Macabre

A striking pendant that is also a locket as it has a 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold glazed compartment on the reverse. It was made circa 1880 and is composed of an oval piece of carved onyxOnyx is an opaque black variety of polycrystalline chalcedony quartz.  More. In the centre is a flower set with a naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearlNatural pearls are an organic gem formed inside live mollusc shells and come in all shapes and sizes. They are formed as the result of a natural irritant within the mollusc's mantle and as a defence, layers of iridescent nacre form over the top of it, creating a pearl.  More surrounded by eight small rose diamonds. This pendant can be worn on a mid length gold chain.}

An unusual cross that was made circa 1820 most likely in Naples or Sicily where the naturalA natural stone is called such because it has not been subjected to any treatments.  More coralAn organic gem, calcium carbonate with a trace of carotene, deposited by tiny sea creatures living in the depths of warm seas in huge colonies. It grows in branches that look like underwater trees. Coral is believed to be one of the oldest forms of gemstone jewellery, with some pieces dating back as far as 23,000 BC. More was sourced. It is composed of carved coral in cross form with a coral bead at the end of each bar. In the centre is a cluster of grapes set with natural pearls. Grapes symbolise the Christian faith and represent the life hereafter. Coral is a symbol of modesty, wisdom, happiness and immortality.It is mounted in 15ct62.5% pure gold (or 625 parts pure gold and 375 parts other metals). Popular during the Victorian, Edwardian and Art Deco eras but was discontinued in the mid-1930s. More gold.}

A charming 15ct gold ring that was made circa 1830. It has been set with two natural split pearls with three graded split turquoise on either side. There is a small rose diamond above and below the pearls. There is evidence of a small round locket on the reverse that would have originally held a lock of hair. The use of the turquoise means "Forget me not" after the flower of the same name, and the pearls are for "Tears" so this ring may have been given as a token of remembrance }

An unusual early VictorianJewellery made in the the Victorian era (1839-1901). More 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold ring that was made circa 1840-1860. It has a cluster of old mine cutAn 18th, 19th and early 20th century diamond shape, typically cushion or asymmetrical, marked by a small table, a high crown and a large culet. Culets are the small flat facets at the bottom of a stone which appear to the untrained eye as a hole in the middle of the stone. Before the advent of modern machinery which allows for the precise faceting we see tod... More diamonds in the centre and black enamelA pigmented glass-like material used in powdered form and fused onto the metal surface of a piece of jewellery. More detail around them with four leaf clovers on the sides. The shouldersThe point on a ring where the central section meets the shank or band, often carved, decorated or inlaid with small diamond accent stones. More have a criss cross design in black enamel and the black enamel continues around the shankThe circle of metal that attaches to the decorative part of a ring and encircles the finger. More so this ring cannot be sized. It is a really pretty look when worn. It is size UK N.}

A charming and quite rare 18ct gold mourning ring that has been set with a cushion cut rock crystal in the centre with a rose diamond on either side. It has been engraved and enamelled in white for a virgin or an unmarried person on the outside " J Cotterel Obt (died) May 1752 Ae (aged 42)" On the reverse is a shell pattern within a scrollwork border that leads on to a decorative shankThe circle of metal that attaches to the decorative part of a ring and encircles the finger. More. This ring cannot be sized}

A very pretty 9ct37.5% pure gold (or 375 parts pure gold and 625 parts other metals) More gold brooch that was made circa 1800-1820. It has been pinch collet set with almandineA variety of garnet that is transparent and commonly deep crimson with tinges of purple. Its colour may resemble that of ruby. It is cut in several forms; when cut en cabochon (usually as hollow cabochon to lighten the colour), it is called carbuncle. Some stones are shaped in India by tumbling, and sometimes now are faceted. More garnets that have been foiled on the reverse to give luminosity. These garnets are a wonderful purplish red colour that is peculiar to the early 19th century jewellery. It hinges open on the reverse and would have originally contained a lock of hair. Nowadays this brooch can be re purposed to contain a photograph. It can be worn as a pendant or a brooch}

An 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold French, early 19th Century pendant, set with naturalA natural stone is called such because it has not been subjected to any treatments.  More pearls onto blue glass with a black enamelA pigmented glass-like material used in powdered form and fused onto the metal surface of a piece of jewellery. More urn and flower motif. It is an impressive piece of jewellery, very well made and unusual. It hinges open on the back and originally would had held a lock of hair. It looks fantastic on a black velvet ribbon. At the time, France had lost a lot of men due to The Napoleonic Wars (1803–1815) which were a series of major conflicts pitting the French Empire and its allies, led by Napoleon I, against a fluctuating array of European powers formed into various coalitions. It produced a brief period of French domination over most of continental Europe. It is likely this pendant was specially commissioned in memory of a loved one that died during this time.}

