A useful 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More ring that was made in the 1920s. It has been set alternatively with square cut sapphires and round diamonds within millgrained settings. This ring can be worn on its own or stacked with other eternity rings.}

A finely made 14ct58.5% pure gold (or 585 parts pure gold to 415 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More Art DecoJewellery made in the Art Deco era (1920-1935). More bow brooch with a platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More top that was made in the 1920s. It has been set with syntheticA man-made material with essentially the same optical, chemical and physical properties as its natural counterpart, but completely artificial. Commonly used for calibré settings due to the colour matching possibilities. More sapphires and diamonds. It was made by a company called Pistol & Pulker which was run by Franz Pulker and Gustav Pistol. They operated between 1867-1922 in Vienna, Austria. At this time synthetic sapphires were used in a lot of jewellery. In 1902, the French chemist Auguste Verneuil announced a process for producing synthetic rubyOne of the most valuable gemstones on earth. From the corundum family, the red variety being ruby and the blue, sapphire. With the exception of the diamond, corundum is the hardest of the gemstones on the Mohs scale scoring a 9. More crystals. Following this successful process Verneuil focussed his efforts on making synthetic sapphires which he achieved in 1909. Verneuil patented the process of producing synthetic blue sapphires in 1911. They became the rage and were used all over Europe in Art Deco jewels. This bow brooch has been set with a central fifteen pointA unit of weight for a diamond, being one-hundredth of a}

A very pretty 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold brooch that was made circa 1900-1910. It is in the form of a ribbon set with naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls with a heart in the centre. The heart has been set with a heart shaped sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More and has natural split pearls around it. Above the heart is a crown set with a diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More and graded natural split pearls. It would have been a gift of love and admiration and is as appropriate now as it was in the EdwardianJewellery made in the Edwardian era (1901-1914). More period}

A very pretty p[air of articulatedWhen something has segments connected by flexible joints. More drop earrings that were made circa 1900. They have been set with four well matched naturalA natural stone is called such because it has not been subjected to any treatments.  More cornflower blue CeylonSri Lankan (Ceylon was the country's former name until 1972) More sapphires. Surrounding the drops are small rose diamonds. They look light and striking when worn}

A lovely 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made in Birmingham in 1912. It has been set with three well matched naturalA natural stone is called such because it has not been subjected to any treatments.  More Royal blue sapphires interspersed with small diamonds. It would make a stunning engagement ring}

A beautiful 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring with a platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More top that was made in the 1920s. It has been clawA precious metal prong used to hold a gemstone in place. More set with a stunning Royal blue colour oval sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More that is most likely a Ceylonese sapphire. On either side is a good bright white old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More. It would make a perfect engagement ring}

A good looking VictorianJewellery made in the the Victorian era (1839-1901). More brooch that was made circa 1880. It can also be worn as a pendant as it has a hinged ring on the top. It is composed of a flower cluster in the centre set with six well matched Royal blue colour sapphires. Around it are old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamonds and further sapphires and a mixture of rose cutThe ‘rose cut’, defined by its rounded outline and multiple triangular facets, is one of the earliest diamond cuts, with its origins in sixteenth century Europe. A rose cut typically has a flat base and anywhere from six to twenty four facets, the latter known as a full rose cut. More and old mine cut diamonds on the outer edge. The sapphires are most likely of Burma origin and are naturalA natural stone is called such because it has not been subjected to any treatments.  More stones. This is a very striking and pretty piece of jewellery that would grace any occasion}

A beautiful 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More ring that was made in the 1920s. It has been set with a stunning Royal blue sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More surrounded by ten well matched very white diamonds within scalloped millgrained settings. It sits low on the finger and would make a wonderful engagement ring}

A smart Art DecoJewellery made in the Art Deco era (1920-1935). More platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More ring that was made in the 1920s. It is set with a central tramline of square calibre cutTypically small, fancy-cut faceted stones in the shape of rectangles, squares, oblongs or other specialty shapes cut to fit very closely together in a setting to create a design that often outlines or accents a larger motif. Calibre-cut comes from the word calibration which means to divide or mark with gradations. This style of stone cutting was made popular... More sapphires. On either side is a line of small diamonds within a scalloped design. It is very neat looking and sits low on the finger. It would make a lovely engagement ring.}

