A smart 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold bracelet that was made circa 1910. It is a close link curb design with a heart shaped padlock that hinges open. Perfect for every day wear.}

A good quality 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold wide bangle that was made circa 1880. At that time there was a movement called the Etruscan Revival as many finds from the Etruscan period were being unearthed in Italy. Jewellers such as Castellani embraced the challenge of recreating the art and pieces were painstakingly made with hand applied gold wire work. This bangle is an excellent example of the craftsmanship with fine detail and pierced work throughout.}

Am impressive GeorgianJewellery made in the Georgian era (1714-1830). More silverA metallic element which is malleable and ductile, and white in colour, making it ideal for use in jewellery. It is usually mixed with copper to improve its hardness. More and pasteGlass made to resemble gem materials, which may be moulded, faceted, carved, etc.  More set brooch with three drops. It was made circa 1800-1820. This style of brooch would have been worn in the centre of a dress and was known as a corsage brooch. There would have been most likely a pair of earrings to match}

A pretty silverA metallic element which is malleable and ductile, and white in colour, making it ideal for use in jewellery. It is usually mixed with copper to improve its hardness. More pendant that can also be worn as a brooch. It was made in France circa 1910. It is set with graded marcasiteThe marcasite of jewellery is in fact iron pyrite as marcasite itself is too brittle alone for the durability required of a piece. This jewellery marcasite is sometimes called ‘fool’s gold’ given its heavily metallic appearance. Marcasite of this kind also offers a kind of iridescence, explaining its use as a more affordable diamond replacement that wi... More (iron pyrites) and green pasteGlass made to resemble gem materials, which may be moulded, faceted, carved, etc.  More with three cultured pearlA man-made pearl. The pearls are produced by inserting an irritant into a mollusk. More drops. This brooch would have been worn at the centre of a dress as a corsage brooch}

A wonderful pair of 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold drop earrings. They are each set with an oval flat cut amethystOne of the most popular gemstones, which has long been considered valuable. Amethysts range in colour from light to dark purple; the deeper purple stones are considered to be the finest. More with a star shaped mount on each one set with graded rose diamonds. Above each amethyst is an articulatedWhen something has segments connected by flexible joints. More hinge with a small rose cutThe ‘rose cut’, defined by its rounded outline and multiple triangular facets, is one of the earliest diamond cuts, with its origins in sixteenth century Europe. A rose cut typically has a flat base and anywhere from six to twenty four facets, the latter known as a full rose cut. More diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More section then a rose diamond set star at the top. They were made circa 1860 and are pretty special!}

A very attractive 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold chain that has a knotty design at intervals. It can be worn on a daily basis on its own or layered with other chains. It was made circa 1910}

A smart 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold bangle that was made circa 1900-1910. It is an open work design with a line of graded naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls across the top. It has a secure clasp and a safety chainA small chain applied to a piece of jewellery with the purpose of adding additional security to prevent loss. On bracelets and necklaces a safety chain will often join the clasp ends should the clasp fail. On a brooch it is often attached to a small pin which is to be used in tandem with the main brooch pin. More for added security}

This is a really beautiful 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold bangle that was made in Birmingham in 1912. It has been finely engraved with leaves and flowers across the top. it has a secure hidden clasp with a safety chainA small chain applied to a piece of jewellery with the purpose of adding additional security to prevent loss. On bracelets and necklaces a safety chain will often join the clasp ends should the clasp fail. On a brooch it is often attached to a small pin which is to be used in tandem with the main brooch pin. More for added security. This bangle can be worn on its own or stacked with other bangles}

A striking 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold pendant that has been set with a large peridotA variety of chrysolite. It is the gem of variety of olivine. The colour is generally a warm olive or yellowish green. More within a millgrained setting. it is a beautiful even apple green colour. Peridot is named after the French word “peritot”, meaning gold, because the mineral can vary towards this colour. Around it are four naturalA natural stone is called such because it has not been subjected to any treatments.  More pearls. It is suspended from a trace link 15ct gold chain with a barrel clasp. Peridot is the birthstoneEach month has a particular gemstone associated with it. Each stone is thought to be lucky for the person born in that month. More for the month of August. It is also the stone given to celebrate the 16th year of marriage so it would make a wonderful and special gift}

An attractive 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold bangle that was made in Birmingham in 1898. The pattern is a lovely woven design with bobbles and a rope edging along the top and a narrower rope design at the back. It has a secure tongue clasp and a safety chainA small chain applied to a piece of jewellery with the purpose of adding additional security to prevent loss. On bracelets and necklaces a safety chain will often join the clasp ends should the clasp fail. On a brooch it is often attached to a small pin which is to be used in tandem with the main brooch pin. More for added security. This bangle can be worn on its own or stacked with other bangles}

This snake has real character! He is 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold and has facetedA faceted stone has small, flat-cut surfaces that make a sparkling effect on transparent stones. Facets act as both mirrors and windows. Reflecting light and channelling light into a stone where it refracts and re-emerges. More green garnetDescribes a group of several closely related minerals. Garnets come in a variety of colours, however the most common colour is dark red. In descriptions, ‘garnet’ tends to refer to dark red stones unless otherwise specified. More eyes. The correct name is demantoidA sub-variety of andradite and the moat valuable of the garnets, the colour ranges from dark green (hence sometimes miscalled "Uralian emerald") to yellowish-green (hence sometimes miscalled "olivine"). It is the most expensive and rare of garnet gemstones. It has many similarities with the diamond ("demant"), hence its name (meaning 'diamond-like'), but it ... More garnet and they come from the Urals in Russia. His body is on a inner spring so you can coil him around your wrist. He was made in 1960s in Birmingham.}

A lovely 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made in the 1930s and has been clawA precious metal prong used to hold a gemstone in place. More set with three old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamonds with a total estimated weight of just under three quarters of a caratThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More. The centre stone is slightly larger than the other two so the ring is a well balanced design. It is also all yellow gold so if you are a gold fan then this is the engagement ring for you}

A very unusual and smart Art DecoJewellery made in the Art Deco era (1920-1935). More platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More ring that was made in the 1920s. It has been set with three diamonds across the centre with graded diamonds above and below within a curved design. In between the round diamonds are two lines of baguetteFrench for “rod.” A step-cut used for narrow, rectangular faceted stones, mainly those of a small size. More cut diamonds. It is a pleasing contrast of the geometric style of the 1920s with echoes of an earlier EdwardianJewellery made in the Edwardian era (1901-1914). More style. It would make an amazing engagement ring}

A good looking 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold bangle that was made circa 1900-1920. It is essentially like a traditional curb bracelet but the links are soldered to form a bangle. It has a secure tongue clasp and a safety chainA small chain applied to a piece of jewellery with the purpose of adding additional security to prevent loss. On bracelets and necklaces a safety chain will often join the clasp ends should the clasp fail. On a brooch it is often attached to a small pin which is to be used in tandem with the main brooch pin. More for added security}

A very wearable classic gold chain. It is termed as an Albert after Prince Albert, Queen Victoria’s husband, who popularised the wearing of chains across the waistcoat with seals and a “T” bar terminal. Nowadays they are worn as neck chains which look really good. It was made circa 1910. }

A chic looking 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold bangle that was made circa 1910. It is a lovely ribbed design and is markedA small hallmark or punchmark either on the inside or outside of the shank which indicates the metal is platinum, gold or silver. If the metal is gold, it could also indicate the carat, e.g. 18 carat gold. More on the clasp 15 for 15ct gold. It has a safety chainA small chain applied to a piece of jewellery with the purpose of adding additional security to prevent loss. On bracelets and necklaces a safety chain will often join the clasp ends should the clasp fail. On a brooch it is often attached to a small pin which is to be used in tandem with the main brooch pin. More for extra security. This bangle can be worn on its own or stacked with other bangles}

A charming 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold bracelet that was made circa 1820. It is composed of decorative links typical of the GeorgianJewellery made in the Georgian era (1714-1830). More period. You often see Georgian guard chains that are similar to this style. The hidden clasp goes in to the section above the heart drop. The heart has a sweet Forget me not set with turquoiseTurquoise is an opaque gem and is often formed in what is called matrix, a black or brown veining derived from the host rock in which the gem forms.  In fine jewellery, unblemished sky blue turquoise is the ideal, although regularly patterned matrix turquoise is also sought-after. More and a rubyOne of the most valuable gemstones on earth. From the corundum family, the red variety being ruby and the blue, sapphire. With the exception of the diamond, corundum is the hardest of the gemstones on the Mohs scale scoring a 9. More flower. On the reverse is a glazed locket that would have originally held a lock of hair. It would have clearly clearly sent a message to the original receiver of this precious piece that she must not forget who gave it to her}

A good looking 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made circa 1910. It has been set with five graded good white old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamonds with a total weight of half a caratThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More. The settings are an unusual design with long claws on the sides and interesting scroll work to the sides and shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More. It sits low on the finger so it would be an ideal engagement ring}

A beautiful 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring with a platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More top that was made in the 1920s. It has been clawA precious metal prong used to hold a gemstone in place. More set with a stunning Royal blue colour oval sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More that is most likely a Ceylonese sapphire. On either side is a good bright white old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More. It would make a perfect engagement ring}