This is a very big silver gilt cross, the biggest I have ever bought. It is in its original rectangular case and was made around 1820 in France. It also has the original heart slide above. Often these are missing, or are sold separately. It would have been worn on a black ribbon which passed through the holes on the reverse of the heart. This type of jewellery was used on festive occasions in France. It is a terrific look! }

An unusual 9ct gold Georgian pendant that was made circa 1820. In the centre is a citrine. Around it are natural split pearls interspersed with blue Vauxhall glass. These Georgian pendants are rare and very collectable }

An unusual and really pretty heart shaped GeorgianJewellery made in the Georgian era (1714-1830). More pendant that was made circa 1800-1820. It has been set with naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls and square cushion cutA square or rectangular cut stone with rounded corners. Also called Antique Cut. More almandineA variety of garnet that is transparent and commonly deep crimson with tinges of purple. Its colour may resemble that of ruby. It is cut in several forms; when cut en cabochon (usually as hollow cabochon to lighten the colour), it is called carbuncle. Some stones are shaped in India by tumbling, and sometimes now are faceted. More garnets. The crystal casing hinges open on the reverse and once housed hair. Hearts such as this example would have been given as tokens of love}

An unusual GeorgianJewellery made in the Georgian era (1714-1830). More mourningRings made especially to mark the death of a loved one. Often called 'memento mori' rings. Rare examples survive intact and are highly collectable. More locket in the form of a draped urn that was made circa 1800-1820. It has been set with naturalA natural stone is called such because it has not been subjected to any treatments.  More split pearls and almandineA variety of garnet that is transparent and commonly deep crimson with tinges of purple. Its colour may resemble that of ruby. It is cut in several forms; when cut en cabochon (usually as hollow cabochon to lighten the colour), it is called carbuncle. Some stones are shaped in India by tumbling, and sometimes now are faceted. More garnets. The crystal casing hinges open on the reverse and once housed hair. A rare and beautiful piece of jewellery}

An unusual 18ct gold ring that was made circa 1840-1870. It is a buckle design over finely woven plaited hair. The buckle means that "You are bound to me forever" Hair jewellery was the height of the romanticism and sentiment that characterised the Victorian era. Some pieces were done as mourning pieces or "momento mori" "remember you must die". While some may find this morbid, for the Victorians death was a common and accepted part of everyday life especially due to the higher infant mortality rate of the time. Hair jewellery was not only for mourning jewellery, it was also created as love tokens from sweethearts, family members and cherished friends. Rings might be engraved with loving messages and memorials either on the face or inside the band, and might also have hidden compartments for the hair. This ring is in wonderful condition and is a good example of the craftsmanship that was put into this art form. This ring is a size R and cannot be resized. }

This is a fantastic 18ct Gold Georgian ring in great condition.  The top has been set with a cabochon garnet within a surround of natural split pearls. This swivels around to reveal a black enamel plaque with the words "Jane Hearsey Ob (died) 11 feb 1809 Ae (aged) 18. How sad as the black enamel tells us that she was already married so she could have died when bearing a  child which was common in those times. The pearls were used as a symbol of tears and the garnet was considered a symbol of love.  The pierced and fluted shoulders taper to a plain shank. This ring is in wonderful condition. }

A good 18ct gold ring that was made to commemorate the death of Mr Merrill who died May 16th 1816 aged 53. The details are engraved on the inside of the ring. On the outside in the middle of the band is engraved in Gothick script "In Memory of". Both edges are slightly raised and have a stylised flower design that was typical of the period. This ring is a size T 1/2 and we would not recommend resizing as it would spoil the design. }

This is quite a rare ring as the two sides open to reveal plaited hair around the inner ring. It is finely engraved on the outside. I would recommend it for a collector of mourningRings made especially to mark the death of a loved one. Often called 'memento mori' rings. Rare examples survive intact and are highly collectable. More jewellery as it is in mint condition. This ring is a size N and we would not recommend resizing as it would spoil the design.}

An 18ct gold pendant set with an oval banded onyx and a saltire cross set with natural split pearls. Onyx aids the development of emotional and physical strength and stamina, especially when support is needed during times of stress, confusion or grief. Pearls are for tears. A saltire, also called Saint Andrew's Cross or the crux decussata, is a heraldic symbol in the form of a diagonal cross, like the shape of the letter X in Roman type. The word comes from the Middle French sautoir, possibly owing to the shape of the triangular areas in the design. This was a mourning pendant. It has the photograph of a gentleman in the locket on the reverse. }

A 9ct gold mourning tie pin with a glazed locket section with black enamel around it. It was made circa 1820. All our tie pins come with a stopper at the end of the pin. }

