch that was made circa 1800-1820 in Birmingham. It is composed of a bee perched on a branch. It has been set with faceted cut steel. Cut steel jewellery was created from what was originally used for horseshoe nails in the 18th century. It was individually rivet set with small, individually faceted and polished steel studs, fashioned to catch the light and sparkle like the diamond cuts of that period. A lot of time was spent to create these little jewels and they are highly collectable today. This brooch is a good example of the art}

A gorgeous pair of earrings that were made circa 1820. They consist of a cluster with natural split pearls around the edge then a black enamel band with a pinch set old mine cut diamond in the centre. The top is a pinch set old mine cut diamond that is attached to the gold wire. They look so pretty when worn as the diamonds catch the light. }

A smart 15ct gold bracelet that was made circa 1910. It is a close link curb design with a heart shaped padlock that hinges open. Perfect for every day wear.}

A really impressive 15ct gold necklace which was retailed by the firm of Murrle Bennett, based in Regent Street, London. They used various designers often collaborating with Theodor Fahrner. Sometimes you find both monograms of the two firms on a piece of jewellery. This necklace carries the Murrle Bennettt mark and is all 15ct gold apart from a later bolt ring which is 9ct gold. It has been set with three turquoise matrix which was a fashionable combination in the Art nouveau era. It was made circa 1910. }

A wonderful pair of 18ct white gold earrings that were made circa 1925-1935. Fan shapes were popular in the Art Deco period as they were geometric futuristic forms that defined the era. This pair of earrings have been set with diamonds and calibre cut rubies with pear shaped ruby drops. They look "FAN" tastic when worn and have secure post and clip over fittings. }

A luminous pair of late Edwardian chrysoprase and diamond drop earrings made from platinum. Elongated briolette shaped chrysoprase cabochons are accented by small diamonds and paired with matching round cabochons. These articulated earrings gently sway when worn and are a good unusual colour. }

An attractive 9ct gold and platinum bracelet that was made circa 1910. It has finely made links in white (platinum) and red gold. This bracelet can be engraved on the plaque if wished and can be worn on its own or stacked with other bracelets.}

A very fine pair of 18ct gold earrings that were made circa 1900. They are in their original condition and are composed of pear shaped and round aquamarines surrounded by claw set transition cut bright white well matched diamonds. They are the perfect size to wear and look amazing when worn in the evening. }

A good pair of opal and diamond cluster earrings that were made in the 1950s. Each earring has been set with a good opal that displays green, blue and red flashes. Around each one are ten diamonds. They are 18ct white gold on the front and yellow gold on the reverse. Perfect for day or night wear. }

A smart plain 14ct gold bangle that was made circa 1950-1960. It has an ingenious opening and closing mechanism that is safe.}

A pretty pair of 18ct white gold earrings with comfortable hinge back fittings. The large diamonds are half a carat each, and have a small diamond above each one. The white gold work has a pierced leaf pattern that gives the earrings a lighter look. The length is ideal for both day and night wear. }

An attractive long chain composed of faceted glass beads. It was made circa 1880 when Queen Victoria was in heavy mourning for Prince Albert and set a fashion for black jewellery. This material is sometimes called French jet which is somewhat confusing as it is not jet. However it is shinier than jet and tougher and was a very popular alternative. }

A set of six buttons with scenes of a stag in woodland, Hunting dogs, a sportsman with gun, a rabbit, a pheasant and a fox. They were made in France circa 1880-1900. We also have another set of six if wanted. }

A stylised silver brooch of roses in a basket. It is set with graded white paste. The pierced work is attractive and contrasts well when worn with different colours underneath. It was made circa 1900-1910. }

A really good, heavy Georgian pinchbeck chain with zig zag engraved links and a turquoise glass set barrel clasp. Pinchbeck is a form of brass, an alloy of copper and zinc, mixed in proportions so that it closely resembles gold in appearance. It was invented in the 18th century by Christopher Pinchbeck, a London clockmaker. Since gold was only sold in 18 carat quality at that time, the development of pinchbeck allowed ordinary people to buy gold 'effect' jewellery on a budget. The inventor allegedly made pinchbeck jewellery clearly labelled as such. Pinchbeck jewellery was used in places like stagecoaches where there was a risk of theft. Later dishonest jewellers passed pinchbeck off as gold. Nowadays these original chains are very sought after. It was made circa 1800 and is in lovely condition. }

