An attractive 15ct gold tie pin with a scalloped and pointed surround and set with a small rose diamond. It was made circa 1880. All our tie pins come with a stopper at the end of the pin.}

A lovely tie pin set with a good mid blue sapphire with nine small diamonds around it. It was made circa 1900-1910. All our tie pins come with a stopper at the end of the pin.}

An attractive 15ct gold tie pin that was made circa 1880-1900. It has a ball centre with rope work design around it. It would make a good pre wedding gift to a fiance. All our tie pins come with a stopper at the end of the pin.}

This 15ct gold tie pin has a lovely meaning. It is composed of a double knot uniting two people and set with a rose cut garnet representing love. It was made circa 1890. All our tie pins come with a stopper at the end of the pin.}

A pretty 9ct gold bow shaped tie pin set with three opals made circa 1930. All our tie pins come with a stopper at the end of the pin.}

A lovely Scottish natural Tay pearl tie pin that was made circa 1900-1910. The river Tay and it's tributaries were well known for sourcing freshwater pearls in the 19th century. They have a particular quality and look which is peculiar to that area. All our tie pins come with a stopper at the end of the pin.}

A lovely 9ct gold tie pin that was made circa 1880. It is a lovely design with a scalloped border and gold rope work detail. It would be ideal as a present. All our tie pins come with a stopper at the end of the pin.}

A smart 9ct gold tie pin with an open work border of rope and bobbles. In the centre is a small rose diamond. This tie pin was made circa 1880. All our tie pins come with a stopper at the end of the pin.}

A lovely tie pin that was made circa 1890 and has been set with natural split Angel skin coral beads and natural split pearls. All our tie pins come with a stopper at the end of the pin.}

A very stylish 14ct gold tie pin that was made in America circa 1900-1910. It is typical of the Art Nouveau style that was prevalent at the time. It has been set with a sapphire. All our tie pins come with a stopper at the end of the pin.}

A sweet shamrock tie pin that was made circa 1900-1910. It is silver and has been set with a central natural bouton pearl with further small natural split pearls set in to the leaves. So here is a lucky four leaf clover tie pin to give to someone you love. All our tie pins come with a stopper at the end of the pin.}

A stylish 15ct gold tie pin set with three marquise shaped sapphires with a small rose diamond in between them. All our tie pins come with a stopper at the end of the pin.}

An interesting 9ct gold tie pin that was made circa 1820. It has been set with six rose cut garnets in a flower design. It was most likely made in Holland. All our tie pins come with a stopper at the end of the pin.}

A good quality 15ct gold tie pin of a crouching fox. His fur has been chased (engraved) in a realistic fashion. He was made circa 1870. All our tie pins come with a stopper at the end of the pin.}

A good looking tie pin that has been set with a cabochon cut citrine. There are two gold balls on either side. All our tie pins come with a stopper at the end of the pin.}

An unusual tie pin that reminds me of an eye. It has been set with a ruby in the centre with gold wire scrolls on either side and a ribbed border. All our tie pins come with a stopper at the end of the pin.}

A lovely tie pin that was made in the early 1900s and has been set with a natural pear shaped pearl. All our tie pins come with a stopper at the end of the pin.}

A lovely 15ct gold tie pin with a natural split pearl in the centre set within a star setting. It is surrounded by ball and rope design. It was made circa 1880. All our tie pins come with a stopper at the end of the pin.}

An attractive 9ct gold tie pin set with eight turquoise ina swirl design. It was made circa 1880. The Victorians were very fond of using turquoise as it meant "Forget me not" after the flower of the same name. It is further emphasised by the engraved forget me nots on the lower gold part. What a great gift to a future husband! All our tie pins come with a stopper at the end of the pin.}

An unusual 15ct gold tie pin in the form of a shamrock with three carved heart shaped opals with a natural small pearl in the centre and a natural split pearl set stem. It would look great worn on a lapel or a cravat. All our tie pins come with a stopper at the end of the pin.}