A very striking and quite large 9ct gold clasp that was made circa 1800-1820. It has been set with twenty foiled flat cut almandine garnet. Within them are well matched natural split pearls. In the centre is finely woven hair so this piece of jewellery was most likely a memorial clasp and would originally been attached to seven strands of pearls or a velvet band and worn as a bracelet. It has a clasp on either side and the letters MR engraved on the reverse. }

An unusual 15ct gold seal that was made circa 1820. It has been set with a plain faceted rectangular amethyst on the base. The amethyst has been foiled at the back to give it extra lustre. The stem of this seal is the most interesting part of it as it is composed of a coiled snake.  By the eighteenth century, the snake was no longer viewed a symbol of the decay of the corpse and had instead become symbolic of the re-birth of the deceased into the next, spiritual life so this seal was most likely a mourning jewel. }

A smart 15ct gold tie pin that was made circa 1880. It has been set with an oval banded sardonyx with small rose diamonds around it. It may have been a memorial tie pin as onyx was often used to remember a loved one. All our tie pins come with a stopper at the end of the pin. }

A good looking 18ct gold round pendant with a locket section on the reverse. It has been set with eight natural split pearls, eight rose diamonds and a banded sardonyx in the centre. A star shaped black enamel motif highlights the contrast between the diamonds and the pearls. The star shape motif was often used in Victorian jewellery, and were symbols of direction, and guidance for the spirit. This pendant would have been a mourning piece. }

An unusual Georgian mourning ring that was made circa 1800-1820. It is gold with a shaped paste border. Within that is a fine woven lock of hair that goes all around the navette shape. It is bordered by a gold band on both sides. The subject in the middle is of a lady in mourning seated next to an urn on a plynth with gold and rope twist detail. Above is a weeping willow tree. The attention to detail is amazing so this ring should go to a collector as it is a fine example. }

An unusual heart shaped pendant with a pansy set with rose diamonds in the centre. The pansy meant "Pense a moi" French for "Think of me" which was a pun on the word "Pansy". It was most likely a mourning piece as engraved on the reverse is "march 17th 1843" There is a locket section on the back that contains woven hair. Above the heart is an enamelled ribbon design with a loop at the back for a chain. It is a striking piece of jewellery. }

A lovely Georgian mourning ring with a typical simple plain shank. The top is a finely executed miniature of an obelisk monument with a weeping willow tree curved over it. This has all been done with hair. Around the miniature are small natural split pearls. Pearls were often used in mourning jewellery, and are said to represent the tears of the mourning loved ones of the deceased. I am always amazed at the detail in these early rings. They must have had very good eyesight and patience! On the reverse is engraved "R Birt Ob (died) 23 may 1773" }

An unusual 18ct gold memorial ring with black enamel with the words " In Memory Of" and within the shank is engraved Thomas Tennant Ob (died) 25th Dec 1833 Aed (aged) 69. The borders are unusual overlapping foliage motifs. This type of ring is highly collectable today. This ring is a size M and cannot be resized. }

A highly ornamented 15ct gold brooch in memory of "Carter Bell" which is engraved on the reverse. It was made circa 1830-1850 and has a black enamel background with Gothick lettering spelling out "In Memory Of" around a glazed oval centre containing plaited hair. }

An attractive long chain composed of faceted glass beads. It was made circa 1880 when Queen Victoria was in heavy mourning for Prince Albert and set a fashion for black jewellery. This material is sometimes called French jet which is somewhat confusing as it is not jet. However it is shinier than jet and tougher and was a very popular alternative. }

An impressive Vauxhall glass guard chain that was made circa 1880 when black was very much in fashion due to the Queen Victoria's husband Prince Albert's death. Vauxhall glass is often called French jet which is somewhat confusing. It is shinier and tougher than jet and equally appealing when worn. }

A decorative necklace made from vulcanite. It is composed of cubes and circular beads and is rather modern looking although it was made in the late 1800s! Vulcanite was patented in 1846 by Goodyear (the same tyre manufacturer of today), as the patent specified a manner of mixing rubber and sulphur, then heating the mixture to one hundred and fifteen degrees celsius. Often called ‘ebonite’, vulcanite was the most mass-produced rival to actual jet. Its ability to be moulded and not carved, along with a relatively low cost to manufacture made vulcanite a material that was accessible to middle and lower classes of the 19th century, especially at a time when actual jet was the height of fashion. }

A striking Victorian hair pin which could also be worn in a hat. The design is based on a flower with radiating petals in Vauxhall glass. It was made circa 1880 when it was fashionable to wear black jewellery in sympathy with the Queen, Victoria, who was in mourning for Prince Albert. }

