This is a very stylish pendant made in the 1920's. The pendant has an articulated drop that features graduated diamonds and a circle of black enamel falling from a delicate platinum chain which has long links with trace links in-between. The diamonds are beautiful, bright white, well-matched stones which create a striking contrast against the deep black onyx. This is a stunning, timeless pendant that is just as wearable now as is was in the 20's!}

An unusual wedding band that is platinum on the inside and 22ct gold on the outside. It was made in the 1930s and is so comfortable to wear with no sharp edges!}

This is a beautiful and unique pendant that was made in the 1920's. It is a negligee design with a natural blue sapphire that weighs approx 0.45 carats, three beautiful well matched natural pearls, four rose diamonds and three old European cut diamonds. The sapphire is a deep royal blue colour and is set in 18ct yellow gold, the diamonds and pearls are set in platinum and the pendant hangs beautifully on a platinum chain. It is a unique and unusual piece that would make a striking Christmas present! }

A fine and quite ornate platinum chain that was made circa 1910. It is interspersed with twelve small natural pearls. It is a delicate looking and very pretty chain that can be worn daily}

A very pretty platinum and diamond necklace that was made circa 1910-1920. At the time daisy clusters were really popular. We have had many daisy cluster rings, earrings and pendants in the past. In the centre is a half carat transition cut diamond. Around it and sitting slightly lower are ten smaller transition cut diamonds. Above are six diamonds mounted in articulated settings. At the top is another quarter of a carat diamond. The chain is platinum and has a secure box clasp. The diamonds are a really good bright white and are well matched. A lovely and special gift}

An attractive 15ct gold tie pin that was made circa 1860-1880. It is in the Etruscan style that was popular in the 1860-1880 period as a large excavation had taken place in Italy. The gold pieces that were discovered influenced many jewellers to copy the design, the most notable being Castellani. It has applied gold wire work with an almandine garnet in the centre. A perfect gift to the man of your choice!}

An interesting tie pin that has a highly detailed Baroque design in 18ct gold set with turquoise with white coral inside. It was made circa 1830 and looks very stylish when worn}

A pretty 9ct gold chain that was made circa 1910. It consists of four balls interspersed with an ornate chain. It can be worn on its own or layered with other chains}

This is a wonderful 18ct gold ring that was made circa 1880-1900. The sapphire is a stunning Royal blue colour and is most likely from Burma. On either side is an old European cut diamond. Each one is three quarters of a carat. The gallery is very pretty with double claws to the sapphire and scroll work detail underneath and on the shoulders. It would make a perfect engagement ring}

This 18ct gold ring was made in Birmingham in 1912 and has been claw set with an unusual combination of gemstones. On the outside are two emeralds then two old mine cut diamonds with a sapphire in the centre. An unusual ring for a special lady}

A beautiful 18ct yellow gold pendant from the Lucky Alhambra collection by Van Cleef & Arpels. The central butterfly motif has been set with a tigers eye displayed on both sides, complemented by a beaded outer edge. It has an original 16 inch fine trace link chain, complete with a lobster clasp. }

This is a really beautiful Victorian ring that was made circa 1890. The shank is 18ct gold and the top is silver. In the centre is a Columbian heart shaped emerald within a gold setting. Around it are old mine cut diamonds that have an estimated weight of two carats within silver settings. The shank splits into three as it joins the top giving the ring a lighter look. It would make the perfect engagement ring}

A really stylish platinum ring that was made in the 1920s. It is typical of the geometric style that was popular at the time and is still so sought after today. It has been millgrain set wit a rectangular sapphire. It is a beautiful Royal blue colour. Around it are fourteen diamonds within millgrain settings, with a further line of smaller diamonds stepped down to the shoulders. It sits low on the finger so it is a practical ring to wear as an engagement ring}

An interesting ring that dates from around 1860. It has been claw set with a central old European cut diamond with a further diamond on either side. In between the diamonds are two emeralds. There are two 18ct gold bands that are joined at the top and at the back. There is further detail to the gold and a bobble on either side of the central diamond. It would make a lovely engagement or dress ring}