An attractive tie pin made around 1950-1960. It has been set with eight emeralds that surround an opal in the centre. It would make a lovely wedding gift to your fiance. All our tie pins come with a stopper at the end of the pin.}

A smart 15ct gold tie pin that was made circa 1880. It has interesting bobble and twist detail and has been set with a rose diamond. All our tie pins come with a stopper at the end of the pin.}

An unusual 15ct gold tie pin with a platinum top that was made in the early 1920s. It has been set with eight diamonds like the sails of a windmill, and has a natural pearl in the centre. Perhaps it was a message that life goes round and round. All our tie pins come with a stopper at the end of the pin.}

A very pretty 15ct gold tie pin that was made circa 1890. It has been applied with rope work and leaves with a central heart shaped motif set with a diamond. This would be a perfect gift for a future spouse. All our tie pins come with a stopper at the end of the pin.}

A smart wearable 15ct gold tie pin that was made circa 1880. It has been set with a natural split pearl within a star setting. The pearl means "Purity and Harmony". The star setting means "Shine forever on you". What a lovely gift to a future partner in life. All our tie pins come with a stopper at the end of the pin.}

A pretty 9ct gold tie pin that was made circa 1900-1910. The crescent moon represented a new relationship and the hope it would “wax” into matrimony. The use of turquoise meant "Forget me Not". The pearl means "Purity and Harmony". All our tie pins come with a stopper at the end of the pin.}

A good 14ct gold signet ring that was made circa 1880 in Germany. The crest has a fleur de lis in the centre with a helmet and wings above. The shank twists elegantly around the finger. There is another ring on our site with the same crest but with banded onyx. We purchased the two rings together.}

A good looking tie pin that was made circa 1880. It has been designed as a circle with an openwork pattern around it and has been set with a small old mine cut diamond. All our tie pins come with a stopper at the end of the pin.}

A 9ct gold tie pin that was made circa 1860-1880 and has been set with a banded sardonyx. The clever thing was to have cut the onyx through the band so that it forms a complete oval shape like an eye. This is considered a lucky stone to wear in Middle Eastern countries. All our tie pins come with a stopper at the end of the pin.}

A smart Georgian 9ct gold tie pin that was made circa 1820. It has the typical repoussee decoration of the period around the edge and a rectangular glazed locket in the centre. All our tie pins come with a stopper at the end of the pin.}

A lovely tie pin that would be a good gift to a fiance. It was made circa 1880 and is 15ct gold and has been set with a rose diamond. All our tie pins come with a stopper at the end of the pin.}

An attractive tie pin set with a natural pearl and a diamond in the form of a sprig. It was made circa 1910 in the Art Nouveau naturalistic style that was popular at that time. All our tie pins come with a stopper at the end of the pin.}

An interesting 18ct gold signet ring that was made in Germany circa 1860-1880. It has been set with a banded onyx that has been cut through the paler part of the stone to the black part underneath to create the contrast. The crest has a fleur de lis in the centre with a helmet and wings above. The shank twists elegantly round the finger.}

A wonderful large 18ct gold man's signet ring with an enamelled crest of a knight's helmet with feathers above a shield with three seated cats. It is an impressive signet ring and looks fantastic when worn.}

A very smart pair of 18ct gold cufflinks. Each one has been set with a rectangular plaque of natural lapis lazuli.They originally belonged to a French marquis as the coronet above the shield with three florets within informs us. They are well made and in excellent condition.}

A good dress set consisting of cufflinks, buttons and studs. It was made in Birmingham 1960 and was retailed in Newcastle upon Tyne by the Northern Goldsmiths company Ltd. The cufflinks, buttons and studs have engraved 9ct white gold surrounds with square onyx inserts and small diamonds in the middle. The whole effect is smart and they would look very good on a black or white tie occasion.}

A striking tie pin that was made in the 1920s. It has been set with square cut shaped emeralds and rose diamonds within a circle. It is typical of the style of the period and is smart to wear. All our tie pins come with a stopper at the end of the pin.}