An interesting and well designed 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring. It has been set with a clawA precious metal prong used to hold a gemstone in place. More set square emerald cutA square or rectangular cut stone with a square table and step cut sides. More emeraldOne of the four ‘precious’ stones. An intense, deep green is the most desirable colour for emeralds. Flaws and cloudiness (‘jardin’) are very common in emeralds, so stones are often oiled, irradiated, and dyed to improve their look. Synthetic emeralds have fewer imperfections and are hard to set apart from natural stones. Emeralds belong to the beryl... More in the centre with six rose cutThe ‘rose cut’, defined by its rounded outline and multiple triangular facets, is one of the earliest diamond cuts, with its origins in sixteenth century Europe. A rose cut typically has a flat base and anywhere from six to twenty four facets, the latter known as a full rose cut. More diamonds around it. The shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More are pierced and decorated with foliate motifs. This ring is hard to date as it is an early look but the gold design appears to date from the early 1900s. Either way it is a beautiful ring and looks wonderful when worn}

This is a stunning 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More ring that was made in France in the 1960s. It is a wonderful spiral design with a central oval mixed cut sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More that is most likely Ceylonese and weighs approximately one caratThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More. Around the sapphire are two swirls of graded diamonds and French cut graded sapphires. The entire ring has millgrainA technique developed in the late 19th century as a textural effect to metal work on the edges or bezels of jewellery. That technique is referred to as millegrain (or mille grain or even milegrain). From the French word mille for a thousand, and from grain as the same meaning in English, it refers to what appears to be thousands of tiny beads upon a metal pr... More detail. It would make an amazing engagement ring }

A good quality 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More ring set with three bright white brilliant cutA circular gemstone cut, especially for diamonds or other transparent stones, with 57 or 58 facets. This cut returns the greatest amount of brilliancy, fire, and white light to the eye, making it an immensely popular cut. Also known as the Modern Brilliant Cut, the American Brilliant Cut, or the Ideal Cut. More diamonds with a total weight of one caratThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More. It is a well balanced ring and sits low down on the finger. It is highly recommended as an engagement ring.}

A very pretty 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made circa 1910. It is composed of two hearts that signify unification of two people and each heart has been set with a sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More and a diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More within star shaped settings. What a lovely ring to give as an engagement ring}

This is a beautiful ring that was made circa 1820. The shankThe circle of metal that attaches to the decorative part of a ring and encircles the finger. More is 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold and leads on to trifurcated shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More. The top is a large flower cluster set in silverA metallic element which is malleable and ductile, and white in colour, making it ideal for use in jewellery. It is usually mixed with copper to improve its hardness. More with a larger oval foiled rose diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More in the centre with smaller graded rose diamonds around it with open pierced work to the outer bandA type of ring which is an equal width all the way round. They are traditionally used for wedding rings. More of rose diamonds. It sits low on the finger so it is a lovely ring to wear on a daily basis. The only thing to remember is not to get it wet as it will discolour the silver foiling beneath the stones}

A pretty pair of earrings that were made in the 1970s. Each one has been set with a pear shaped opalOpals occur in a range of body colours from white, black or grey, bright orangey red and a pale watery colour. The most precious opals show strong colour contrast and generally have a dark body colour with a vivid array of colour play. More within a decorative surround with a bobble design. The opals are well matched and display a good colour range of blues, greens and some red. At the top is a fleur de lys design. They have post and scroll fittings. They are a good medium size so they can be worn on a daily basis}

A very stylish Art dEcoJewellery made in the Art Deco era (1920-1935). More ring that was made in the 1920s. It is composed of five graded old European cutGemstones cut in this style have a smaller table than the round brilliant and the overall depth is greater. This style of cutting was popular in the 19th Century and is the direct predecessor to the modern round Brilliant Cut. Similar to the Old Mine Cut. More diamonds across the top with a line of baguetteFrench for “rod.” A step-cut used for narrow, rectangular faceted stones, mainly those of a small size. More cut sapphires on either side then rose cutThe ‘rose cut’, defined by its rounded outline and multiple triangular facets, is one of the earliest diamond cuts, with its origins in sixteenth century Europe. A rose cut typically has a flat base and anywhere from six to twenty four facets, the latter known as a full rose cut. More diamonds on the outside edges within millgrainA technique developed in the late 19th century as a textural effect to metal work on the edges or bezels of jewellery. That technique is referred to as millegrain (or mille grain or even milegrain). From the French word mille for a thousand, and from grain as the same meaning in English, it refers to what appears to be thousands of tiny beads upon a metal pr... More settings. The shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More have a wing design each set with one rose diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More.The galleryA strip of metal that is pierced with a continuing pattern, often framing}

An unusual 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold tie pin that was made circa 1800-1820. It is urn shaped with a heart shaped citrineCitrine (from the French for ‘lemon’) is a rare, yellow type of quartz, a semi-precious stone that ranges in colour from pale yellow to orange to golden brown. The best quality citrine is found in Brazil. More surrounded by blue Vauxhall glassThrough the eighteenth century and on into the middle of the nineteenth, Vauxhall glass was a popular gem substitute. Intense hues of highly reflective purple, orange, red, green and blue were set into butterfly, snowflake and flower motifs on necklaces, bracelets, earrings, brooches and hair combs. Made in the Vauxhall Glassworks in London, this jewellery w... More and naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls. It would make a very striking piece to wear! All our tie pins come with a stopper at the end of the pin.}

A striking tie pin that was made in the 1920s. It has been set with square cut shaped emeralds and rose diamonds within a circle. It is typical of the style of the period and is smart to wear. All our tie pins come with a stopper at the end of the pin. }

This bracelet has a really strong design. It is wide and has solid and openwork decoration. There is an inscription from grateful workers to their boss in German. However it has passed on to another generation and hopefully to a new owner at some pointA unit of weight for a diamond, being one-hundredth of a metric carat. It is used for weights that are decimal fractions of a carat, and all figures after the second decimal point are, in the diamond and jewellery trade, generally discarded. More!}

An unusual and very beautiful Art NouveauJewellery made in the Art Nouveau era (1890-1915). More ring that was made circa 1900-1910. It is composed of a stylised spray of flowers set in gold settings with a cabochonA polished, not faceted, dome shaped stone - either round or oval with a flat polished base, primarily used as a cut for phenomenal stones such as cat's eyes and stars. More emeraldOne of the four ‘precious’ stones. An intense, deep green is the most desirable colour for emeralds. Flaws and cloudiness (‘jardin’) are very common in emeralds, so stones are often oiled, irradiated, and dyed to improve their look. Synthetic emeralds have fewer imperfections and are hard to set apart from natural stones. Emeralds belong to the beryl... More, a cabochon sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More, a cabochon rubyOne of the most valuable gemstones on earth. From the corundum family, the red variety being ruby and the blue, sapphire. With the exception of the diamond, corundum is the hardest of the gemstones on the Mohs scale scoring a 9. More and diamonds within platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More settings in a marquiseA soft oval gemstone shape with a stretched point at each end, although there can be a wide variety of proportions from almost ‘spiky’ thin marquises to ‘fat’ rounder shapes. Also known as 'navette'. More shaped surround. The shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More are}

A very good looking 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold double snake ring that was made in the early 1900s. The two snakes lie alongside each other, one has been set with a sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More, the other with a very bright white old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More and they have rose diamond eyes. Snakes mean “Eternal love” so they were given as wedding rings or commitment rings. Many versions were made but this snake ring is lovely as the snakes have friendly expressions and really look like they were made for each other. Some snake rings that we see are really mean looking! It would make a perfect and unusual engagement ring}

A good looking 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made circa 1920-1930. It has been set with a lovely Royal blue colour sapphireBlue is the best-known colour for this gemstone but it can be found in all colours of the spectrum. After diamond, sapphire is the hardest gemstone. More that is surrounded by eight old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamonds. It would make a perfect engagement ring as it is a nicely balanced design and sits low on the finger.}

This silverA metallic element which is malleable and ductile, and white in colour, making it ideal for use in jewellery. It is usually mixed with copper to improve its hardness. More necklace was designed by Willy Winnaess, who was a key designer for Norwegian Goldsmith David Andersen. Andersen opened his shop in Oslo, Norway in 1876 specialising in jewellery and silver wares. He died in 1901 and his sons took over company operations and designs. Today, David-Andersen (the company’s name since the early 20th century) is well known for its mid-centuryJewellery made in the Mid-Century era (1950s). More enamelled silver jewellery. There are twelve linked panels of vibrant blue leaves forming a spectacular look when worn. It is fully signed and markedA small hallmark or punchmark either on the inside or outside of the shank which indicates the metal is platinum, gold or silver. If the metal is gold, it could also indicate the carat, e.g. 18 carat gold. More for both Willy Winnaess and David Andersen}

This 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring was made circa 1760 in Paris. It has been set with an elongated rose cutThe ‘rose cut’, defined by its rounded outline and multiple triangular facets, is one of the earliest diamond cuts, with its origins in sixteenth century Europe. A rose cut typically has a flat base and anywhere from six to twenty four facets, the latter known as a full rose cut. More diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More. The beauty of this stone is that it has elements of it's naturalA natural stone is called such because it has not been subjected to any treatments.  More form but has been facetedA faceted stone has small, flat-cut surfaces that make a sparkling effect on transparent stones. Facets act as both mirrors and windows. Reflecting light and channelling light into a stone where it refracts and re-emerges. More like a rose cut diamond. It is coffin shaped so it could have been a mourningRings made especially to mark the death of a loved one. Often called 'memento mori' rings. Rare examples survive intact and are highly collectable. More ring. Around it are pierced moon shaped designs. The reverse is cup shaped }