A good platinum eternity ring that was made in the 1920s. It has been set with brilliant cut diamonds with a total estimated weight of 1.30 carats. The diamonds are well matched good white stones. Eternity rings look good worn on their own or stacked with other rings}

A smart 18ct gold locket. The design could be a contemporary design so it is amazing to think that this locket was made circa 1860-1890. It has been enamelled in black with a wide stripe down the middle set with an old mine cut diamond in the centre. It has also been enamelled in black on the bale. It opens to reveal a glazed compartment for a photograph}

A smart 18ct gold ring that was made circa 1880. It has been set with an old mine cut diamond that weighs nearly one carat. The setting is called a rub over because it has no claws but rest assured the diamond is secure! This ring can be worn on a daily basis }

A smart and wearable tie pin that was made circa 1910. It is a sprig that has been set with an oval natural pearl and a small diamond. A perfect present for your fiance. All our tie pins come with a stopper at the end of the pin}

A smart 18ct white gold ring that was made in the 1920s. It has been set with a rectangular cut emerald within a millgrain setting. Around it are ten diamonds and a further three diamonds on either side set in to the shoulders. It sits low on the finger so it is a practical ring to wear on a daily basis}

A really charming ring that was made circa 1910. The shank is 14ct gold and the top is silver. It has been set with a cabochon ruby surrounded by small rose diamonds. it would make the most perfect engagement ring as it is delicate looking but robust at the same time, it sits low on the finger and can be worn on a daily basis}

A pair of eternity bands that interlink and can be worn like a Russian wedding band. They have been set with very bright white diamonds with a total weight of nearly 1.5 carats. These rings cannot be sized}

A pretty 18ct gold ring that was made circa 1830. It has been set with four natural split pearls with a little emerald in the centre. On each of the four corners is a small rose diamond. The shoulders have a lovely line and dot detail on either side. It is such a lovely ring to wear}

A very unusual Art Deco ring that is typical of the 1920s with its geometric design. It is 14ct white gold with a platinum top. The 1.30 carat old European cut diamond is enclosed in a millgrained square setting with punch work detail on the edges. The shoulders are triangular shaped and have been set with small diamonds within pierced and millgrained settings. The gallery is a lovely intricate design that was popular in America at that time so it has led me to believe that this ring is American. It would make an amazing engagement ring}

A very stylish 18ct gold ring that was retailed by Asprey, the famous Bond Street jewellers. Asprey, founded in 1781 by William Asprey, was originally based in Mitcham, Surrey until the company moved into its current New Bond Street premises. From its central London location, Asprey advertised ‘articles of exclusive design and high quality', whether for personal adornment or personal accompaniment and to endow with richness and beauty the table and homes of people of refinement and discernment. Queen Victoria awarded Asprey a Royal Warrant in 1862. The 20s and 30s were a golden age for Asprey. It embraced the new style, now known as "Art Deco" introduced by the Paris Exposition des Arts Décoratifs in 1925. Asprey continued to grow after the war, the workshops were moved to above the New Bond Street store, as a result the bespoke business flourished. The firm has always been known for top quality pieces. This ring was made in the 1970s and is a timeless look. It is such a comfortable ring to wear }

A really beautiful heart shaped pendant that was made circa 1900-1910. It is a variation on the normal pave set heart pendant in that it has a starburst of natural split pearls and diamonds around the outside. In the centre is a turquoise set forget me not with a diamond in the centre and graded split pearls around it. The bale has been set with three natural split pearls. The meaning is clear to the original receiver of this pretty pendant that she must not forget who gave it to her. The use of diamonds means "Eternal love" and the pearls are symbolic of wisdom gained through experience. Pearls are believed to offer protection, as well as attract good luck and wealth. It is also said that they are symbolic of the wearer's loyalty, generosity, integrity, and purity. On the reverse is a tiny round glazed locket containing the original lock of hair. This can be removed if wanted}