A pretty 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made in 1978. It has been set with three well matched mid blue colour sapphires with small graded diamonds in between. The style harks back to the VictorianJewellery made in the the Victorian era (1839-1901). More period with the carved half hoop shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More. It would make a perfect engagement ring}

A striking Art DecoJewellery made in the Art Deco era (1920-1935). More ring that was made in the mid 1920s. It is 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold with a platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More top and has been set with a lovely Royal blue rectangular sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More. Around it are well matched white diamonds. It looks fantastic when worn and would make a wonderful and unusual engagement ring.}

A lovely 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was assayed When the property or concentration of a precious metal is measured. More in Chester in 1898. It takes the form of two hearts. One has been set with an old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More, the other with a sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More within star settings. The shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More are bifurcated that gives the ring a lighter look. It would have been a betrothal ring and is as appropriate now to wear as an engagement ring as it was in 1898!}

A sweet 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold ring that was assayed When the property or concentration of a precious metal is measured. More in London in 1981. It is composed of two hearts that hinge open to reveal two initials P and D. In each heart there is a sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More within a star setting. What a lovely and unusual ring to give as a betrothal gift}

A striking 18ct gold ring that was made in the 1980s in France. it has been claw set with three well matched sapphires. The centre sapphire is higher. They are a lovely cornflower blue colour and are most likely from Ceylon. On either side of the sapphires is a line of well matched and very white graded diamonds, and continuing down from the sapphires in the middle are further diamonds. A lovely ring to wear as either an engagement ring or a dress ring }

An impressive platinum ring that was made in the 1920s. It is a navette shape with two bands of square cut sapphires across the middle. In the centre is a marquise shaped setting set with three diamonds. In between the sapphire bands are two lines of diamonds and there are also pave set diamonds above and below. The shoulders are stylised leaves set with graded diamonds. This ring would make an amazing engagement ring }

A classic 18ct gold three stone ring that was made in London in 1990. It has been claw set with a lovely mid blue colour sapphire with a diamond on either side. The brilliant cut diamonds are well matched bright white stones. It would be a perfect engagement ring. }

An impressive 18ct white good ring that was made in the 1950s. This style is known as a ballerina design because of the Tutu appearance. Ballerina clusters were first seen in the 1950s. The skill in creating a ‘ballerina’ involved meticulous precision and exactness in the cutting and setting of the gemstones to lie perfectly next to each other in order to achieve the movement of a ballerina. In the centre is a claw set light cornflower blue sapphire that weighs over two carats. Around it are a mixture of marquise and tapered baguette diamonds in a wavy design with a total weight of nearly one and a quarter carats. It looks really fantastic when worn and would make a wonderful engagement ring }

This is a lovely 18ct gold ring that was made circa 1910-1915. It has been claw set with a good deep blue velvet coloured sapphire. Around it on a lower level are eight well matched and bright white old mine cut diamonds. The shoulders have each been set with graded rose diamonds. It would make a gorgeous engagement ring }

This is a beautiful 18ct gold ring that has been set with a lovely cornflower blue sapphire that weighs three quarters of a carat. Around it are twelve well matched brilliant cut diamonds with a further three diamonds in each of the shoulders. It sits low on the finger so it would make a perfect engagement ring }

A stylish 18ct gold ring with a platinum top that was made in the 1920s. It has been set with two natural half pearls with calibre cut sapphires around them in a figure of eight pattern. There are small diamonds set in to the shoulders that add sparkle to the ring. The gallery has a pierced scrollwork design. It sits low on the finger so it is an easy ring to wear and would be ideal as a dress ring }

A very stylish Art Deco ring that was made in the 1920s. The shank is 18ct gold with a platinum top. There are five diamonds within millgrain settings along the centre. Surrounding them are faceted baguette cut sapphires. It is typical of the 1920s period in it's geometric shape and would be an ideal engagement ring as it sits low on the finger and curves around nicely. You cam also easily stack with a wedding band and an eternity band }

This ring is all about style and is typical of the 1920s fashion for geometric looking pieces of jewellery known as the Art Deco period. The square French cut sapphire has been tipped in to a diamond shape within a platinum setting. There is a small diamond on either side.. The most immediately noticeable feature of the French cut sapphire is the crown that appears square when viewed from above, and it has just 9 crown facets. Adjoining the four sides of the table are four triangle facets that point towards the corners of the crown. This gives the appearance of a four pointed star. It was a very popular cut in the Art Deco period. This ring would make a perfect engagement ring }