This is such a pretty and delicate looking diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More cluster ring that was made circa 1910. It is 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold with a platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More top and has been set with graded well matched good white diamonds. There is a larger diamond in the centre with two bands of diamonds around it. The stones have been PavéA style of setting in which the stones are set as close together as possible to cover the entire field of the setting for a cobblestone (or “paved”) effect where the setting does not show. More set. Pavé setting is a type of setting that creates the appearance of a carpet of diamonds. These diamonds are held in place with metal prongs or beads. It is a lovely look and would make an ideal engagement ring as it sits low on the finger so it is practical to wear}

A pretty 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring with a platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More top that was made circa 1920. It has been clawA precious metal prong used to hold a gemstone in place. More set with five well matched old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamonds with a total weight of nearly three quarters of a caratThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More. It curves around the finger nicely and sits quite low on the finger so it would be ideal as an engagement ring}

A good looking 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold heart shaped locket that was made in Birmingham in 1918. Plain heart lockets are hard to find as mostly they were rather ornate so this is a smart look. It opens to reveal one compartment for a photograph}

A very pretty heart shaped pendant that was made circa 1900-1910. It is 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold with seven naturalA natural stone is called such because it has not been subjected to any treatments.  More pearls set around the edge. It has been enamelled in Royal blue enamelA pigmented glass-like material used in powdered form and fused onto the metal surface of a piece of jewellery. More with a white enamel border. In the centre is a small heart with a natural split pearlNatural pearls are an organic gem formed inside live mollusc shells and come in all shapes and sizes. They are formed as the result of a natural irritant within the mollusc's mantle and as a defence, layers of iridescent nacre form over the top of it, creating a pearl.  More and seven rose diamonds around it. Above is a 15ct gold baleA component of certain types of jewellery, mostly necklaces, that is used to attach a pendant or stone.  The bail is normally placed in the centre of the necklace where the pendant hangs. More for a chain. This would have originally have been given as a token of love and it is as appropriate today as it was over one hundred years ago}

A good looking 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More ring that has been set with an emerald cutA square or rectangular cut stone with a square table and step cut sides. More emeraldOne of the four ‘precious’ stones. An intense, deep green is the most desirable colour for emeralds. Flaws and cloudiness (‘jardin’) are very common in emeralds, so stones are often oiled, irradiated, and dyed to improve their look. Synthetic emeralds have fewer imperfections and are hard to set apart from natural stones. Emeralds belong to the beryl... More with a brilliant cutA circular gemstone cut, especially for diamonds or other transparent stones, with 57 or 58 facets. This cut returns the greatest amount of brilliancy, fire, and white light to the eye, making it an immensely popular cut. Also known as the Modern Brilliant Cut, the American Brilliant Cut, or the Ideal Cut. More diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More on either side. The emerald is a particularly good saturated green and contrasts well with the bright white diamonds. The photographs do not show it's true colour as emeralds are notoriously difficult to photograph! It would make a stunning engagement ring}

A good 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More cluster ring that was made in the 1920s. It has been set with a half caratThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamond in the centre and eight smaller diamonds on a slightly lower lever around it. The centre stone has a yellow tint which is often the case with diamond cluster rings as it provides a subtle contrast. It sits low on the finger so it is a practical ring to wear as an engagement ring}

This is a fantastic ring that was made circa 1910-1920. It has been set with three beautiful old European cutGemstones cut in this style have a smaller table than the round brilliant and the overall depth is greater. This style of cutting was popular in the 19th Century and is the direct predecessor to the modern round Brilliant Cut. Similar to the Old Mine Cut. More diamonds with one slightly larger diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More in the centre that curve around the finger. They have been bezelA metal rim which holds the stone in a piece of jewellery. This metal band has its top edges smoothed over to better hold the stone in place. More set with millgrainA technique developed in the late 19th century as a textural effect to metal work on the edges or bezels of jewellery. That technique is referred to as millegrain (or mille grain or even milegrain). From the French word mille for a thousand, and from grain as the same meaning in English, it refers to what appears to be thousands of tiny beads upon a metal pr... More detail and are really bright and clear stones. It sits low on the finger so it would be perfect for every day wear as an engagement ring}

A stunning 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold ring that was made circa 1820-1830. It has been set with naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls in a lovely cluster design with three natural split pearls on either side. In the centre is a lovely small emeraldOne of the four ‘precious’ stones. An intense, deep green is the most desirable colour for emeralds. Flaws and cloudiness (‘jardin’) are very common in emeralds, so stones are often oiled, irradiated, and dyed to improve their look. Synthetic emeralds have fewer imperfections and are hard to set apart from natural stones. Emeralds belong to the beryl... More. The shankThe circle of metal that attaches to the decorative part of a ring and encircles the finger. More is a ribbed design with engraved foliate shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More. These rings were so popular in the Regency period and one can imagine Jane Austin wearing it. This particular ring is in fantastic original condition}

A simple yet striking ring that was made in the 1920s. The shankThe circle of metal that attaches to the decorative part of a ring and encircles the finger. More is 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold and the top is platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More. It has been set with an oval cut aquamarineAquamarine (from the Latin, “water from the sea”) is, as the name suggests, a pale green bluish to medium dark blue member of the beryl family. Due to its lovely, limpid color and its durability aquamarine has been one of the most popular gemstones from ancient times to the present day. 7.5 - 8 on the Mohs scale. The birthstone of March and 19th year ann... More within a millgrained setting. The seawater colour of aquamarine has given this gemstone its name as the word “aquamarine” is derived from the Latin word for seawater. It looks lovely when worn as it catches the light beautifully}

This is such a pretty fat 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold heart shaped pendant that was made in Chester in 1899. The design is of a rose diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More set flower with diamond set leaves. When worn the little rose diamonds catch the light in a subtle way. This would be a perfect Valentine's gift }

A very pretty 9ct gold back and front heart shaped locket that was made circa 1910. The term "9ct Back & Front" and silverA metallic element which is malleable and ductile, and white in colour, making it ideal for use in jewellery. It is usually mixed with copper to improve its hardness. More setting means that the pasteGlass made to resemble gem materials, which may be moulded, faceted, carved, etc.  More is set in silver, the front and back are 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold and the inner frames and hinges are metal. It has a swallow with a branch of flowers on one side set with three garnets and white paste. The outside design is unusual as it is scalloped. It opens to reveal two areas for photographs. The swallow was considered daring, risk-seeking, and a symbol of change for good in the future. It also meant “Everlasting love” and “loyalty” as swallows mate for life. What a lovely sentiment to pass on to someone that you love}

This 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold ring is in really good condition. It was made in the Regency period circa 1810-30. It is composed of a flower set with naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls with a rubyOne of the most valuable gemstones on earth. From the corundum family, the red variety being ruby and the blue, sapphire. With the exception of the diamond, corundum is the hardest of the gemstones on the Mohs scale scoring a 9. More in the centre and small rubies around it. On either side is a split pearlNatural pearls are an organic gem formed inside live mollusc shells and come in all shapes and sizes. They are formed as the result of a natural irritant within the mollusc's mantle and as a defence, layers of iridescent nacre form over the top of it, creating a pearl.  More set in to decorative pierced shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More. These rings were very popular in the early 1800s and are as wearable now as they were then.}

A pretty 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More eternity bandA type of ring which is an equal width all the way round. They are traditionally used for wedding rings. More that has been set with evenly matched small white diamonds. It would be ideal worn with other eternity bands, on its own or as a wedding band.}

A useful 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More white goldWhite gold is an alloy of gold and at least one other white metal - most often nickel or palladium (both of which act as a bleaching agent to reduce the natural yellow colour of the gold). More eternity ringA ring given as a symbol of lasting affection, typically set with an unbroken circle of gems. More that is a tramline design with round brilliant cutA standard modern round cut for stones, having 57 or 58 facets, typically cut by machines and in calibrated sizes for the modern mass market. More diamonds within. It is a smart look and can be worn on its own or stacked with other eternity bands. This ring is not resizable.}

A good 18ct gold seal that was made circa 1840. The base has been set with a carnelian which is a hardstone. It has been finely engraved with a Cockerel intaglio. The name "Cockerel" first reached England following the Norman Conquest of 1066. The Cockerel family lived in Gloucestershire. The family was originally from Cocquerel, near Evreux, Normandy, and it is from that location that their name derives. }

A good quality 18ct gold seal that was made circa 1820. the top is richly decorated with scrolls and stylised leaves. The base has been set with a carnelian that has been engraved with an intaglio of a lion rampant. The term 'lion rampant' actually refers to the positioning of the lion. The lion is shown in profile of a lion standing upright with raised forlegs, claws unsheathed, as if to strike. The Lion Rampant was also adopted as the Scottish royal coat of arms and incorporated into the Great Seal of Scotland. This seal is a Scottish family crest }

A good looking 18ct white gold half eternity ring that was made in London in 1972. It has been set with eight well matched good white diamonds that have a combined estimated weight of 1.20 carats. This ring can be worn on its own or stacked with other eternity rings }

A stunning heavy gage gold and platinum Albert chain that was made circa 1900-1920. It has alternating sections of two colour 15ct yellow gold and platinum close knit curb links. It is termed as an "Albert" after Prince Albert, Queen Victoria’s husband, who popularised the wearing of chains across the waistcoat with seals and a watch attached to the dog clip terminal. Nowadays they are worn as neck chains which look really good. }

An exceptionally pretty bracelet that was made in the early 1900s. It is a mix of platinum links and 15ct gold in a gate design. It is a heavy gage and can be worn daily. It also has a safety chain for extra security }

A good pair of 15ct gold oval cufflinks that are fully hallmarked and were made in Birmingham in 1901. Each cufflink has been engraved with different leaf motifs. They are a lovely buttery yellow colour and look so smart on a cuff }