A good strand of hand carved graduated jet beads that were made circa 1860-1880. In the Victorian era the finest quality jet was sourced in Whitby on the Yorkshire coast. Whitby Jet is actually fossilised wood that has been compressed over millions of years and is found in seams of shale between Robin Hood’s Bay and Boulby. In 1851, Whitby Jet was exhibited at the Great Exhibition in London and soon became coveted by a number of high profile Royals including the Queen of Bavaria and the Empress of France. But Whitby Jet’s most prolific patron was Queen Victoria. When her beloved Albert died in 1861, Victoria took to wearing Jet jewellery in remembrance of him, and it soon became the etiquette to accessorise the period’s mourning fashion with jewellery made from jet. So much so, that the only jewellery allowed to be worn in court during the period was Whitby Jet. This necklace with its original black enamelled dog clip clasp would have been worn at the time.}

A lovely late Georgian 18ct gold ring that was made circa 1820 but has been engraved at a later date on the reverse 'Ann Mercer Obt (died) Augt 3rd 1867 Aet (aged) 71". I researched where she was from and there was a reference to the family of Richard Mercer in Chipping, Lancashire. On the top is a ring of natural split pearls within gold petals that enclose a rectangular cut garnet. The shoulders are the typical Georgian repoussee design of roses and have been set with further natural split pearls. Pearls were always used in mourning jewellery as they represent tears. This ring is a good example of a mourning ring}

Cluster rings are always popular. This one has a scalloped edge containing diamonds and a slightly raised central section set with eight diamonds and one larger diamond in the centre. It is very pretty and was made circa 1910-1920.}

A lovely 18ct gold ring that was made in 1900. It has been set with three old mine cut diamonds within star shaped settings. This style of ring is known as a gypsy ring due to the star shaped settings. They were very popular in the late Victorian and early Edwardian periods and were often set with different coloured gemstones}

This is the perfect engagement ring. It was made in the 1920s and is platinum. It has been claw set with a good old European cut high colour diamond with exceptional clarity. It weighs 1.20 carats so it is a good size. Set in to each shoulder are three small diamonds. It sits low on the finger so it is practical to wear on an every day basis }

A pretty 18ct gold ring set with an oval cabochon cat’s eye chrysoberyl which has a definite white and green edged line across the middle. Natural cat’s eye chrysoberyl is a stone of good fortune and good luck. It is also said to bring serenity and happiness, along with optimism and generosity, creativity and kindness. It is a stone of protection against the evil eye! It is surrounded by small rose cut diamonds. It was made circa 1910-1920.}

A really beautiful 14ct gold brooch of a dressage horse that was made circa 1900-1910. It is highly detailed work and has been pave set with small natural split pearls and a girth set with French cut rubies. He has a small cabochon ruby set in to his eye. There is a secure rollover catch. A perfect gift for a horse lover}

An unusual and very pretty 15ct gold pendant that was made circa 1910. At that time there was a reaction to the rigid and fussy Victorian style to a more fluid natural style. This pendant is typical of the new look with leaves and buds holding a central sapphire. There are three further sapphire drops. The sapphires are a beautiful cornflour blue colour and are from Ceylon. It looks really pretty when worn}

A beautiful 15ct gold bracelet with close curb links and a central open link curb link design set with three Ceylon sapphires and two natural pearls. it was made circa 1900-1914 and is a lovely example of its type. It has an added safety chain. This style of bracelet is very wearable on an every day basis.}

This is a really beautiful bracelet that was made circa 1900-1910. It has been so well designed and is typical of the superb workmanship of the early 1900s. It consists of three well matched rectangular cut peridots that are surrounded by natural split pearls. In between are articulated links set with further natural split pearls. There are further pearls set in to the gate links that go around the bracelet. Peridot is named after the French word “peritot”, meaning gold, because the mineral can vary towards this colour. Peridot is the birthstone for the month of August. It is also the stone given to celebrate the 16th year of marriage}