An unusual 15ct gold locket in the form of a horseshoe that was made circa 1890-1900. It has been set with three sapphires and two rose diamonds instead of the nails. The sides have been engraved. It opens to reveal two compartments for photographs. An ideal gift to a horse lover }

A good pair of mid 20th century 18ct gold cufflinks. Each square link has been rub over set with a cabochon sapphire within a hobnail design. They are great quality and look really smart when worn }

A very pretty 18ct gold ring with a platinum top that was made circa 1900-1910. It has been set with a beautiful natural Ceylon sapphire surrounded by ten well matched small and very white diamonds. It would make a perfect engagement ring as it is a good size, practical to wear and sits low on the finger }

An unusual 14ct gold ring that was made circa 1920 and is most likely of Austrian or German origin. It is an interesting mixture of an oval cluster within a rectangle. It has been set with a sapphire in the centre with a small sapphire on each corner. There are twelve well matched white diamonds around the sapphire within a platinum setting. The shoulders are a split design set with graded diamonds. It sits low on the finger so it would make an ideal engagement ring }

An unusual and very pretty platinum ring that was made in the 1920s. It has been claw set with a beautiful cornflower blue Ceylon sapphire. Around it are graded well matched good white diamonds. The shoulders sweep up to join the sapphire with a diamond set collar. It sits low on the finger so it is an ideal ring to wear as an engagement ring }

A stylish pair of lorngettes that spring open to reveal glasses that magnify. Lorgnettes were a real fashion statement in the 1920s and would have been worn on a long silver chain. The handle is a very pretty design of a flower basket and an elegant bow with sapphires and rubies and an emerald for the flowers and a cabochon blue sapphire detail for the bow. The graded marcasite (iron pyrites) glitters like rose diamonds in certain light. It is presented in it's original red Moroccan leather box with black velvet and silk inside. }

An impressive 18ct gold and platinum ring set with three sapphires that are surrounded by a plethora of small diamonds. It looks wonderful on the finger and would make a stunning engagement or dress ring. }

A very pretty 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made circa 1910. The top has been set with a lovely mid blue colour sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More with a diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More on either side in a twist design and framed in pierced gold with split shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More. It has elements of the Art NouveauJewellery made in the Art Nouveau era (1890-1915). More style in the flowing design. It would be a perfect engagement ring.}

A highly detailed 15ct gold brooch that was made circa 1880-1900. It has been set with alternate sapphires and diamonds in a line in the centre. Around the edge there is "Etruscan work" which is fine gold wire that has been hand applied. To understand Etruscan Revival jewellery, you have to know of the original Etruscan jewellery unearthed in tombs just outside Rome in the early 1800s. Intricately wrought golden earrings and necklaces were meticulously ornamented with tiny gold beads and twisted wires densely applied to the surface. Noone had seen gold worked like that since the Etruscans had carefully buried the treasures with their dead. The secret to the fascinating granulation found on the Etruscan hoards was claimed to have been discovered by Fortunato Pio Castellani and he produced many replicas of archeological treasure finds using ancient techniques. Other jewellers copied his technique. This brooch is a good example. On the reverse is an oval locket section. }

This is a stunning sapphire and diamond cluster ring. It was made in France in the 1920-1935 period and like most French jewellery is beautifully designed and executed. It has been set with an oval sapphire, most likely Sri Lankan (Ceylon) origin. It is surrounded by ten very well matched bright white diamonds. There is a further diamond set in to each shoulder. It would make an excellent engagement ring }

A very pretty 18ct white and yellow gold ring that was made circa 1900-1920. It has been set with a Royal blue cabochon cut sapphire. A cabochon is a stone that is cut with a highly polished, rounded or convex top with no faceting and a flat or slightly domed base. A cabochon may be cut in any shape, though oval is by far the most common. It is designed to show off the colour of the stone. The term comes from the French "caboche", meaning knob or small dome. It is surrounded by ten well matched white old mine cut diamonds. It would make a marvellous engagement ring. }