A good pair of rose diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More drop earrings that were made circa 1890-1900 and are possibly of Dutch origin. They are typical of the early 20th century style and each earring has been rub over set with two rose diamonds in settings that have been specially made for each stone.  The bottom diamonds are slightly pear shaped and the top diamonds are oval shaped.  There is an outer ring of silverA metallic element which is malleable and ductile, and white in colour, making it ideal for use in jewellery. It is usually mixed with copper to improve its hardness. More around the lower diamonds. They look stunning when worn as they are larger than they appear in these photographs.}

A beautiful necklace that was made circa 1820. It has been strung with ten strands of natural seed pearls that terminate with a rectangular 15ct gold clasp set with eight natural split pearls.  Seed pearls are formed with the accidental help of a loose piece of tissue in the oyster.  They were found in river beds in Scotland in the early 19th century and used in mourning rings , brooches, necklaces and bracelets. They are uneven in formation and are charming to look at.  This necklace can be worn loose or coiled }

A good pair of hoop earrings by Cartier, Paris that were made in the late 1980s onwards. They are 18ct gold with Silverium which  is a 1987 process trademarked by Cartier.  Silverium is a type of blackened silver that is alloyed with 18ct gold.  It was originally designed for the company's mascot, the black panther to achieve the shiny black coat. It then led to several jewellery styles and this pair of earrings is part of the collection }

This heavy gage 15ct gold collar is interesting as it is very similar to Indian jewellery designs that have remained unchanged for years. To put this in context one has to look at the history of the mid to late Victorian period which is when this collar was made. After the nominal Mughal emperor Bahadur Shah Zafar was deposed at the conclusion of the Indian Rebellion of 1857  the English government decided to transfer control of British India and its princely states from the mercantile East India Company to the Crown, thus marking the beginning of the British Raj.   In 1874 the British prime minister, Benjamin Disraeli, decided to offer Queen Victoria the title "empress of India". Victoria accepted and the first Delhi Durbar (an imperial coronation) was held in her honour in 1877.  This led to a rise in interest for Indian goods and the designs influenced furniture, textiles and jewellery.  This collar is a superb example and was made in England circa 1880-1890. It is as wearable today as it was then }

A really wearable and pretty 15ct gold bracelet that was made circa 1900-1910. It has been set with six diamonds and seven well matched sapphires within open curb links. This bracelet can be worn on its own or stacked with other bracelets }

A beautiful  Georg Jensen silver pendant and chain featuring two dolphins with a leafy branch passing over them.  It was designed by Arno Malinowski for Georg Jensen.  George Jensen was a renowned silversmith and the Georg Jensen brand is well known and represents excellent quality, craftsmanship and design.  Arno Malinowski was a successful designer who worked with the Georg Jensen Company from 1936 to 1944 and again from 1949 to 1965.   This pendant is a lovely example of his work and was made in the late 1930s as it has the earlier Jensen mark }

A charming tie pin that was made circa 1900-1910 of a chick.  it is beautifully modelled and his body has been set with rose diamonds with a ruby eye.  The use of a chick especially one newly hatched meant the birth of a child.  All our tie pins come with a stopper at the end of the pin. }

A very well modelled heavy gage 15ct gold fox head tie pin that was made circa 1880.  He has been realistically engraved and has cabochon ruby eyes.  This style of tie pin would originally have been worn on a stock when out hunting but nowadays can be worn by both sexes on lapels.  All our tie pins come with a stopper at the end of the pin. }

A very pretty 15ct gold bracelet that was made circa 1910.  It is designed with curb links and alternating long links that each contain an opal.  There are six well matched opals in total.  it is a very wearable bracelet on an every day basis and can be worn together with other bracelets }

A beautiful 18ct white gold ring with a platinum top that was made circa 1910. It has been set with a round bright green peridot within a ring of well matched white diamonds. Peridot is named after the French word "peritot", meaning gold, because the mineral can vary towards this colour. Peridot is the birthstone for the month of August. It is also the stone given to celebrate the 16th year of marriage. }

A pretty 18ct gold & platinum ring that has been set with three diamonds.  It is in the Art Nouveau style of a crossover setting that was popular in the early 1900s. The diamonds are sparkly well matched white stones.  It would make a pretty engagement ring. }

A beautiful silver pendant on chain designed by Arno Malinowski, for the famous firm, Georg Jensen.  George Jensen was a renowned silversmith and the Georg Jensen brand has come to represent excellent quality craftsmanship and design.  Arno Malinowski (1899 – 1976) was one of the most versatile designers who ever worked for Georg Jensen. He was successful not only as a designer of silver objects, but also as a sculptor, ceramist, engraver and medalist.   He was associated with the Jensen firm for many years. from 1936 to 1944, and again from 1949 to 1965.   His jewellery designs are particularly distinctive. He participated in many exhibitions and won numerous awards for his work as a designer in silver, porcelain and bronze.  This necklace was most likely made in the 1940s.  It features a rooster with a stylised branch crossing over him which is one of Malinowski's rarer designs }

A lovely French 18ct gold ring that was made circa 1910. It has a natural bouton pearl in the centre with a diamond on either side and further small diamonds on the shoulders. It can be worn on its own or stacked with other rings }

A spectacular 18ct gold ring that was made in France around 1960.  It has been set with brilliant cut diamonds in a cluster with a  larger diamond that weighs .80 carats in the centre. The bifurcated shoulders have also been set with small diamonds . The diamonds are well matched stunning and clear bright white stones with a total weight of 1.92 carats.  It is an amazing look and would make a great engagement or dress ring }

A smart Art Deco platinum eternity ring that was made in the 1920s.  It has been set with alternating calibre sapphires and diamonds. Both sides have been engraved with stylised leaves. These rings can be worn on their own or stacked with other eternity bands. This ring cannot be sized }

A gorgeous pair of earrings that were made circa 1910. They have each been set with a natural pearl with two diamonds above.  Natural pearls are extremely rare. Only one in about 10,000 wild oysters will yield a pearl and of those, only a small percentage achieve the size, shape and colour desirable to the jeweller.  They are very wearable day and night! }

A pretty pair of earrings that were made circa 1880. They are really the costume jewellery of the time because they have been set with white paste instead of diamonds and opaline glass instead of opals.  The earrings are metal and the wires are 9ct gold }

A beautiful 15ct gold oval locket that was made circa 1880.  It has been finely engraved on both sides with ivy leaves and roses sending the message "Cling to me" Ivy,  and "I love you" Roses.  The Victorians were fond of sending secret messages and so much of the jewellery that we buy has secret meanings.  On one side is a shield shaped cartouche where initials can be engraved if wanted. Inside are two areas for photographs. }

A beautiful Georgian silver bracelet. The almandine garnets have been cut to special shapes and are foiled at the back which gives the stones luminescence. One of the larger garnets forms the hidden clasp. }

An impressive 18ct gold ring that was made in Birmingham in 1876.  It has been set with a three and a half carat opal surrounded by rose diamonds.  The shoulders are ornate and compliment the cluster.  The opal displays good flashes of green and some blue and red. It is a lively stone and was obviously specially chosen to set in to this ring.  Opal has always been associated with love and passion. Wearing an opal is said to bring about loyalty and faithfulness. A good ring to give to someone that you love! }

A good 18ct white gold ring that was made in London in 1984. It has been set with an amethyst surrounded by small diamonds. The amethyst is a good rich purple with hints of red in certain lights. Amethyst is a semi-precious stone in today’s classifications, but to the ancients, it was a “Gem of Fire"  a Precious Stone worth, at times in history, as much as a Diamond.  Amethyst has always been associated with February, the month the Romans dedicated to Neptune, their water-god. Therefore, it should be no surprise that it is the traditional birthstone of that month. It is the stone of St. Valentine and faithful love and signifies ecclesiastical dignity as the Bishop’s Stone. A lovely ring to wear. }

A very pretty 18ct gold ring that was made in Chester in 1917. It has been set with six well matched sapphires and a central diamond with rose diamonds in between in a cluster design. The shoulders are finely tapered to give the ring a light effect. It would make a beaitiful engagement ring }

A beautiful 18ct gold locket that was made circa 1860 in France. It is glazed both sides and hinges open so that you can put a photograph inside. Around the outside are pegged faceted coral beads from Naples. This little locket would probably have been purchased whilst on the Grand Tour. }

A very pretty diamond solitaire ring that was made in the 1920s. It is 18ct gold with a platinum top and has been claw set with a diamond that weighs half a carat. It is a good bright white stone. This ring is ideal as an engagement ring as it sits low on the finger and can be worn on an every day basis }

A good looking 18ct gold ring that was made in London in 1988. It has been set with a rectangular cut aquamarine surrounded by fifteen well matched good white brilliant cut diamonds. The seawater colour of aquamarine has given this gemstone its name as the word “aquamarine” is derived from the Latin word for seawater.  It would make a perfect engagement ring }

A beautiful 14ct gold heavy gage round locket that was made in the Art Nouveau period in America circa 1900-1910. The front has repousse detail of stylised leaves in typical flowing forms that the Art Nouveau style propounded. Repousse is shaped by hammering from the reverse side to create a design in low relief.  Inside are two compartments for photographs. This locket is as wearable today as it was over one hundred years ago }

A stunning 18ct gold heart shaped padlock that was made circa 1830-1840 in the William 1V period. It has very fine rich and deep repousse work detail of leaves and flowers on both sides. Repousse is shaped by hammering from the reverse side to create a design in low relief. Chasing, chased work, or embossing refer to a similar technique, in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction which may be the case in this piece of jewellery. It hinges open so can be worn on its own or teamed with a bracelet or neck chain }