A really stylish 18ct gold ring that has been set with a 1.35 carats emerald. It is a beautiful colour and has been cut "en cabochon", a French term for a domed cut. On either side is a bright white brilliant cut diamond. They have been rub over set which is a very neat look. This ring can be worn on a daily basis and looks so smart}

A wonderful Art Deco platinum target ring that was made in the 1920s when this style of ring really took off. It is a timeless design and has been much copied in recent times but this ring is totally original. It has a good very white diamond in the centre that weighs just under one carat. Around it are shaped calibre cut emeralds square cut emeralds within millgrain detail, then a ring of small diamonds on the outside. It sits low on the finger so it is an ideal ring to wear as an engagement ring}

A really pretty and unusual 18ct gold ring with a platinum top that was made circa 1910-1920. It is a navette or marquise shape and has a star design set with shaped sapphires with a tiny rose diamond in the centre. Around it are graded and well matched good white diamonds within millgrain settings. On either side is a diamond set in to the shoulders. It sits low on the finger so it is a practical ring to wear.}

An unusual heart shaped locket that opens to reveal three sections so you can put four photographs within. Both sides have been engraved with scrolls and flowers with a cartouche on both sides so that you can have initials engraved if wanted. It is 9ct back and front which means that the sides and hinges and inner parts are metal but the back and front plates are 9ct gold. It was made circa 1860 and still has the original faceted top loop}

A neat and lovely 9ct gold locket that was made in Birmingham in 1907. It has been engraved on the front with leafy swirls and flowers with a central plain shield shaped cartouche that can be engraved if wanted with initials. It opens to reveal two parts where you can put photographs}

A pretty 15ct gold ring that was made circa 1830. It has finely pierced detailed shoulders and a cluster of turquoise stones with a tiny diamond in the centre within silver settings. The shank is a reeded design. This represents a forget me not flower which literally means “Forget me not” and the small rose diamond in the centre means “Eternal love”. What a sweet ring to give to someone that you love.}

A beautiful two colour red and yellow gold brooch that was made circa 1820-1830 and is full of romantic meaning! In the centre is a pansy that sends the message "Pense a Moi" which is a pun on the French word and means "Think of me" The first letter of each gem in the pansy represents a letter that spells the word ‘REGARD’. Ruby, Emerald, Garnet, Amethyst, Ruby and Diamond. Wrapped around the flower are yellow gold tendrils with leaves above a reddish gold background formed of an intertwined knot design to signify a bond of loyalty . Sentimental, romantic jewellery such as this was very popular in Georgian and Victorian times. It has a glazed locket on the reverse.}

An unusual Georgian ring that was made circa 1780-1800. It has been set with a step cut emerald in a closed mount with a foiled back. There are two graduated old mine cut diamonds on either side in square collet settings. Emeralds were a rare commodity at that period so this is an unusual original ring. The shank is a wonderful Baroque design with sweeping scrolled shoulders and a cupped design beneath the emerald. A fantastic ring to wear for fine occasions!}

A heavy gage 15ct gold bracelet that was made circa 1910. At that time this style of bracelet known as a gate bracelet for obvious reasons was very popular. This example has been set with five turquoise and five natural split pearls. It is as wearable today as it was in the early 20th century}

An oval silver locket that has been engraved with two stylised tulips with a braised background. It opens to reveal two compartments for photographs. A sweet gift instead of real tulips!}

A very pretty small silver round locket that was made in Birmingham in 1975. It opens to reveal two compartments for photographs. A sweet gift for someone you love}

A sweet small silver oval locket that has a sunburst design on the front. It hinges open from the base to reveal two areas for photographs. It would make a lovely gift to a young daughter}

A good looking round locket with a decorative top that was made circa 1910. It has two three leaf sprigs set with small natural split pearls and a little flower set with a paste. It is 9ct back and front which means that either side is 9ct gold and the inner rims and hinges are base metal.}