A pretty 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made in the 1980s. It is a twist design set with square cut sapphires on either side with tiny diamonds in between. It can be worn as an engagement or dress ring}

This is a stunning 18ct white gold ring that was made in France in the 1960s. It is a wonderful spiral design with a central oval mixed cut sapphire that is most likely Ceylonese and weighs approximately one carat. Around the sapphire are two swirls of graded diamonds and French cut graded sapphires. The entire ring has millgrain detail. It would make an amazing engagement ring }

A very stylish Art dEco ring that was made in the 1920s. It is composed of five graded old European cut diamonds across the top with a line of baguette cut sapphires on either side then rose cut diamonds on the outside edges within millgrain settings. The shoulders have a wing design each set with one rose diamond.The gallery has a pretty scroll work design. It curves nicely around the finger and sits low so it would make a perfect engagement ring }

An unusual and very beautiful Art Nouveau ring that was made circa 1900-1910. It is composed of a stylised spray of flowers set in gold settings with a cabochon emerald, a cabochon sapphire, a cabochon ruby and diamonds within platinum settings in a marquise shaped surround. The shoulders are also set in platinum with rose diamonds and lead on to a fluted shank. It is typical of the Art Nouveau period in it's sinuous natural plant form and is such a colourful and pretty design. }

A very good looking 18ct gold double snake ring that was made in the early 1900s. The two snakes lie alongside each other, one has been set with a sapphire, the other with a very bright white old mine cut diamond and they have rose diamond eyes. Snakes mean “Eternal love” so they were given as wedding rings or commitment rings. Many versions were made but this snake ring is lovely as the snakes have friendly expressions and really look like they were made for each other. Some snake rings that we see are really mean looking! It would make a perfect and unusual engagement ring. }

A really wearable and pretty 15ct gold bracelet that was made circa 1900-1910. It has been set with six diamonds and seven well matched sapphires within open curb links. This bracelet can be worn on its own or stacked with other bracelets }

A smart Art Deco platinum eternity ring that was made in the 1920s.  It has been set with alternating calibre sapphires and diamonds. Both sides have been engraved with stylised leaves. These rings can be worn on their own or stacked with other eternity bands. This ring is a size L 1/2 and cannot be resized. }

A very pretty 18ct gold ring that was made in Chester in 1917. It has been set with six well matched sapphires and a central diamond with rose diamonds in between in a cluster design. The shoulders are finely tapered to give the ring a light effect. It would make a beaitiful engagement ring }

This ring is typical of the Art Deco 1920s period in its geometric square design. It is 18ct gold with a platinum top. It has been set with a square cut cornflower blue colour sapphire in a platinum millgrained setting. The sapphire is most likely from Ceylon ( Shri Lanka) as this colour is typical of stones sourced from there. It is surrounded by twelve evenly matched small white diamonds. It would make a great cutting edge engagement ring }

A lovely 18ct white gold eternity ring set with square cut sapphires. They are evenly matched stones in good condition throughout. These rings can be worn on their own or stacked with other gem set eternity rings. This ring is a size M 1/2 and may be possible to resize. }

A good looking 18ct yellow and white gold triple cluster ring that was made in 1992 by Charles Green and Sons who are a well respected firm producing high quality hand made jewellery since 1824. This ring has been set with three well matched sapphires surrounded by small brilliant cut diamonds and harks back to the early 1900s when triple clusters were very popular. It sits low on the finger so it would make an ideal engagement ring }

An unusual pair of 18ct gold Art Deco cufflinks that were made circa 1920. They have each been set with frosted rock crystal octagonal shaped insets that have been carved in a radiated design. In the centre of each one is a cabochon cut sapphire within a white gold mount. Around the edges are ornately detailed 18ct yellow gold mounts. }

A useful 18ct white gold eternity ring set with baguette sapphires. They are evenly matched stones in good condition throughout. These rings can be worn on their own or stacked with other gem set eternity rings. This ring is a size O 1/2 and may be possible to resize. }

This is a very unusual ring that was made circa 1800. It has been claw and collet set with a large shallow octagonal shaped sapphire. It is a very unusual cut, like an emerald cut but with rose cut facets. The photographs do not really show this fancy cut. The shoulders are typical repousseee work that was fashionable in the Georgian period and have been set with rose diamonds within silver settings. The shank is a ribbed design. It is an incredible ring and looks fantastic when worn }