An impressive and large 15ct gold early Victorian heart shaped pendant that has been set with three pyrope cabochon cut garnets. They are foiled on the reverse  to accentuate their luminosity and are surrounded by engraved scrolls on a background that has been engraved with leaves and flowers. On the reverse the engraved decoration continues around a glazed locket that would originally have contained a lock of hair. It was made circa 1840 }

A very striking 9ct gold ring that has been set with a large deep amethyst.  It is a wonderful even Siberian purple colour and has been set in a decorative claw set mount with quatrefoil motifs in between. It sits quite high off the finger so it is a dramatic look }

A smart 18ct gold signet ring that was made circa 1860-1880. It has been set with a bloodstone with a finely engraved  intaglio of  a heraldic griffon.   The shank is of equal width all round and has two incised lines on either side }

This is a fantastic 18ct Gold Georgian ring in great condition.  The top has been set with a cabochon garnet within a surround of natural split pearls. This swivels around to reveal a black enamel plaque with the words "Jane Hearsey Ob (died) 11 feb 1809 Ae (aged) 18. How sad as the black enamel tells us that she was already married so she could have died when bearing a  child which was common in those times. The pearls were used as a symbol of tears and the garnet was considered a symbol of love.  The pierced and fluted shoulders taper to a plain shank. This ring is in wonderful condition. }

A pretty 18ct gold ring that was made circa 1880. It has been set with three natural split pearls and two old mine cut diamonds within alternate square and gypsy settings. This style of ring can be worn on its own or stacked with other rings }

A very pretty 15ct gold ring that was made circa 1820-1830. It has been set with an oval flat cut almandine garnet within a framework of natural split pearls within shaped petal settings. The pierced shoulders are a stylised crossover leaf design and lead on to a reeded shank.  On the reverse is a glazed locket which would have held a lock of hair.  This ring is typical of the Jane Austen period and is charming in its delicate look }

This 18ct gold brooch is so charming.  It was made circa 1900-1910 and is typical of the Edwardian period in its execution and prettiness.  The bow has been enamelled in baby blue enamel with white dots and a line of natural split pearls in the centre. Suspended from it is a small heart set with a further split pearl.  What a wonderful gift to a wife or new mother }

An unusual 15ct gold ring that was made in the 1820-1830 period. It is composed of a natural split pearl flower cluster with a rectangular cut ruby in the centre. On either side is a stylised pierced leaf pattern set with graded turquoise. The shank is a concave design.  On the reverse is the original glazed locket that would have originally held a lock of hair. The use of the ruby is for "Love", the pearls are for "Remembrance" and the Turquoise is for "Forget me not" after the flower of the same name. These rings were very popular in the early 19th century and are charming reminders of a bygone age. }

A lovely 18ct gold ring that was made circa 1890-1900. It has been set with three old mine cut diamonds within star shaped settings.  This style of ring is known as a gypsy ring due to the star shaped settings. They were very popular in the late Victorian and early Edwardian periods and were often set with different coloured gemstones. This ring can be worn on its own or stacked with others }

An attractive 15ct gold bangle that was made circa 1880.  It has an interesting Celtic woven motif running at an angle across the bangle with rope edging and in between are bobble clusters.  This complicated and time consuming work would have been done by hand so each bangle that was made would have been slightly different.  It can be worn on its own or stacked with other bangles }

A useful and attractive 15ct gold chain that was made circa 1880-1900. The links are reeded to look like two separate parts. The clasp is a very secure barrel design. The tongue clips into it. This chain can be worn on a daily basis. }

A very stylish and dramatic looking Art Deco ring that was made in the mid 1920s. It is platinum and has been set with a nearly square cut onyx plaque with canted corners. The onyx plaque has been set with an amethyst within a millgrained platinum setting. The effect of the black and purple colours is amazing and typical of the inventiveness of the Art Deco period. The gallery is a pierced design and the shank is ribbed. It sits low on the finger so it is a practical ring to wear on a daily basis }

A beautiful and very smart 18ct gold necklace that was made circa 1940 in France. It is composed of round graded beads that go from very small to quite large. There is interesting cup shaped detail on either side of the the larger beads. They have been strung on an 18ct gold chain. It can be worn on a daily basis }

A good silver model of a lizard or salamander that was made in the 1920s when reptiles were all the rage! This chap has been set with green and white paste and has red paste eyes. He would look great worn on a lapel. We also have a larger lizard in stock to tempt you to wear them both together! }

A good silver model of a lizard or salamander that was made in the 1920s when reptiles were all the rage! This chap has been set with green and white paste and has red paste eyes. He would look great worn on a lapel. We also have a smaller lizard in stock to tempt you to wear them both together! }

A silver pair of earrings made by the firm Georg Jensen, depicting a pair of dolphins. It was designed by Arno Malinowski (1899 – 1976) who worked at Georg Jensen in Denmark from 1936 – 1944 and again, from 1949 – 1965. Malinowski participated in many exhibitions and won numerous awards for his designs. He received a silver medal at the Paris World Exhibition in 1925, the Eckersberg Medal in 1933 and the Carlson Prize in 1936. These earrings featuring a pair of dolphins are one of his most popular designs. }

A lovely and very smart heavy gage 15ct gold bracelet that was made circa 1910. The term "Gate bracelet" is used for obvious reasons and this style of bracelet was very popular in the early 1900s. It is as wearable now as it was then }

A beautifully designed 9ct gold Edwardian bangle that was made in Birmingham in 1912. It is two colour gold with contrasting polished rose god and yellow gold. It is in the form of a buckle with eyelets and punched decoration. It literally means “I am bound to you”. What a wonderful gift to give to someone that you love }

A charming 15ct gold bangle that was made at the end of the nineteenth century, circa 1890-1900. The design is quite detailed as it has been set with twelve graded old mine cut diamonds across the centre with three natural split pearls on either side. There is further applied gold rope work detail on either side and delicate bobbles and rope work on the outside edges. It is quite narrow so it can be worn with other bangles as well as on its own. }

A very stylish 18ct white gold Art Deco pendant that was made in the 1920s. It is typical of the period in it's geometric design. It gives the impression of a stylised ribbon or tie set with a diamond within a millgrained setting. The hint of the deep blue colour of the lapis lazuli on either side accentuates the design. The top articulates so it sits well on the neck when worn. It is on a 9ct white gold chain }

A smart 9ct gold Art Deco pendant on a 9ct gold chain with a barrel clasp. It was made in the early 1920s when this linear design was popular. It was a move away from the fussy designs that had gone before and the intention was to show off the aquamarines with as little distraction as possible. The pendant has been set with two matching aquamarines. The top oval cut aquamarine has been set within a decorative fluted setting with two outer rings of gold interspersed with four natural split pearls. The drop contains a pear shaped aquamarine within an open pear shaped surround with a knife edged gold bar set with a further natural split pearl above it. Aquamarines are beautiful and sought after stones. The seawater colour of aquamarine has given this gemstone its name as the word “aquamarine” is derived from the Latin word for seawater. It looks so pretty when worn }

A very pretty 9ct gold oval shaped locket that was made in Birmingham in 1912. It has been engraved with two swallows with a branch of flowers on one side. The reverse has been engraved with more leaves and flowers. It opens to reveal two areas for photographs. The swallow was considered daring, risk-seeking, and a symbol of change for good in the future. It also meant “Everlasting love” and “loyalty” as swallows mate for life. What a lovely sentiment to pass on to someone that you love }

A lovely 9ct gold locket that was made circa 1900-1910. It has been set with a garnet in the centre with six natural split pearls around it in a flower design within a star setting. Inside are two compartments for photographs. It would make a wonderful present to someone that you love. }

This is a stunning opal pendant that was made in the early 1900s. It is 15ct gold and has been set with an oval cabochon cut opal that displays flashes of blue, red and green. It is so hard to photograph opals and show their true high colour. In this case the opal is a really lively stone and is surrounded at a slightly lower level by well matched rose diamonds. Around the rose diamonds is a further border of well matched natural split pearls. The bale or loop has also been set with three rose diamonds. The Edwardian period was such a pretty era. You can imagine how it would have looked all those years ago when worn with the ivory coloured silk and taffeta fashions of the time. Today this beautiful pendant can enjoy a renaissance with a new owner and will still look fantastic! }

A good pair of opal and rose diamond earrings that were made circa 1900-1910. The opals are wonderful stones that display high flashes of blue, green and red. The photographs do not really show their true colour and they match each other much better. We can send a video of them showing further detail if wanted. Each opal is surrounded by eight rose diamonds that give an added sparkle. These earrings can be worn on a daily basis }

This 18ct white gold eternity ring was made in the 1920s. It has been close set with evenly matched white diamonds with a total weight of 1.20 carats. It is a neat and a fairly narrow band so it can be worn stacked with other bands or as a wedding ring. The reverse has been beautifully finished with alternate circular and shaped settings. This ring cannot be sized up but may be able to be sized down by removing one diamond. }

A good looking ring that was made in the 1950s. It is 18ct gold with a platinum top. It has been set with a zircon surrounded by small diamonds. Zircons were fashionable during the Art Deco period onwards. They are one of the oldest stones that have been used in jewellery for 2000 years. They occur in an array of colours from yellow, green, red, reddish brown and blue hues. It sits low on the finger so it would be ideal to wear as a dress or engagement ring }

A spectacular large and very striking 18ct gold ring that was made circa 1880. It is a marquise shape and has been set with over two carats of well matched graded old mine cut diamonds with four very small rose diamond points tucked around the centre diamond. The shoulders have interesting scroll work detail. It is a huge sparkle and would look great worn as a dress ring }