A sweet silver heart shaped locket that opens to reveal two compartments for photographs. It has a raised design dolphin on the front. A lovely gift}

A pretty silver heart shaped locket that has been engraved on one side with a Baroque leafy design and the other with a criss cross design. It opens to reveal two compartments for photographs. It would make a lovely present}

This cross is really tiny but so sweet and could be either hung on its own or with other pieces on a chain. It is silver and has been set with marcasite which is iron pyrites and cut to resemble rose diamonds}

A good platinum ring made in the 1920s and set with three well matched bright white diamonds with a total weight of one carat. The largest diamond is in the centre so it has a good balance. It sits low on the finger so it is a practical ring to wear and would be ideal as an engagement ring.}

An elegant 18ct gold ring with a platinum top that was made in the early 1920s. It still has an Edwardian look about it with the curved platinum settings for the diamonds. In the centre is a good emerald of Columbian origin. It sits slightly higher than the surrounding diamonds so giving this ring a good profile. It would make a wonderful dress or engagement ring.}

A pretty pair of 18ct white gold earrings that were made in the 1960-1970 period. They each have a bright white twenty point diamond in the centre. They are surrounded by six well matched emeralds. They sit neatly on the ear and can be worn on a daily basis.}

A beautiful 18ct gold ring that was made circa 1900-1920. it has been set with a cornflower blue Ceylon sapphire that has been cut en cabochon which literally means that it is dome shaped. It has a reeded shank that sweeps up to enclose the sapphire. Graded rose diamonds have been set in three lines on either side. It would make an unusual and stunning engagement ring}

An amazing large 18ct gold brooch. It has been set with a large Druzy Quartz. Druzy Quartz refers to a layer of minute quartz crystals that have crystallised on the surface of a quartz based mineral. Druzy Quartz has a sugar-like appearance that you can clearly see in this example. They are often found in the hollow cavity of Agate geodes. At one end is a triangular cut peridot and at the other is a rectangular cut pink tourmaline. Pierced through the centre is a pin with a large cultured pearl. It is a brave and unusual design and looks fantastic when worn.}

A stunning 15ct gold Georgian period pendant that was made circa 1820. It may originally have held a miniature. The frame is a tour de force with an interwoven pattern set with natural split pearls. Within it is a band of Royal blue and white enamel set with twelve small diamonds then engraved gold detail around the glazed centre section. The attention to detail is incredible. The pendant loop hinges up but has been formed so that you don't see the fitting with a further loop that mirrors the back of the interwoven pattern}

An unusual Georgian ring that was made circa 1780-1800. It has a curved Bristol blue glass plaque of vibrant foiled cobalt blue glass, which is a rich blue glass coloured with cobalt oxide to create its distinctive hue and vibrancy. It has been set with an old mine cut diamond in a silver pinched setting. The celestial blue ground evokes the night sky and the old mine cut diamond twinkles like a star. This style of ring was known as 'Bague au firmament" "Ring of the Heavens" and was originally popularised by Marie Antoinette hence the French name}

A silver Sheffield Tudor Rose Jubilee pendant in celebration of the Queen's silver Jubillee in 1977. It was made by John Pinches Ltd, a family of London die-sinkers and medallists. The company was founded c 1841 by Thomas Ryan Pinches and his younger brother John Pinches to whom he left the running of the business in 1856. John Harvey Pinches, eldest son of John Pinches, continued to run the company after the death of his father in 1905 and turned it into a limited Company}

A good looking heavy gage silver pendant that has a large tigers eye on one side and an agate on the other. It was made to celebrate the Queen's silver jubillee in 1977 by David Scott-Walker. The hallmarks are bold and go around the silver mount. David Scott-Walker is based in Sheffield. He makes unique pieces that feature agates and jaspers. His signature style is assertive. A large stone is set in thick silver, with hallmarks. Each piece has a sense of gravitas and grandeur}