A 9ct heavy gage gold signet ring that was made in Birmingham in 1998. It is quite a large look and features an intaglio of an owl. Owls live within the darkness, which includes magic, mystery, and ancient knowledge.}

An unusual 15ct gold tie pin that was made circa 1890. It has been set with a pear shaped cabochon cut lapis lazuli. Around it is a coiled snake. Lapis Lazuli has always been known as a stone of royalty and spirituality and the snake is a symbol of eternal love. All our tie pins come with a stopper at the end of the pin.}

A beautifully modelled 18ct gold tie pin of a cello. It was made circa 1900-1910. What a wonderful gift to give to a musician! All our tie pins come with a stopper at the end of the pin.}

A good quality 18ct gold tiepin of a horseshoe that was retailed by the famous firm Hancocks, circa 1890. It says rather grandly on the silk inside the case  "Jewellers and silversmiths to the Principal Sovereigns of Europe"  Mr Charles Frederick Hancock established his firm in Bruton Street in 1849. Dealing in the finest jewellery, silver and gemstones Hancocks quickly built a good reputation. Within a year the company had been granted a Royal Warrant by Queen Victoria and was soon counting many of the principle sovereigns of Europe as patronsIn 1856 Queen Victoria entrusted Hancocks with the making of the newly introduced Victoria Cross, the highest military award for gallantry in the British armed forces, an honour that we continue to uphold today. This horseshoe tiepin has been set with a good ruby, two old mine cut diamonds and two pear shaped emeralds. All our tie pins come with a stopper at the end of the pin.}

A fine pair of rock crystal and 18ct gold cufflinks that were made in France circa 1910.  A reverse crystal intaglio is a rock crystal cabochon with an intaglio carved into the flat back. The intaglio was also painted realistically with oils so, that when viewed through the top, the image appears three-dimensional. Finally, the back was sealed in order to preserve the painted areas. The technique originated in Belgium c. 1860 and is attributed to an artist named Emile Marius Pradier. This technique was also practiced in England by Thomas Cook and his descendants who made crystals for Lambeth & Co. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolour of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. The motifs most commonly found are sporting themes – horses, dogs, foxes and birds. This relatively secret process passed through family members, so keeping it exclusive and expectations of quality were very high. They remained in fashion until poorly made glass and plastic imitations flooded the market c. 1920s. These cufflinks were made circa 1900-1910 and feature two hunting dogs, a pheasant and a duck. Cufflinks such as these are very collectable today.}

A fabulous pair of 18ct gold cufflinks that were made in the 1930-1940 period. They have been set with square cut rubies in a diagonal design with ridged gold work on either side. They are very stylish and a great design.}

A very smart original pair of 18ct gold cufflinks that were made in the 1920s. They have been enamelled in the cloisonné technique which is a type of enamel decorative work in which the enamel has been separated by strips of flattened 18ct gold wire placed edgeways on an 18ct gold backing. It is quite complex to do and very effective. These cufflinks have a criss cross design in red and black enamel with a white enamel border.}

An unusual pair of 14ct gold cufflinks which have been set with two Greek or Roman coins. They each have a lion rampant on them. The backs are hinged with sprung fittings. They were made in the 1970-1980 period.}

An unusual novelty tie pin of an owl perched on a branch that was made circa 1900-1910. It has been set with rose diamonds and has two cabochon ruby eyes. The front is silver and the back is gold. All our tie pins come with a stopper at the end of the pin. A wonderful present for a wise person in your life!}

A neat and simple silver tie pin that was made in the early 1900s. It has been set with a cabochon cut piece of mother of pearl. All our tie pins come with a stopper at the end of the pin.}

A spectacular quite large and beautifully made tiepin of a garter surrounding a shield that was made circa 1860. It has been set with jasper, bloodstone and grey agate. This pin would most likely have originally been worn by a Laird and is a real collector'e piece.}

A smart pair of 18ct white gold and 9ct yellow gold cufflinks that were made in the 1920s. They are a great design, typical of the period, with white gold edges then engraved cross banded mother of pearl plaques with French cut Ceylon sapphires in the middle of each one. They would be ideal as a 21st present.}