This ring is such a smart look. it was made in the 1930s and has been set with a beautiful natural cabochon cut sapphire. It is a a lovely Royal blue colour. This ring would make a stunning engagement or dress ring. This ring can be resized, though please note there may be an additional charge to increase by more than three sizes. }

A very stylish and well designed platinum ring that was made circa 1920 most likely in Belgium. It has been set with a beautiful natural Ceylon sapphire. There are radiating lines of graded diamonds on either side. The diamonds continue around the sides in a geometric pattern. The shank continues the lines engraved on to the platinum. It sits quite low on the finger so it would be a practical ring to wear and would make a wonderful engagement ring }

This is a stunning 18ct gold heart shaped locket that was made circa 1900-1910. It has been set with red white and blue stones, a Ruby, Sapphire and a Diamond. It opens to reveal two compartments for photographs. What a patriotic piece of jewellery to wear! }

An unusual 18ct gold ring that was made in the early 1900s. It has been claw set with a sapphire and a ruby. Both stones are natural unheated stones and are most likely of Burmese origin. They are surrounded by diamonds that link the sapphire and ruby together. It would make a wonderful engagement ring. }

A beautiful 15ct gold heart shaped pendant that was made circa 1900-1910. It has been pave set with graded natural split pearls with a circle of sapphires on the left hand side with a diamond in the centre. On the reverse is a locket section. It makes a wonderful statement when worn. }

A good looking Art Deco dress set that was made in the 1920s. It is typical of the geometric style with its octagonal design. it is composed of four dress buttons, a pair of cufflinks and collar studs. Each link has been set with a mother of pearl plaque with a hob nailed design. In the centre of every link is a French cut sapphire. The case is black Moroccan leather with gold detail. A perfect 21st present }

An un usual "Giardinetti" brooch that was made circa 1940. Flowers were a fashionable theme in jewellery during the second half of the 18th century. and ‘giardinetti’ items (from the Italian, meaning ‘little garden’) became popular. They had tiny blossoms set with an assortment of precious stones, asymmetrically arranged in a basket, vase or pot and were given as tokens of love. This idea continued and is still popular today. The vase is composed of a black opal with diamonds arranged around it. The flowers are different coloured gemstones, diamonds, rubies, sapphires, yellow sapphires, amethyst, pearls, aquamarines, olivine, smokey quartz, rutilated quartz and citrines. This brooch has a secure roll over catch and an added safely chain. What a wonderful gift to someone that you love }

This is a beautiful and unique pendant that was made in the 1920's. It is a negligee design with a natural blue sapphire that weighs approx 0.45 carats, three beautiful well matched natural pearls, four rose diamonds and three old European cut diamonds. The sapphire is a deep royal blue colour and is set in 18ct yellow gold, the diamonds and pearls are set in platinum and the pendant hangs beautifully on a platinum chain. It is a unique and unusual piece that would make a striking Christmas present! }

This 18ct gold ring was made in Birmingham in 1912 and has been claw set with an unusual combination of gemstones. On the outside are two emeralds then two old mine cut diamonds with a sapphire in the centre. An unusual ring for a special lady }

An unusual and very pretty 15ct gold pendant that was made circa 1910. At that time there was a reaction to the rigid and fussy Victorian style to a more fluid natural style. This pendant is typical of the new look with leaves and buds holding a central sapphire. There are three further sapphire drops. The sapphires are a beautiful cornflour blue colour and are from Ceylon. It looks really pretty when worn }

A beautiful 15ct gold bracelet with close curb links and a central open link curb link design set with three Ceylon sapphires and two natural pearls. it was made circa 1900-1914 and is a lovely example of its type. It has an added safety chain. This style of bracelet is very wearable on an every day basis. }

A beautiful 18ct gold ring that was made circa 1900-1920. it has been set with a cornflower blue Ceylon sapphire that has been cut en cabochon which literally means that it is dome shaped. It has a reeded shank that sweeps up to enclose the sapphire. Graded rose diamonds have been set in three lines on either side. It would make an unusual and stunning engagement ring }

A pretty 14ct gold ring that was made in Germany. It has been set with an oval cabochon cut sapphire with a small diamond on either side. It would look good worn on its own or stacked with other rings. }