A Prince of Wales twist chain which was made in the Regency period, circa 1820. Pinchbeck is an alloy of zinc, copper and tin and does not tarnish over time unlike brass. Pinchbeck is a form of brass, an alloy of copper and zinc, mixed in proportions so that it closely resembles gold in appearance. It was invented in the 18th century by Christopher Pinchbeck, a London clockmaker. Since gold was only sold in 18-carat quality at that time, the development of pinchbeck allowed ordinary people to buy gold 'effect' jewellery on a budget. The inventor allegedly made pinchbeck jewellery clearly labelled as such. Pinchbeck jewellery was used in places like stagecoaches where there was a risk of theft. Later dishonest jewellers passed pinchbeck off as gold. It is a neat and smart look when worn. }

An attractive 9ct gold bracelet that has been set with eleven graded cabochon moonstones. It was made circa 1910 when pale stones such as citrines and aquamarines were popular as they went with the fashions of the period. A cabochon cut moonstone looks like a moon in the night sky. Colour and light shifts with the blue white iridescence and there is a fluid and watery movement to the stone. This bracelet can be worn day and night.}

A pretty pair of diamond drop earrings set with three diamonds in each one. They were made in the 1920s. The bottom diamond is surrounded by a platinum band. There is a pendant to match these in the pendants section on the site.}

A very pretty bangle which has five flower clusters set with naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls set on to three bars that continue around the wrist. It is 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold and was made circa 1890. This style of bangle was very popular at the time and is as wearable now as it was then. it has a tongue clasp and a safety chainA small chain applied to a piece of jewellery with the purpose of adding additional security to prevent loss. On bracelets and necklaces a safety chain will often join the clasp ends should the clasp fail. On a brooch it is often attached to a small pin which is to be used in tandem with the main brooch pin. More for extra security}

A very stylish and beautifully made 18ct gold bracelet which is articulated and sits comfortably on the wrist. It has been set with alternating diamonds and rubies. The gold is a lovely buttery yellow and contrasts well with the rubies and diamonds. }

An unusual and original pair of articulated drop earrings that were made circa 1780-1800 in Portugal. They have gold backs and silver fronts and have been set with rose cut diamonds with three acorn drops on each earring. The acorn is a symbol of fertility and immortality, probably because they are the seeds of the "mighty oak" so these may have been a wedding gift. The ear wires are hinge backs so they enter the ear from behind. They look amazing when worn}

A beautiful example of a Jubilee bracelet that has been highly decorated in red, green and white enamel. It is composed of four strawberry red enamel flowers within square mounts and each one set with a natural pearl. In between are lozenge shaped sections enamelled in white and green enamel. It was made circa 1897 when Queen Victoria's diamond jubilee was celebrated. This type of enamelling was popular in the 1880s and 1890s. It has also been set with four natural pearls and is 15ct gold. It has a hidden clasp behind one of the flower sections. A very attractive and quite rare piece of jewellery.}

A beautiful strand of graduated natural pearls with a 15ct yellow gold clasp with a platinum top that is set with diamonds in a cluster design. It has a safety chain for extra security. The value of the pearls in jewellery is determined by a combination of the lustre, colour, size, lack of surface flaw and symmetry that are appropriate for the type of pearl under consideration. This necklace has well matched graded pearls throughout. }

A smart silver bracelet that was made in Poland and has been set with nine haematite half beads. It looks very smart when worn. }

A pretty pair of 18ct gold diamond and emerald cluster earrings. The emeralds are well matched and are surrounded by ten very white diamonds. They have screw on fittings that can be changed if wanted. }

A striking pair of 18ct yellow gold drop earrings with dangling diamond clusters that catch the light beautifully. Each cluster features a claw-set old European cut diamond that is surrounded by ten smaller diamonds. This hangs from a trio of vertically set small diamonds with delicate millgrain detailing. The earrings are fitted with lever back fastenings. They were made circa 1900-1910 and are as wearable now as they were then. }

These small brooches or stock pins as they are called would have been worn out hunting to secure a stock. This brooch was made circa 1910. It is 9ct gold and has been set with a cabochon turquoise. It was retailed by Murrle Bennett & Company who were based in Regents Street,London. }

A fascinating and very unusual 18ct gold brooch that features Punch in the central panel with a young circus girl and a harlequin in the left hand panel and a clown in the right hand panel. It was made circa 1890. The figures have been enamelled on a matte gold background. It could have been a special commission. }

A very striking pair of earrings that were made in the late Victorian period, circa 1880-1900. Each earring has been set with a beautiful pear shaped green tourmaline. They are well matched stones and a wonderful deep sea green colour. Above the stones are diamond set stars. They are a mixture of 18ct gold and silver. They remind me of a starry moonlit evening by the sea ! }

