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Find Out MoreVictorian 18ct Gold Reverse Intaglio Rock Crystal Tie Pin of a Racehorse & Jockey in Original Case
№
48L
254 Admirers
A beautiful reverse intaglioAn engraved stone, the opposite of a cameo, with a recessed design cut below the surface of the stone. Intaglio designs are common for signet rings and fob seals. More rock crystal tiepin of a horse and jockey. A reverse crystal intaglio is a rock crystal cabochonA polished, not faceted, dome shaped stone - either round or oval with a flat polished base, primarily used as a cut for phenomenal stones such as cat's eyes and stars.
More with an intaglio carved into the flat back. The intaglio was also painted realistically with oils so, that when viewed through the top, the image appears three-dimensional. Finally, the back was sealed in order to preserve the painted areas. The technique originated in Belgium c. 1860 and is attributed to an artist named Emile Marius Pradier. This technique was also practiced in England by Thomas Cook and his descendants who made crystals for Lambeth & Co.
Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolour of the image was painted on the underside of the cabochon and an oil and diamondA precious, lustrous gemstone made of highly compressed carbon. Diamonds are one of the hardest materials known to mankind. Colours of diamonds range from colourless, yellow, orange and brown to almost black. Natural coloured (or ‘fancy’) diamonds can be extremely rare. The cut, colour, clarity and carat weight of a diamond are the criteria jewellers use... More dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images.
The motifs most commonly found are sporting themes – horses, dogs, foxes and birds. This relatively secret process passed through family members, so keeping it exclusive and expectations of quality were very high. They remained in fashion until poorly made glass and plastic imitations flooded the market c. 1920s.
This tie pin is a superb example of the art and is mounted in 18ct75% pure gold (or 750 parts pure gold and 250 parts other metals) More gold with a decorative border. The crystal is backed with mother of pearlThe iridescent inner layer of certain molluscs such as oysters or abalones which is used as a decorative inlay. More.
Item Number
№
48L
Date & Origin
Victorian (1839-1901)
English
English
Provenance
English
Condition
Excellent
Materials
Gold Rock Crystal
Hallmarks
Unmarked, tested to 18ct gold
Measurements
Diameter 2 cm
Length of pin 7.8 cm
Case length 11 cm
Width at widest point 4 cm
Length of pin 7.8 cm
Case length 11 cm
Width at widest point 4 cm
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