This is a very pretty ring designed as a trefoil or a three leaf clover. The three heart shaped leaves of a shamrock are said to stand for faith, hope and love. It was made in the early 1900s and is in the Art nouveau style that was popular at the time. It has been set with three well matched white diamonds in the clover and further small diamonds in the stem. The shank is 18ct gold and the top is platinum. }

A really smart 18ct gold ring that was made in 2010 in Birmingham. It has been set with a cornflower blue colour sapphire with a brilliant cut diamond on either side. The design is well balanced and it looks very pretty when worn. It would make a perfect engagement ring }

A good platinum eternity ring that has been set with 1.40 carats of well matched good white diamonds. It was made in France in the 1920s. It can be worn on its own or stacked with other eternity bands. }

A stunning and yet delicate looking long pair of silver earrings. They are studded with graded marcasite (iron pyrites) in a beautiful flower design. Marcasite imitates rose diamonds as it is cut in the same way and has a subtle dark brilliant glitter when worn. The ear wires are gold. They were made circa 1910-1920. }

A great Art Deco silver pendant on a silver chain set with a rectangular cut pink paste to imitate a pink sapphire, and marcasite to imitate diamonds. This was the costume jewellery of the 1920s and looks as cutting edge now as it did then. }

A very good looking and impressive ring that was made circa 1800-1820 in France. It is a typical design from that time and has been pinch collet set in gold with a rectangular cut emerald within a border of different sized rose diamonds set in pinched collet and close back mounts in silver settings . The charm of these early rings is that they worked with the stones they had available so nothing is uniform. It has a 9ct gold ribbed shank with trifurcated shoulders. It would make a wonderful engagement or dress ring }

A good 18ct gold signet ring that was made in Birmingham in 1936. It has been finely engraved with a serpent that rises out of a crown. It is a comfortable ring to wear and is a good size }

A beautiful 15ct gold ring that was made circa 1830. It has been set with three rubies and four natural split pearls and four small emeralds. The shoulders are engraved and decorated with flowers and the engraving continues around the band. On the reverse is a small original round glazed locket that would have originally held a lock of hair. It sits low on the finger so it is quite a practical antique ring to wear }

An unusual 15ct gold ring that was made circa 1820-1830. It has been set with a beautiful rectangular cut emerald with an old mine cut diamond on either side. The shoulders are particularly pretty with stylised leaves and flowers that contain the diamonds. It looks so pretty when worn }

A stylish 18ct white gold ring that has been set with seven very white baguette diamonds in a neat line. It looks great worn on its own or stacked with other rings }

A beautiful 18ct gold ring that was made in London in 1980. It has been claw set with a lovely natural Thai ruby that is surrounded by ten very well matched claw set white diamonds. The ruby is a lovely pinky purple red colour. It would make a stunning engagement ring }

A wonderful original platinum ring that was made in the Art Deco period in the 1920s. It has been set with a large diamond that weighs 1.90 carats. The pierced shoulders are unusual and have been set with small diamonds. The gallery has delicate pierced foliate decoration. It is a classically beautiful ring and would be a perfect engagement ring }

This ring is typical of the Art Deco 1920s period in its geometric square design. It is 18ct gold with a platinum top. It has been set with a square cut cornflower blue colour sapphire in a platinum millgrained setting. The sapphire is most likely from Ceylon ( Shri Lanka) as this colour is typical of stones sourced from there. It is surrounded by twelve evenly matched small white diamonds. It would make a great cutting edge engagement ring }

A beautiful and classic platinum ring that has been set with a good white transition cut diamond that weighs over half a carat. It was made circa 1920-1935 and is as wearable now as it was then. It would make a perfect engagement ring. }

A pretty and very useful pair of 18ct gold earrings. Each one has been set with a transition cut diamond weighing thirty five points within claw set mounts. They were made circa 1900-1910. }

A lovely 15ct gold necklace with twenty five moonstone drops. It was made circa 1900-1915 when moonstones were very fashionable as they went with the pale colours of the clothes worn then. Moonstone is a stone of protection for traveling at night, voyaging at sea, childbirth, and pregnancy, so it could be an appropriate present for any of the above. }

A very pretty 18ct gold ring with a platinum top that was made circa 1900-1910. This style is traditionally known as a daisy cluster ring that was popular at the time. In this ring there are seven evenly matched good white diamonds arranged in a cluster style. It is as wearable now as it was then. It sits low on the finger so it is a practical ring to wear as an engagement ring. }

An attractive 9ct gold ring that was made in the 1980s. It has been set with an oval cut ruby with twelve small diamonds around it. The ruby is a good pigeon blood red colour and the diamonds are lovely bright white stones. It would make a pretty engagement ring }

A very pretty and quite large 9ct gold heart shaped locket that opens to reveal two compartments for photographs. It has been decorated with applied leaves and circles within a braided border. There is a natural split pearl above the leaves. It is an unusual and very wearable locket. }

A good 18ct gold signet ring that was made circa 1860-1880. It has been set with an octagonal cut bloodstone that has been engraved with an intaglio of a crest. The shield shaped crest has a cadusceous with a lion rampant on either side. Below is a stag and to the side three stars. The shoulders are attractively ornate and give character to this special Victorian ring }

A good quality platinum ring set with three bright white brilliant cut diamonds with a total weight of just under one carat. The centre diamond is just under half a carat. Each diamond on either side is a quarter of a carat. It is a well balanced ring and sits well on the finger. We can highly recommended this ring as an engagement ring. }

Although this is a relatively modern ring it has been very well made in the Edwardian style. It is 18ct gold with a platinum top. The cluster sits low on the finger and is set with very bright white brilliant cut diamonds within millgrain platinum settings. There is a clear star shape around the centre diamond which is an attractive feature of this ring as it could be interpreted as "You are the star in my life". It would make an ideal engagement ring. }

A very pretty 14ct gold pendant on a chain. The main stone is a pink topaz which is a valuable stone. In 19th century Russia pink topaz was really popular. Precious topaz comes in a diverse array of gorgeous colours. It has a unique crystal structure that makes it a hard and dense gemstone. Topaz’s reds and pinks are caused by chromium within the stone. This stone was most likely mined in Burma or Russia and is a really pretty pink. Above it are small diamonds in a leaf and three stone design. Topaz is one of the birthstones for November. This pendant was made circa 1950 and is suspended from a 14ct yellow gold chain. }

A very pretty 18ct gold ring that has been set with a diamond within a star shaped setting in the centre of a kiss motif. It was made in Chester in 1894 and would have been given as a token of love. It is as wearable and meaningful today as it was back then }

An unusual three colour gold ring that was made in 1883 by Deakin & Frances. Founded in 1786, The company was originally known as Deakin and Moore from 1848–1879. Charles Deakin retired in 1881 and John Francis joined the firm. The company then became known as Deakin & Francis, becoming a limited company in 1902. Deakin & Frances are famous for high quality jewellery and this ring is no exception. Each alternating ivy leaf is a different colour gold lemon yellow and rose gold. The background is a buttery yellow gold. It would have been a wedding band as the ivy leaf motif literally means "Cling to me" What a stunning ring to wear always. This ring cannot be sized }

A lovely 18ct white gold eternity ring set with square cut sapphires. They are evenly matched stones in good condition throughout. These rings can be worn on their own or stacked with other gem set eternity rings. This ring cannot be sized }

A pretty 18ct gold ring with a platinum top that was made circa 1900-1910. It has been claw set with a Ceylon sapphire surrounded by seven well matched good white old mine cut diamonds. The sapphire is a lovely mid blue colour that is typical of Ceylonese sapphires. It sits low on the finger so it would make an ideal engagement ring }

A striking 18ct white gold ring that has been set with a four carat kunzite. On either side are clear white emerald cut diamonds. Kunzite is the best-known variety of the mineral spodumene. It’s named after famed gemmologist George Frederick Kunz, who was the first to identify it as a unique variety of spodumene. Kunzite gets its delicate colour from trace amounts of manganese. It is a strikingly beautiful }

A lovely 18ct gold ring that was made in France circa 1900-1910. It has been set with two natural pearls one above the other with a rose diamond on either side within star settings. A pretty ring to wear and it sits low on the finger }

A good 18ct gold ring that was made in the 1950s. It has been set with a green tourmaline. Around it are well matched diamonds within platinum millgrained settings. Green Tourmaline attracts luck, success, abundance and prosperity. It inspires creativity, and may be used to project, create and manifest one's goals. It apparently also promotes courage, strength and stamina. Tourmaline is given to celebrate the eighth wedding anniversary and is the birthstone for the month of october so there are plenty of meanings attached to this beautiful stone }

This is such a pretty and unusual 18ct gold Georgian ring that was made circa 1760-1780. The shank is so decorative with open ovoid shaped links. The flat cut rectangular almandine garnet has been set in to a cupped and gadrooned shell setting. it is light and pretty to wear and in wonderful condition. We would not recommend that this ring be resized }

A pretty 15ct gold ring that was made circa 1830. It has fine repoussee work shoulders and a cluster of turquoise stones with a tiny diamond in the centre. This represents a "forget me not" flower which literally means “Forget me not” and the small rose diamond in the centre means “Eternal love”. The shank is a reeded design. What a sweet ring to give to someone that you love. }