A good 18ct gold tie pin with an intaglio of a race horse's head that was made circa 1880. It has been carved in reverse from rock crystal which is a difficult process. A reverse crystal intaglio is a rock crystal cabochon with an intaglio carved into the flat back. The intaglio was also painted realistically with oils so, that when viewed through the top, the image appears three-dimensional. Finally, the back was sealed in order to preserve the painted areas. The technique originated in Belgium c. 1860 and is attributed to an artist named Emile Marius Pradier. This technique was also practiced in England by Thomas Cook and his descendants who made crystals for Lambeth & Co. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolour of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. The motifs most commonly found are sporting themes – horses, dogs, foxes and birds. This relatively secret process passed through family members, so keeping it exclusive and expectations of quality were very high. They remained in fashion until poorly made glass and plastic imitations flooded the market circa 1920. This tie pin is a superb example of the art and is mounted in 18ct gold with a decorative border. All our tie pins come with a stopper at the end of the pin.}

An attractive pair of 14ct gold rectangular cufflinks with canted corners. They have been finely enamelled in black to emphasise the shape and reflect the Art Deco geometric fashion. They were made in the 1920s in America.}

A striking 14ct gold signet ring that has been set with an oval carnelian with a Masonic intaglio. It is difficult to say when it was made but I would say in the 1940-1950 period.}

An unusual and quite large 14ct gold signet ring set with an octagonal cut bloodstone within a gold frame with ornate scrollwork design shoulders. The bloodstone has an intriguing intaglio of bunches of grapes. Perhaps the original owner had a vineyard. It is of German or Austrian origin and was made circa 1880.'}

A good pair of 18ct gold semi precious gemstone cufflinks. They are set with an orange tourmaline, green tourmaline, citrine and amethyst. The dog clips open so that you can easily put them in a double cuff. They were made circa 1940s-1950.}

A smart pair of 18ct white gold cufflinks that were made in the 1920s. They are typical of the Art Deco period with their octagonal design and mother of pearl settings surrounding the small diamonds.}

A beautiful French 18ct gold tie pin of a Dragon. The winged beast is seen grasping a diamond in it's mouth, which is its prey. It was made in the Art Nouveau period. This was an artistic movement which peaked in popularity between 1890 and 1910 and influenced all fields of art, architecture and applied art. It is a French term meaning "new art" and is characterised by organic and plant motifs as well as other highly stylised forms. It was also heavily influenced by oriental art. It was in 1854, Japan reluctantly signed the Japan-US Treaty of Peace and Amity, which ended the island chain’s seclusion that had been in place for more than 200 years. The Americans, Russians, and British governments were all eager to capitalise on the new resources available, but it was France, under the leadership of Napoleon III who built shipyards in Japan in exchange for the right to import Japanese goods. The introduction of both modern and antique Japanese artistic designs created a fascination with dragons, lotus flowers and other natural themes that significantly influenced the motifs of the Art Nouveau period. This 18ct gold tie pin epitomises the period. All our tie pins come with a stopper at the end of the pin}

A very stylish smart pair of cufflinks which were made in France in the Art Deco period. They are 18ct gold and each one is set with a faceted cabochon sapphire.}

A good 18ct gold signet ring that was made in 1900. It has a lovely decorated shank with a fluted design. It has a carnelian in the top that can be engraved with a crest or monogram if wanted. This ring can be worn by either sex.}

An unusual 15ct gold tie pin that was made circa 1860-1880 at the time when Scotland was the destination place to go as Queen Victoria had just purchased Balmoral castle. It is a shield with a garter around it and has been set with jasper and bloodstone. It is in the original presentation case. Stamped in gold on the green silk interior is "Marshall 24 & 25 Prince's St Edinburgh". All our tie pins come with a stopper at the end of the pin. A wonderful gift for a Scottish gentleman!}

A lovely pair of 15ct gold cufflinks set with four different gem stones: pink tourmaline, fire opal, aquamarine and a peridot. The sides are engraved with leaves and flowers. They were made circa 1910.}