Easy to wear and very stylish this 9ct gold fancy Albert chain would have originally been worn across the chest by a gentleman. It was made circa 1900-1910. It has two dog clips and a T bar. The links are unusual with alternate curb twist and paper clip design. Nowadays these Alberts are worn around the neck with the T bar at the front. You can also add other small pieces to complete the look. }

A charming and very pretty silver necklace that was made circa 1900-1910. It is composed of fourteen hair bells that have been enamelled in the Plique a Jour technique. Plique-à-jour (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel. it is a highly skilled technique and this necklace is an excellent example of the craft. The chain is 9ct gold. }

Bjorn is a renowned jewellery artist and sculptor. He joined Lapponia founder Pekka Anttila and from the beginning developed Lapponia’s unique sculptural designs. When working in silver, Weckström’s aim is to portray the snowy, Finnish winter landscape with its frozen lakes, hence the unique finish found on Lapponia jewellery. These pieces are already collectors items and will survive the test of time. This collar sits beautifully on the neck as it is articulated. It was made in the 1970s.}

A very good pair of diamond and sapphire oval cluster earrings that were made in the 1920s in Austria. They are 14ct white gold and set with two well matched sapphires. They are surrounded by bright white diamonds with a total weight of 1.60 carats. They have comfortable hinge back fittings. }

A lovely little egg charm that can be worn on a bracelet or with other pieces on a chain. It was made circa 1910 and is two pieces of carved carnelian with a faceted rock crystal in between. }

An attractive snake necklace made in 1964 in Birmingham. In the early 20th century Egyptologist Howard Carter made ancient Egypt fashionable and snake inspired jewellery became really popular. This snake has ruby eyes, an engraved head and a stretchy articulated body. The snake motif in antique jewellery is a recurring design and represents “Eternal love and wisdom”. It has a secure clasp at the back and looks very pretty when worn. }

A very stylish articulated Art Deco bracelet that was most likely made in Germany in the 1920s. It has been set with a large cabochon sapphire with four triangular sapphires around it. Then there is a pierced work design set with graded diamonds. The bracelet is sprung so it sits snugly on the wrist. }

This necklace was made circa 1880-1900 and is signed on the back Packer. The jewellers Charles Packer & Co were based at 76 and 78, Regent Street, London from 1880 until 1917. It is composed of faceted Vauxhall glass in a flower and three leaf pattern. }

A lovely 9ct gold bracelet that was made circa 1900-1914. The links are plain and it is marked on every link 9c for 9ct gold which is a sign of good quality. The padlock hinges open and there is a safety chain for extra security. }

A charming 15ct gold bangle that was made circa 1880. It is typical of the late Victorian era in it's design which features lily of the valley flowers and leaves. The flowers are set with diamonds and the leaves are set with graded rubies. }

An unusual and impressive pair of Victorian earrings that were made circa 1860-1880. They have been pave set with graded turquoise. Some have absorbed oil over the years and have turned a darker colour but this is attractive and part of their charm.}

An unusual 9ct gold bracelet that was made in 1907. It is composed of curb links. Every other link has been engraved and in between are plain links. The hearts have also been decorated with a swirl and circle design. The central heart opens to reveal a locket section. The other two hearts do not open. A heart shaped padlock joins the bracelet and there is a safety chain for extra security. It is in wonderful condition and would make a great present.}

This is a really beautiful 18ct gold French chain that was made in the early 1900s. It has long enamelled batons in translucent eau de nil blue colour enamel with engraved detail beneath and white enamel bands on either end. In between are natural pearls. It is a good medium length so would be ideal to wear over a tee shirt or a jersey. }

An extraordinary and really beautifully modelled 15ct gold brooch of a violin or a viola. It is difficult to tell which. It was made circa 1890-1910 and is truly wonderful to look at as the attention to detail is so fine. It would be a fantastic gift for a violinist. }

A pretty bracelet composed of cut steel beads that have been separately riveted on. This was a time consuming process and the intended end result was that the cut steel looked like rose diamonds especially when seen in candle light. This bracelet was made in the 1820s when cut steel was very popular and it is in good condition.}

A good quality 15ct gold wide bangle that was made circa 1880. At that time there was a movement called the Etruscan Revival as many finds from the Etruscan period were being unearthed in Italy. Jewellers such as Castellani embraced the challenge of recreating the art and pieces were painstakingly made with hand applied gold wire work. This bangle is an excellent example of the craftsmanship with fine detail and pierced work throughout. }

A very pretty and neat looking pair of diamond cluster earrings. The centre bright white old mine cut diamonds are twenty points each. They are surrounded by eight smaller diamonds in a silver setting. They were made circa 1900 when silver was still used to mount stones rather than platinum. The backs are 9ct gold. At present they have screw fittings for non pierced ears but these can be changed if wanted.}