This is a lovely 18ct gold ring that was made circa 1900-1910. It has been claw set with a stunning high colour opal that displays strong flashes of blue, green and red. At the turn of the 20th century opals were coming in to England from Australia. The first discovery of common opals in Australia was made near Angaston by the German geologist Johannes Menge in 1849. Both the Queensland Boulder Opal and Lightning Ridge fields attracted miners in the 1880’s. The opals found were exported in large quantities world wide and became really fashionable as the "must" stone to wear! It is surrounded by small old mine cut diamonds. The shank is similar to a bamboo design and links in to the gallery. It sits low on the finger so it is quite a practical ring to wear. Wearing an opal is said to bring about loyalty and faithfulness. A good ring to give to someone that you love. }

A good looking 18ct yellow and white gold triple cluster ring that was made in 1992 by Charles Green and Sons who are a well respected firm producing high quality hand made jewellery since 1824. This ring has been set with three well matched sapphires surrounded by small brilliant cut diamonds and harks back to the early 1900s when triple clusters were very popular. It sits low on the finger so it would make an ideal engagement ring }

An unusual 18ct gold ring that was made circa 1900-1910. It is in the form of a shamrock set with two turquoise and a transition cut diamond. The shoulders have been set with three rose diamonds on either side. The three-leaf clover or shamrock, a type of trefoil plant, has been considered the unofficial national flower of Ireland for centuries and is a lucky symbol. Irish legend says that Saint Patrick used the shamrock as an educational symbol to explain the Holy Trinity to nonbelievers as he converted the Irish to Christianity in the fourth century. either way it is a lucky ring to wear! }

A spectacular Art Deco ring that was made in the mid 1920s. The shank is 18ct yellow gold and the top is platinum. It is a very unusual design but typical of the period in its geometric form with step cut shoulders set with small diamonds. This was a reaction to the florid designs of the Art Nouveau period and instead this new approach echoed the novel architectural and interior designs of the 1920s. It has been set with square cut emeralds and round transition cut diamonds within a platinum millgrained framework. It is a highly unusual and beautiful ring that can either be worn as an engagement or a dress ring }

A very pretty 18ct gold ring that was made circa 1900-1910. At the time opals were really popular stones as they went so well with the fashions of the period. This ring is a cluster design and has been set with six well matched lively opals that display flashes of red, green and blue colours. In the centre is an old mine cut diamond and there are six further smaller old mine cut diamonds in between the opals. It has unusual pierced trifurcated shoulders. It sits low on the finger so it is a practical ring to wear. }

An unusual 18ct gold ring that was made in 1891 in London. It has been claw set with a three carat topaz. Topaz is very sought after and quite a rare stone. It is quite different to a citrine. The name imperial topaz is said to have originated in 19th-century Russia, where the Ural Mountain mines were an important source of topaz reportedly reserved for the royal family. The warm orange of the stone goes beautifully with the colour of the gold. The claw settings give this ring a simple elegance and it looks wonderful when worn. }

A pretty 18ct white gold cross which has been set with small diamonds. It would be suitable as a Confirmation present. }

A stunning Art Deco ring that was made in the early 1920s. The shank is 18ct white gold and the top is platinum. The design is very unusual with a square section in the centre set with a good white diamond that weighs 0.33 carats. Around it are smaller diamonds within a squared cluster. The shoulders are set with further small diamonds in an entwined design that loops over the top. There is millgrain detail to the platinum throughout that adds extra fineness to the overall design. It sits low on the finger so it is a practical ring to wear on an every day basis and would be a fantastic engagement ring. }

A very pretty 9ct gold locket. On one side is a basket of flowers and on the other side sprigs of flowers. This locket is typical of the Edwardian period with it's light and pretty design. What a lovely gift instead of a bunch of flowers! }

A pretty 9ct gold bracelet set with three blister pearls in an oval design with straight links in between. It was made in 1908 in Chester and has a padlock with a safety chain, so it is very secure. }

A very pretty bracelet that was made circa 1910. It is set with well matched amethysts and small natural pearls in a floral design. }

A good looking silver ring that reminds me of a medieval style but was in fact made circa 1950-1970. It has been set with a cabochon garnet within a rectangular surround. }

An unusual pair of 18ct gold Art Deco cufflinks that were made circa 1920. They have each been set with frosted rock crystal octagonal shaped insets that have been carved in a radiated design. In the centre of each one is a cabochon cut sapphire within a white gold mount. Around the edges are ornately detailed 18ct yellow gold mounts. }

A useful 18ct white gold eternity ring set with baguette sapphires. They are evenly matched stones in good condition throughout. These rings can be worn on their own or stacked with other gem set eternity rings. }

A well designed lover's knot 9ct gold bangle that was made circa 1910. It is set with three oval matched vibrant opals. The use of opals in antique jewellery signified protection, loyalty and faithfulness. So this symbol together with the lover's knot motif sent a powerful message to the receiver. The centre opal matches the other too but the photograph does not show this well. }

A lovely bracelet which has been set with small diamonds interspersed with natural pearls. It was made in France circa 1910 and is typical of French jewellery in it's attention to detail and style. }

This necklace is top condition and quality. The amethysts are well matched, and the pearls are an even colour. It is an unusual design with the rectangular amethysts offset by the swirly leaf motifs. The chain is set with tiny natural split pearls showing attention to detail. It was made in the Edwardian period, circa 1915. I have not seen this design before. }

A stunning Art Deco platinum ring that was made in the early 1920s. It has been set with three very well matched mid to deep blue sapphires, most likely of Burma origin. They are surrounded by small diamonds in a boat shaped mount. It sits low on the finger so is an ideal ring to wear on an every day basis. It would make a perfect engagement ring. }

A very pretty ring that was made circa 1910. It has been set with a central good white diamond with nine well matched white diamonds around it in a diamond shape. The shoulders have also been set with a diamond in each one. The top is platinum and the shank is 18ct gold. It would make a lovely engagement ring. }

A smart pair of 18ct gold earrings that were made in the 1920s. They have each been set with a cluster of old mine cut diamonds set in silver settings within a band of black enamel. They are such a pretty look when worn. }

An early 19th century, circa 1820, 15ct gold ring set with a rectangular cut aquamarine and two rose diamonds in a flower design on either side. It is rather an unusual design and very pretty on the finger. }

A lovely 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More ring with a platinumDerives from the Spanish word 'platina' meaning 'little silver'. Acknowledged since the 1900s, platinum's durability and natural brightness has been and still is today highly treasured A metallic element prized for its rarity, whiteness, high tensile strength and insusceptibility to corrosion, platinum first became widely used in jewellery in the late ninete... More top that has been set with five evenly matched good white diamonds with a total weight of 1.20 caratsThe unit of weight for a diamond or other gemstone and also for a pearl. Abbreviated 'ct', 1 carat is equal to 0.2 grams. In reference to gold, a unit of purity or fineness of gold and gold alloy, expressed as a number out of 24 parts by weight, e.g. '24 carat' signifies pure gold, '18 carat' 18/24th gold in the alloy, et cetera.  Also abbreviated as 'c... More. The stones are set in to rub over settings with millgrainA technique developed in the late 19th century as a textural effect to metal work on the edges or bezels of jewellery. That technique is referred to as millegrain (or mille grain or even milegrain). From the French word mille for a thousand, and from grain as the same meaning in English, it refers to what appears to be thousands of tiny beads upon a metal pr... More detail. This ring was made circa 1910-1920. It is a neat and very practical ring to wear as it sits low on the finger, and would be ideal as an engagement ring.}

A pretty 18ct gold pendant consisting of six keys dangling from a loop. Each key has a letter on it that spells Lisboa the capital of Portugal. However you could rearrange the keys or take some off. This pendant very good when worn on a fine chain. }

Posy rings derive their name from the French word “posy” or “poesy”, a derivative of poetry meaning short rhyme. They were popular during the 15th through the 17th centuries in both England and France as lovers' gifts, used to communicate secret messages of love between the giver and the recipient. This D-shaped large man's ring is very comfortable to wear and dates circa 1650-1750. The outside is plain and inside there is a secret message in an italic script that reads "As god hath apoynted be contente" This is a Biblical phrase. This ring is on the British Museum approved partnership website, Portable Antiquities Scheme Record ID: DOR-31404C (www.finds.org.uk)}

A lovely 9ct gold chain necklace with gold beads and two strawberry red and white enamelled tubular links terminating with a heart pendant in red enamel set with a pearl. It was made circa 1900-1910 and is as wearable now as it was then. It would be an ideal Valentine present.}

A very stylish pair of Art Deco silver drop earrings which were made in the 1920s. They are composed of a pearl at the top then a bar set with graded marcasite (iron pyrites) to a trifuurcated design above an oval flat cut piece of onyx. There are small marcasites set around the onyx and a pearl in the centre. They look fabulous on the ear and would be ideal for most occasions. The wires are gold.}

A good looking and very well made 18ct gold bracelet that was made in Austria circa 1900-1920. It has been set with a square cut emerald and two diamonds in a continuous articulated knot design. Austrian jewellery from this period is invariably of lovely quality and easy to wear.}

A good looking 9ct gold wide ring that has been set with a cabochon emerald. The ring has been incised with ridges on either side reminiscent of Roman bands. Around the bezel set emerald is further decoration. It is a decorative and stylish ring to wear and was made in the 1970s}

This is a very unusual ring that was made circa 1800. It has been claw and collet set with a large shallow octagonal shaped sapphire. It is a very unusual cut, like an emerald cut but with rose cut facets. The photographs do not really show this fancy cut. The shoulders are typical repousseee work that was fashionable in the Georgian period and have been set with rose diamonds within silver settings. The shank is a ribbed design. It is an incredible ring and looks fantastic when worn}