An unusual Georgian ring with an inscription on the inside "John Dunn ob (died) March 5.18.14 Ae 55". It has been set with black Vauxhall glassThrough the eighteenth century and on into the middle of the nineteenth, Vauxhall glass was a popular gem substitute. Intense hues of highly reflective purple, orange, red, green and blue were set into butterfly, snowflake and flower motifs on necklaces, bracelets, earrings, brooches and hair combs. Made in the Vauxhall Glassworks in London, this jewellery w... More on the top and around the shankThe circle of metal that attaches to the decorative part of a ring and encircles the finger. More. Vauxhall glassworks was a plate glass factory off what is now the Albert Embankment in the Vauxhall area of Lambeth, London. There is hair inside the glazed section. This ring is size P 1/2 and cannot be resized.}

A good quality 18ct gold and black enamel late Victorian mourning ring set with two diamonds and a natural split pearl. It is engraved inside the shank "RHCJ 18.6.01". }

An early 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold GeorgianJewellery made in the Georgian era (1714-1830). More mourningRings made especially to mark the death of a loved one. Often called 'memento mori' rings. Rare examples survive intact and are highly collectable. More ring that was made in 1727. It is amazing to think that the following events happened in that year. In February Spain besieged Gibraltar, in order to recapture the territory. Also Johann Sebastian Bach's solo cantata, Ich habe genug, BWV 82, premiered in Leipzig. In may The Royal Bank of Scotland was founded by Royal Charter in Edinburgh, and in June George, Prince of Wales, became King George II of Great Britain, on the death of his father. So this little ring was made too to commemorate a life. The top emerald cutA square or rectangular cut stone with a square table and step cut sides. More crystal contains flakes of green colour. It was most likely a bright emeraldOne of the four ‘precious’ stones. An intense, deep green is the most desirable colour for emeralds. Flaws and cloudiness (‘jardin’) are very common in emeralds, so stones are often oiled, irradiated, and dyed to improve their look. Synthetic emeralds have fewer imperfections and are hard to set apart from natural stones. Emeralds belong to the beryl... More green when it was first made, to imitate an emerald which was so rare in those days. It has the original foilA thin metal foil placed behind a gemstone within a closed-back setting to improve its appearance. Metallic foil improves the reflectivity of certain gemstones, whilst coloured foils act as colouring agents when placed behind colourless materials, such as paste and rock crystal. The practice of foil-backing gemstones can be traced back to Minoan times (circa... More inside. A rare survival of that age.}

An unusual Albert (or watch) chain with fine woven hair terminating in to three heart shaped 9ct rose gold sections. The Victorians had quite a morbid passion for braiding human hair, but pieces are keenly collected today as examples from the period. It was made circa 1860. }

A stunning 18ct gold and carved sardonyx portrait ring of Dante. Dante Alighieri was an Italian poet and moral philosopher best known for the epic poem The Divine Comedy, which comprises sections representing the three tiers of the Christian afterlife: purgatory, heaven and hell. It is a great work of medieval literature and considered the greatest work of literature composed in Italian. It is a philosophical Christian vision of mankind’s eternal fate. Dante is seen as the father of modern Italian, and his works have flourished since before his 1321 death. For any fan of Dante this is a special ring to wear. }

A pair of top quality pique earrings, made circa 1880. When Prince Albert died in 1861 Queen Victoria plunged in to mourning taking most of the country with her. It became the fashion to wear all things black, so jet and tortoiseshell were carved in to many forms. At first they were plain then decoration crept in. Tortoiseshell was inlaid with gold and silver intricate designs such as these earrings. Today they are very collectable as reproductions cannot be made. }

An impressive chain which can go around the neck twice or be worn long. It was made in the late Victorian period circa 1890. Vulcanite is a hard, readily cut and polished rubber, obtained by vulcanizing rubber with a large amount of sulphur. It became widely used in the later Victorian period in the manufacture of mourning jewellery. It is more brown than photographs show. }

A good pair of GeorgianJewellery made in the Georgian era (1714-1830). More cut steel buckles which have a left and a right setting in their original case.}

This is strictly a memorialTypically featuring skulls, urns and other symbols of death, these 16th-18th century jewels were inscribed with the names and dates of the deceased.  More brooch/pendant. The centre would have contained a lock of hair. It is gold set with amethysts. Normally I come across garnetDescribes a group of several closely related minerals. Garnets come in a variety of colours, however the most common colour is dark red. In descriptions, ‘garnet’ tends to refer to dark red stones unless otherwise specified. More set similar pieces. This one is more unusual. Circa 1810, with typical repousséThe raising of a pattern in relief on metal by beating from the under side. More gold work.}