An unusually detailed 18ct gold digger brooch that was made circa 1900. It consists of the gold spade with a lucky gold nugget on the tip of the blade and on the handle with a rough diamond set on top of the rope. Around the handle are the miners essential tools, a pick and a rope. It would have been worn by a girlfriend or wife of the miner who had gone in search of gold and diamonds during the Gold Rush in South Africa. This type of brooch is called a "Sweetheart brooch". These brooches adorned the lapels of those hoping to have struck it rich in dangerous times! }

A well carved ivory brooch that was made circa 1880, most likely in Dieppe, France where a lot of ivory pieces were produced. There is a wonderful freedom in the carving. It is almost Art Nouveau with her flowing locks of hair. It is like a miniature sculpture. }

An unusual articulated silver hanging brooch with a watch inside. It was most likely made in Germany in the 1920s. It has been set with graded marcasite (iron pyrites) in a palmette design that was strongly influenced by the Egyptian discoveries in that period. }

In the Victorian era in Whitby on the Yorkshire coast was where the finest quality jet was sourced. Whitby Jet is actually fossilised wood which has been compressed over millions of years. Most frequently found in seams of shale between Robin Hood's Bay and Boulby. In addition to the distinctive shale or 'Jet line' which appears above sea level, the seams extend under the sea and pieces often break away in bad weather to be washed up on to the shore. In 1851, Whitby Jet was exhibited at the Great Exhibition, London and soon became coveted by a number of high profile royal persons including the Queen of Bavaria and the Empress of France. But Whitby Jet's most prolific patron was Queen Victoria. When her beloved Albert died in 1861, Victoria took to wearing Jet jewellery in remembrance of him, and it soon became the etiquette to accessorise the period's mourning fashion with jewellery made from jet. So much so, that the only jewellery allowed to be worn in court during the period was Whitby Jet. Craftsman in Whitby would also take fossils such as ammonites and inlay them into Jet to produce souvenir brooches for sale to the tourists who visited Whitby. This brooch is an excellent example of the craft. }

A sweet oval silver brooch with a pierced work design with a flower in the centre. Perhaps this originally meant the start of a relationship. It was made circa 1880. }

A good example of a silver gilt necklace made by the well known firm, Theodor Fahrner. His factory was a major player in the production of well designed good quality jewellery in the Art Deco period. He was one of the foremost designers in Pforzheim in the Black Forrest in Southern Germany. In this necklace the attention to detail is paramount. }

A late Georgian watch key made circa 1800-1820 and set with a crystal on one side and a chalcedony on the other. It also has black enamel in between the gold work. It can be worn on its own or with other seals and watch keys on a chain or bracelet. }

David Andersen opened his shop in Oslo Norway in 1876 as a designer and retailer specialising in jewellery and silver wares. He died in 1901 and his sons took over company operations and designs. Today, David-Andersen (the company’s name since the early 20th century) is practically synonymous with fine quality mid-century enamelled silver jewellery. This stylish silver and enamel bracelet is a lovely example of the firm's work. }

A fabulous necklace featuring a string of natural pearls with fifty faceted citrines at intervals all around. It was most likely made in India for the English market as I have had many similar necklaces over the years. This example is the longest and fullest though! It was made circa 1900-1910. }

A striking Art Deco bracelet which is well designed, with engraved gold sections set with green crysoprase plaques,. It was made circa 1925. }

A charming enamelled egg pendant of a seated lady in a rustic setting reading a love letter perhaps? It may well have been made circa 1900-1910 in Russia but there are no Russian marks. It is a rare and very pretty piece. }

A stylish silver collar by Georg Jensen that looks really smart on the neck. It comes in the original case. }

A very good example of a Scottish Victorian brooch. It is set with jasper, bloodstone and other agates. The stones were sourced in the mouth of Scottish rivers and polished in to shapes and set in to items of jewellery from the 1860s onwards. Queen Victorian purchased Balmoral Castle in the Scottish Highlands in the 1860s and this spawned a thriving tourist trade in this type of jewellery. It is highly collectable today because of the history and quality of the workmanship. In the centre is a large oval deep orange citrine. }

A good plique-à-jour silver chain that was made circa 1900-1910. It has six evenly spaced Plique-à-jour panels. Plique-à-jour literally means in French "letting in daylight". It is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel. It is in effect a miniature version of stained-glass and is considered very challenging technically. The technique is similar to that of cloisonné, but using a temporary backing that after firing is dissolved by acid or rubbed away. In the Art Nouveau period this technique was very popular and pieces in good condition such as this chain are hard to find. }