A very pretty 18ct gold ring with a platinum top. In the centre is a heart and arrow diamond. Hearts and Arrows diamonds are precision-cut round diamonds. Because of their exact angles and symmetry, they show a hearts-and-arrows pattern when viewed through a loupe. Arrows are visible from the top of the diamond, and hearts are visible when the diamond is face-down. Around it are eight brilliant cut diamonds with a further diamond on each shoulder. This ring was made circa 1990 and would make a perfect and unusual engagement ring}

A very stylish 18ct white gold bracelet that was made in the 1990s by the well known firm, Fred based in Paris. Fred Joaillier is a French jewellery brand named after the founder Fred Samuel. Its first store opened in Paris in 1936 and became famous for jewels designed by Jean Cocteau and for its famous clients such as Marlène Dietrich or Grace Kelly. This bracelet is composed of circles with offset brilliant cut diamonds within collet settings. The estimated total diamond weight is 3 carats. The diamonds are a very high colour and the bracelet is signed and numbered SHF71276. It comes in the original case stamped Fred}

A pretty 9ct gold chain that was made circa 1890-1910. It is a good medium length and is composed of long links interspersed with belcher links.}

An original platinum chain that was made circa 1900-1910. It is a fine flat edged trace link design and can be worn on its own or with a pendant}

A pretty 9ct gold chain that was made circa 1900-1910. it is composed of long links interspersed with twisted links. This chain can be worn on a daily basis on its own or with a pendant}

A lovely 15ct gold brooch that was made circa 1900-1910. These brooches would have been given as good luck presents. The leaves of four-leaf clovers are said to stand for faith, hope, love, and luck. It is an old Irish belief. This brooch has been set with four carved heart shaped amethysts with a pearl in the centre that further emphasise the sweet meaning.}

These brooches are really known as stock pins as they were originally worn as a safety measure to secure a stock when out hunting. In the event of an injury, the stock may be used as a temporary bandage for a horse's leg or used as a sling for a riders arm, using the hunting stock pin to secure the stock in place. Stock pins continue to be used today by those competing at dressage, show jumping, eventing and in the hunting field. The stock pin fastens the stock in place when a traditional stock is being worn or as an embellishment to a ready tied stock. Some riders choose to wear a simple stock pin, whilst others prefer more decorative and colourful stock pins. This stock pin was made circa 1910-1920 and is 15ct gold with platinum additions on the whip. The fox head has small diamond eyes.}

A beautiful 18ct gold narrow locket that hinges open to reveal engraved on one side "Louisa M Penn Ob (died) 27th may 1841". On the other is a glazed section. The outside has been engraved with leaves and flowers. This locket is particularly lovely because it is narrow and sits neatly when worn.}

An attractive 9ct gold bracelet that has been set with eleven graded cabochon moonstones. It was made circa 1910 when pale stones such as citrines and aquamarines were popular as they went with the fashions of the period. A cabochon cut moonstone looks like a moon in the night sky. Colour and light shifts with the blue white iridescence and there is a fluid and watery movement to the stone. This bracelet can be worn day and night.}

A good set of eight buttons that were made circa 1880. They are ‘Papier mâché’. This is a term used to describe lots of objects made in slightly different ways, but all using mashed up paper and some sort of paste. The paper would be pressed into a cast to mould it into the desired shape. In the late 1700s, a man called Henry Clay found a new way to make papier mâché by pasting 10 sheets of rag paper on both sides with a mixture of cooked glue and flour, and then squeezing them together in a metal press. After pressing, the sheets were drenched in linseed oil, which made them waterproof, and then dried at 1000°f (just over 500°c). These buttons are a good example of the craft and have been inlaid with mother of pearl in the shape of leaves and flowers}

A good set of six silver buttons that were designed by Theodor Fahrner. Fahrner was one of the foremost designers in Pforzheim in the Black Forrest in Southern Germany. The factory was a major player in the production of well designed good quality jewellery in the Art Deco period. The designs were way ahead of their time and took the world by storm. These buttons have each been set with a cabochon cut turquoise within a spider's web design. They were made in 1903 and are typical of the Art Nouveau style that was popular at the time. They are in a tan leather case lined in velvet and silk}

This ring is such a smart look. it was made in the 1930s and has been set with a beautiful natural cabochon cut sapphire. It is a a lovely Royal blue colour. This ring would make a stunning engagement or dress ring }

A very stylish and well designed platinum ring that was made circa 1920 most likely in Belgium. It has been set with a beautiful natural Ceylon sapphire. There are radiating lines of graded diamonds on either side. The diamonds continue around the sides in a geometric pattern. The shank continues the lines engraved on to the platinum. It sits quite low on the finger so it would be a practical ring to wear and would make a wonderful engagement ring}

A pretty 18ct gold ring that was made in 1978. It has been set with three well matched mid blue colour sapphires with small graded diamonds in between. The style harks back to the Victorian period with the carved half hoop shoulders. It would make a perfect engagement ring}

A highly detailed platinum ring that was most likely made in America. It has been set with a step cut mid blue colour Ceylon sapphire within a framework of millgrain set graded diamonds within a pierced framework. The sides of the gallery and the shoulders have been engraved with leaf and zig zag designs. It would make the perfect engagement ring}

A very unusual 18ct gold ring that was most likely made in Belgium and imported in to France circa 1900-1910. It is in the Art Nouveau style that was popular at the time with flowing lines that contain the witches heart. By the 18th century, the witch’s heart took on a new meaning. Lovers gifted each other with witch’s hearts as love tokens to symbolise that they’d been “bewitched” with love. This lovely style continued throughout the Victorian and Edwardian periods so this ring would be a perfect engagement ring}

A smart Art Deco ring that was made in the 1920s in Germany. It has been set in a vertical line with three diamonds. On either side is a zig zag geometric design that is typical of the Art Deco period. The shank is 14ct yellow gold and the top is 14ct white gold. It sits low on the finger so it is a practical ring to wear}

A good looking silver pendant on a silver chain that was made in the 1920s in Germany. It is a simple look yet very striking when worn. It has a pear shaped deep sea green paste suspended on a knife edge bar that joins on to a pearl set triangulated top. It attaches on to a silver chain with the original barrel clasp}

This pendant is pretty special as it changed=s colour from blue to purple according to what light you have exposed it to. It was made in the Art Deco period, circa 1920-1935 in Germany where there was a lot of experimentation with synthetic stones. It is mounted in a silver frame that has been set with graded marcasite (iron pyrites) It comes on a silver chain}

A pretty 18ct yellow gold ring with a platinum top that was made circa 1900-1910. It has been set with three diamonds within millgrain settings in a crossover design that was very popular at the time. It has an Art Nouveau influence in it's flowing lines on either side of the diamonds. It would make a lovely engagement ring}

A fine quality 18ct white gold ring that was made circa 1920. It has been set with a square cut emerald within a millgrain setting. Around the emerald is a diamond shaped design set with graded diamonds. It sits low on the finger so it is a practical ring to wear and would make a lovely engagement ring}

An unusual silver necklace made by Theodor Fahrner in the 1920s. Fahrner was trained as a steel engraver, and was one of the pioneers of designer jewellery. He had freelance artists (designers) with ideas prepared by him working for him. He managed to turn the largely insignificant ring factory of his father in to one of the most creative jewellery companies in Europe. The workshops were based in Pforzheim in the Black Forrest in Germany. This necklace is a good example of what Fahrner produced. It is composed of stylised leaves on stems set with graded marcasite (iron pyrites) Marcasite was used a lot at that time and serves to add a subtle glitter to this necklace. It is as wearable today as it was in the 1920s.}

A lovely 18ct white gold chain interspersed with nineteen natural pearls that was made in the 1920-1935 period. It is a good medium length so it is suitable for every day wear. It has a dog clip that is suitable for adding a pendant or mixed pieces.}

This is a stunning 18ct gold heart shaped locket that was made circa 1900-1910. It has been set with red white and blue stones, a Ruby, Sapphire and a Diamond. It opens to reveal two compartments for photographs. What a patriotic piece of jewellery to wear!}

A smart pair of large silver oval shaped earrings that have been set with natural mother of pearl. They have post and scroll fittings for pierced ears. }

An unusual 18ct gold ring that was made in the early 1900s. It has been claw set with a sapphire and a ruby. Both stones are natural unheated stones and are most likely of Burmese origin. They are surrounded by diamonds that link the sapphire and ruby together. It would make a wonderful engagement ring.}

A very stylish Art Deco ring that was made in the 1920s. The shank is 18ct white gold and the top is platinum. It has been set with a good bright white diamond within a square setting. On either side is a stepped down setting set with small diamonds within millgrain settings. This ring is typical of the geometrical style of the Art Deco period. It is a style that is timeless and still looks wonderful worn with todays fashions. It would make a perfect engagement ring}

A good looking 18ct white gold Art Deco ring that was made in the 19020s. It has been set with an emerald cut zircon with small diamonds set within ribbon design settings to the shoulders. Zircons were fashionable during the Art Deco period. They are one of the oldest stones that have been used in jewellery for 2000 years. They occur in an array of colours from yellow, green, red, reddish brown and blue hues. The zircon in this ring is an electric colour blue that contrasts well with the white gold. It would make a great engagement ring}

A beautiful 15ct gold heart shaped pendant that was made circa 1900-1910. It has been pave set with graded natural split pearls with a circle of sapphires on the left hand side with a diamond in the centre. On the reverse is a locket section. It makes a wonderful statement when worn.}

A stylish Art Deco ring which has a central band of rectangular cut emeralds surrounded by twenty four diamonds. It is 18ct white gold, and would make a good engagement ring.}